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Equinox divides not only day and night but the seasons, too

The new moon winks from sight Friday, obscuring the sun in a total eclipse as seen in a narrow strip over northern oceans. Only residents of a few scattered islands between northern Great Britain and Greenland will see the full eclipse, but viewers across Europe and parts of Asia and Africa will see a partial eclipse.
    The nascent crescent moon returns just after sunset Saturday low against the western horizon. Look just above the crescent’s right tip for Mars, so faint you might need binoculars to see it. In contrast, Venus blazes a dozen degrees above the moon and puny Mars.
    The moon is much easier to spot Sunday evening, now to the left of Venus. About a fist-width to the upper right of the Evening Star, look for the second-magnitude star Hamal, the brightest in the minimalist constellation Aries.
    Monday, the waxing crescent moon shines well above Venus and below the Pleiades star cluster. Venus is so bright you can see it before the sun sets, but you’ll need full darkness to see the stars of the Pleiades, which make up the shoulder of the constellation Taurus. With the unaided eye, most people can see only six of the Pleiades, also known as the Seven Sisters. With binoculars, however, there are far more stars than sisters. The Pleiades is an interstellar incubator of gas and dust with thousands of stars dating back 100 million years. A mere 430 light-years from earth, the Pleiades is one of the nearest star clusters.
    Tuesday, the moon passes close to Aldebaran, the red eye of Taurus the bull, and the constellation’s other star cluster, the V-shaped Hyades. In Greek myth, these were nine sisters, daughters to Atlas and half-sisters to the Pleiades, which are off to the right. The Hyades mark the face of the bull.
    Friday’s vernal equinox ushers in spring for us in the Northern Hemisphere. At 6:45pm EDT, the sun hovers directly above the equator. High above the equator extending into space is another equally imaginary line, the celestial equator, which divides the heavens into a northern and a southern hemisphere. For the past six months, the sun has been in the southern celestial hemisphere, robbing us of more daylight the farther south it dips.
    Since winter solstice the sun has inched away from its southern nadir, and our days have grown longer. On the vernal equinox, the day is divided more or less equally between light and darkness.
    For the next three months, the sun climbs higher and higher into the northern celestial hemisphere before reaching its northern apex above the Tropic of Cancer on the day of summer solstice. Then it spends another three months slowly dipping southward to the second point of balance, the autumnal equinox.

Vote bracket by bracket for the Live ­Science champion

Which scares you more? A scorpion crawling up your leg? Being devoured by the King of the Jungle? Swimming with a killer whale?
    As March Madness brings the nation’s top college basketball teams into quick-death competition, the website Live Science jumps in with a parallel competition in the Animal Kingdom. Bracket by bracket, you’re invited to advance your worst fears in its no-holds-barred Killer Animal Tournament.
    Starting March 16 and for the next three weeks, vote for the animal you believe should win in four divisions: Land, Air, Sea and Creepy-Crawly. As eliminations progress, you’ll vote in new pairings until, from 16, only eight, four, two and one are left standing.
    Competing are:
    Land Lubbers: African lion versus white rhino; and polar bear versus African elephant.
    Creepy Crawlers: king cobra versus Brazilian wandering spider; and poison dart frog versus deathstalker scorpion.
    Sea Dwellers: killer whale versus saltwater crocodile; and great white shark versus hippo.
    Airborne: African-crowned eagle versus mosquito; and lappet-faced vulture versus peregrine falcon.
    Cast your votes at www.livescience.com/49887-deadliest-animal-tournament.html.
    Share your votes on social media using the hashtag #LSAnimalMadness.
    Watch for the announcement of the Killer champion on April 6 at 3pm.
    Local shout out: Two of the contenders earn a local shout out. Peregrine falcons in residence on the 33rd floor ledge of the Transamerica skyscraper in downtown Baltimore are now Reality Television stars. See them live 24/7 at the Chesapeake Conservancy’s new webcam: www.chesapeakeconservancy.org/peregrine-falcon-webcam.
    In a science first, an Andinobates geminisae froglet has hatched in captivity, Smithsonian Institution researchers report. This tiny poison dart frog, the size of a dime, is a conservation-priority species in its native Panama because of an amphibian-killing chytrid fungus.

An old story marred by modern filmmaking

Jimmy ‘The Gravedigger’ Conlon (Liam Neeson: Taken 3) was once the most feared man in New York. Suspected of having killed dozens for his best friend, mob boss Shawn Maguire (Ed Harris: Frontera), he’s eluded all efforts to pin a body on him.
    Jimmy’s crimes have caught up to him in other ways. He can’t sleep because of dreams of people he slaughtered. His son Michael (Joel Kinnaman: The Killing) will have nothing to do with him. Jimmy drowns his guilt in booze, stumbling from bars to his hovel of a home.
    To the Maguire mob, he’s a washed-up old man who used to be somebody. But he’s still Shawn’s best friend, and the ruthless mob boss tries to help him fight his demons. Shawn always saves him, no matter how drunk, belligerent or broke.
    Until Jimmy kills Shawn’s only son.
    Jimmy takes the shot to save his own son Michael, who happens to be the only witness to a Maguire murder. Now nearly insane with grief, Shawn orders every killer he’s ever worked with to hunt down Jimmy and Michael.
    Michael must in turn trust the ­violent father he has shunned for decades.
    Can the duo patch up their relationship while avoiding every thug and dirty cop in New York?
    At heart, Run All Night is an old-fashioned crime story about family ties, vengeance and the mark violence leaves on families. With subjects so rich, it’s a shame that director Jaume Collet-Serra (Non-Stop) values style over substance.
    Collet-Serra seems to be directing a video game set randomly throughout New York’s five boroughs. The movie is filled with aerial views of the city that zoom into minute details at nauseating speeds. He has no interest in justifying his slapped-together action sequences. When Jimmy and Michael are trapped in a seeming dead end, Collet-Serra cuts away to the cops. By the time he cuts back, the Conlon boys have escaped. How? The director doesn’t care, so why should you? The only one who seems to be paying attention to the action is Neeson. Jimmy’s ankle is injured in a fall, and to his credit, Neeson remembers to lumber along in at least 60 percent of the subsequent scenes.
    Female characters also follow the video game tradition, speaking only when they are nagging the beleaguered main characters.
    In Collet-Serra’s fantasy version of New York City, traffic is minimal unless there’s a car chase, there is ample street parking and all trains run on time. The citywide manhunt for the Conlons never affects traffic patterns. With transportation so simple, why don’t father and son hop a train out of town?
    Run All Night is redeemed by its leads, two veterans who know how to mine good material out of poor direction. Neeson and Harris play beautifully off each other. Neeson can pull off the dangerous dad in his sleep, but he perks up when Harris joins him on screen. Harris manages to make Shawn frightening, intimidating but oddly human. He clearly loves Jimmy, but this he can’t forgive.
    If only the director had focused on their relationship …

Fair Action • R • 114 mins.

Hard-working pods make fat peas

March 17 is the day many gardeners plant peas. So it’s time to know a little about them.
    Did you know that the green pea pod generates most of the energy needed to swell the peas in the pod? It would seem that the leaves on the vine would be contributing. However, research shows that only the leaves immediately adjacent to the pod contribute to the formation of the flowers and the pod itself. Once the pea pod has formed, it generates the energy that causes the peas within to expand. 
    This discovery was made after a researcher wrapped up a newly formed pea pod. At that stage of growth, the pod was flat. Covered with opaque tape, the pods did not produce peas. Covering one-half of the pod produced small peas. Different colored opaque materials gave similar results.
    To study the energy source that produced the pod, he removed one, two or three leaves above and below the flower on the vine. Removing leaves adjacent to the flower reduced the size of the pod. Removing leaves from the vine above the flower had no effect. Removing two of the leaves below the flower had the greatest effect on reducing the size of the pod. Removing the third leaf below the flower had little effect. Thus, the leaves closest to and below the flower had the greatest effect on the growth of the pea pod.
    This is more than an idle-hands study. It proves the importance of proper spacing of seeds and of growing peas where they will receive maximum sunlight. If you use too many seeds, the plants will be crowded, causing more vine and fewer pods and peas because both the pods and the adjacent leaves will most likely be shaded.
    Peaches, plums and apples have similar leaf and fruit association. Only the leaves adjacent to the fruit generate the energy to cause the fruit to grow and sweeten. All of the other leaves on the tree provide energy for the tree to grow new leaves and branches. This is another good reason for pruning because pruning allows the sun to penetrate to the regions of the tree where fruit is growing.
    The knowledge gained from such studies has resulted in the development of new pruning and training practices. If you visit a newly planted orchard, you will see apple, plum and peach trees being trained on trellises to minimize the growth of the tree and to maximize fruit production. 
    This knowledge has helped us understand partitioning. Partitioning means that plants have evolved systems for diverting energy for specific purposes. Most of the leaves on pea vines and fruit trees are designated to grow the plant. Only those leaves nearest the flower and fruit produce the energy to grow the fruit. In the case of the pea, the photosynthesis of the pod produces the energy to grow the peas within.


Ask Dr. Gouin your questions at DR.FRGouin@gmail.com. Please include your name and address.

Pickerel don’t mind the weather

The nasty weather variations have made angling difficult. A day of moderate temperature has usually been followed by extreme cold and sometimes even blizzard conditions, weather not conducive to any consistent bite.
    The chain pickerel, however, tolerates wild, frigid weather. When the majority of our Tidewater fish are hiding in deeper water waiting for snow to melt and conditions to warm up — or at least stabilize — the pickerel is still cruising the laydowns. Holding around any available structure, it waits for some lesser creature to make a mistake.
    With its large mouth, needle-sharp dentures and long, lean powerful body, the pickerel is the ideal predator, fast and deadly. It can tolerate brackish water to a high degree, so it thrives throughout the middle to upper reaches of most Bay tributaries and virtually all of our lakes and impoundments.
    The grinning devil feeds on minnows, grass shrimp, crabs, goslings, ducklings, snakes, frogs — any small bird or rodent that happens to fall in the water and just about any sized fish it can trap in its toothy grip. Right now, it is gathering in fresher water to ambush yellow and white perch that have begun venturing up toward the headwaters of our rivers and streams to spawn.
    While the larger, older pickerel (up to eight pounds) tend to be loners, the younger sizes will gather in small schools, the better to round up and feed on the eating-sized fish moving into their areas. Pickerel are also preparing to spawn later this month and early next.
    When temperatures plunge and make fishing for crappie, white perch or yellow perch a losing proposition this spring, you can always count on the pickerel to improve your day. No matter what the temperature, if you can get out on the water, there’s a good chance you can find the water wolf.
    Medium- to lightweight spin, casting or fly tackle are ideal for tangling with the chain pickerel. It got that moniker because of the iridescent-green, chain pattern that lights up its flanks. It is also called grass pike, green pike, federation pike, jackfish, and my favorite, water wolf.
    Since the pickerel’s teeth are grasping teeth (rounded shafts but sharply pointed), a steel leader is not necessary. Any line greater than eight-pound-test will generally get your fish to hand. If you’re lunker-hunting or want to be extra careful, a short section of 15-pound mono spliced onto your lighter test fishing line will ensure against cut-offs.
    A net or fish glove is advisable when landing them, as they have a very slippery coating on their body. Use long-nosed pliers for unhooking. That mouthful of teeth can cause some damage if you’re careless.
    Grass pike like to attack small to medium flashing lures like spinner baits, spoons, brightly colored jigs and silver or gold crank baits. Tony Accetta spoons in sizes 12 and 13, squirrel tail-dressed Mepps spinners in sizes 3 and 4 and Super Rooster Tails in quarter-ounce sizes are my favorites during the colder months. Adding a lip-hooked minnow onto the spoons are especially effective.
    The best crank baits are smaller sized Rat-L-Traps, Rapalas and Zara Spooks. The best flies are sizes 2 to 2/0 Lefty Deceivers in bright colors and Clousers in chartreuse and white or all black. Small and medium poppers will get their attention some days and add some surface violence to the mix.
    As the weather gets warmer, pickerel will move into thicker and thicker cover. During hotter months, try throwing a floating or swimming weedless rigged frog onto lily pads, weed beds, sunken brush and laydowns. There will likely be a water wolf lurking there.

We’re the top strata

History is the byproduct of daily life.    
    Dip a toe or jump into Maryland Day celebrations and you drift into that conclusion.
    That’s the plan. It’s been maturing for eight years under the direction of the Four Rivers Heritage Area, Anne Arundel County’s variation on the statewide program devoted (and funded) to keeping our culture alive. Some four-dozen partners join in this historic weekend. Each brings its particular interest. So much of Maryland history is on display. So many real people guide you into the human archaeology of the places we now occupy.
    So finally it dawns. We’re the top strata, laying the record of our lives on top of the layers deposited by all the people who’ve come and gone before us.
    Of course, history is a big deal in Anne Arundel County, and Maryland Day — make that weekend — makes it a party drawing lots of us in.
    History is going on just as fervently all around us.
    Just last weekend, Calvert shined the light on women writing 21st century history by the lives they are living. For 14 years Calvert has brought its Women of the World to the fore at Women’s History Month. This year, nine organizations collaborated to honor 14 women and girls at work all around us, as teachers, Scouts, judges, mediators and civic volunteers.
    Seven organizations join the Calvert Commission on Women and League of Women Voters to show the breadth of the reach of women making history by improving the quality of present life.
    Among them, the youngest were schoolgirls, seventh-graders Nina St. Hillaire and Danielle Frye and ninth-grader Dia Brown. Their achievements were History Fair projects celebrating “the heroine in our own backyard.”
    Their subject, Harriet Elizabeth Brown, probably knew she was making history when she enlisted NAACP attorney Thurgood Marshall to sue for equal pay for black teachers. But her real goal was equality: Her $600 salary bought a lot less living than the $1,100 salaries of white teachers in 1930s’ Calvert County.
    So too, each of the 14 is making history as the byproduct of daily work for our times.
    They are Amber Bayse, Calvert Memorial Hospital Foundation … Madeleine Buckley and Dayna Jacobs, Girl Scout Council … Marjorie Clagett, County Administrative Judge … Ella Ennis, volunteer … Jennifer Foxworthy, business leader … Nancy Highsmith, educator … Joy Hill, the Boys and Girls Clubs of Southern Maryland … Gladys Jones, Chamber of Commerce … Morgan Lang, student and woman of tomorrow … Daniella Lenzly, Concerned Black Women … Julie Morrison, Calvert Collaborative for Children and Youth … Janet Scott, Community Mediation Center … and the League of Women Voters Study Team on Transparency in County Government.

Sandra Olivetti Martin
Editor and publisher; editor@bayweekly.com

What you don’t know can kill a tree

Did you know that only roots less than one inch around are capable of generating new roots from the cut end? Did you know that the cut end of a small root can only grow three new roots at the most?
    Roots are not like branches. When you prune away the end of a branch, you stimulate the development of side branches. Root regeneration only occurs at the ends of the cut root.
    Root pruning is common in commercial nurseries where large trees are grown in the ground. Root pruning starts when the seedlings or rooted cuttings are first planted in the field, always after woody plants have stopped producing new leaves in the first flush of growth. It works to stimulate multiple branching of roots as close to the stem as possible so when the plant is dug and transplanted into your landscape, it will have a better chance of survival. Roots are typically pruned every two years with greater distance from the trunk each time.
    It’s done by making a circle of deep cuts at the plant’s drip line, severing the roots with a sharp spade.
    Root pruning during shoot elongation and leaf growth often results in severe wilting and loss of foliage, thus weakening the plant.
    However, there comes a time when the plants become too tall or wide and root pruning is no longer feasible. If root pruning were delayed until pruned roots are larger than one inch in diameter, many trees would die because large diameter roots are unable to generate new roots.
    So you take a risk when you decide to dig up a well-established plant to move it or cultivate a plant from a wooded area for transplanting into your landscape. Pruning away branches to achieve a balance between the top and the loss of roots only makes matters worse.
    Large roots can be stimulated to generate new roots by inserting toothpicks into the sides of larger cut roots. Soak wooden toothpicks in a concentrated solution of rooting hormone. Wearing latex gloves, use an icepick to pierce a hole in the side of the root and insert a treated toothpick into the hole. The rooting hormone in the treated toothpick will stimulate new roots to grow from the side of the large roots.

Connecting communities through King and art

Dr. Martin Luther King’s message will see you through any month of the year, as readers young and old will learn in Love Will See You Through. In it, King’s niece, Angela Farris Watkins, draws six principles the civil rights leader followed as he promoted peace and non-violence.
    Each core belief is explained with an anecdote from his life, making the book both guide and biography. As African Americans in Montgomery, Alabama, protested bus segregation 50 years ago, King told his followers to Have Courage. When King led a march against housing discrimination in Chicago, a rock hit him in the head. Knocked down, he stood up and marched on, proving his commitment to Resist Violence.
    Annapolis artist Sally Wern Comport’s exuberant illustrations match the real life drama of King’s mission. She found inspiration for her work in the bold posters of the 1960s.
    “What a great connector art is, and what a great connector Martin Luther King’s words are,” says Comport, speaking of the Annapolis Art District’s book launch March 13. “We wanted to use the book as a reason to connect communities through art. All ages, all neighborhoods are welcome.”
    Comport has a history of making community connections through art. Starting in 2007, she co-chaired ArtWalk, which made Annapolis an outdoor public art gallery.
    Teaching studio ArtFarm and neighboring Compass Rose Theater have arranged a dramatic opening, with music, theater, meditation and art. Comport’s original illustrations pair with collages created by young artists from Girl Scout Troop 1812 and The Annapolis Boys and Girls Club.
    Join the celebration at the ArtFarm Studio, 47 Spa Rd., Annapolis Friday March 13 6:30-9pm. Books also sold at the Annapolis Bookstore.

With actors this delightful, who needs a plot?

The Best Exotic Marigold Hotel is a success, thanks to the assistance of former housekeeper Muriel (Maggie Smith: Downton Abbey) to proprietor Sonny Kapur (Dev Patel: Chappie). With retired British ex-pat pensioners filling nearly all the rooms, Sonny seeks to expand his empire by buying a second hotel. To realize his dream, Sonny must court rich American investors.
    The Best Exotic Marigold Hotel must pass an undercover hotel inspection before the American company will put up the money. Meanwhile, Sonny is planning his wedding to Sunaina (Tina Desai: Sense8), who has had about enough of playing second fiddle to a hotel.
    Marigold’s residents are also considering some major changes. Widow Evelyn (Judi Dench: Philomena) is considering a relationship with her long-devoted admirer Douglas (Bill Nighy: Pride). Sexy Madge (Celia Imrie: What We Did on Our Holiday) must choose among her wealthy lovers. New couple Norman (Ronald Pickup: Call the Midwife) and Carol (Diana Hardcastle: Good People) must decide on — or against — fidelity.
    The arrival of two new guests — writer Guy Chambers (Richard Gere: Time Out of Mind) and Lavinia (Tamsin Greig: Episodes) — brings upheaval. Is one of them the inspector? Can Sonny love a hotel and a wife? Will the Marigold’s guests start a second life in a new home?
    The Second Best Exotic Marigold Hotel is the cinematic equivalent of one too many candies: over indulgent, too sweet, but enjoyable.
    This time, director John Madden seems to have forgotten what drew crowds the first time. In Second Best Exotic Marigold Hotel, he spends entirely too much time on the younger generation. Sonny’s woes are of little interest compared to the pensioners finding a new spark in their lives.
    When Madden turns to the greying residents of the Marigold, the old magic returns. Dench and Smith, chums on and off the screen, light up the movie with their interactions. Dench is sweetly funny as a woman who finds success in business and love at 80. Her stumble toward independence is delightful and touching.
    Smith delivers the acerbic, wry performance she has become famous for in her golden years. She could arch an eyebrow and deliver a hilariously cutting insult in her sleep; no one can do it better. In the sequel, however, Madden chooses to expand her role, exploring her relationship with Sonny. Muriel has progressed from casually racist ex-pat to fiercely protective maternal figure to Indian Sonny. Their relationship is the backbone of the story and far more poignant and interesting than Sonny and his love.
    The Second Best Exotic Marigold Hotel is not as much fun as the first, but it has charm enough to make you glad you checked in.

Good Dramedy • PG • 122 mins.

65 Years of Broadway! deserves its !

Long synonymous with musical theater excellence, 2nd Star Productions had a brilliant 2013-14 season with Children of Eden nominated for a WATCH Award as Outstanding Musical and Hello Dolly winning a Helen Hayes Award for All-Around Production Excellence.
    Now the company is celebrating with a star-studded musical revue.
    65 Years of Broadway! The Best Musicals, Abridged is a lively retrospective featuring all the Best Musical Tony Award-winning shows since 1949. The first — Kiss Me, Kate  — happens to be 2nd Star’s next show.
    The cabaret is compiled by Nathan Bowen, a WATCH nominee for Outstanding Featured Actor in a Musical for his role in Hello Dolly. In it he conveys both his passion for this genre and his comic appreciation of its excesses.
    Many tastes will find satisfaction here with 12 actors on a very small stage, performing under Bowen’s whimsical direction. You will thrill one minute to Phantom of the Opera and chuckle the next at the sight of the men’s chorus pirouetting and groveling on bended knee in All I Ask of You. The zealous young missionaries in Hello from The Book of Mormon will have you praying for breath from all the laughter. Then you get to sing along in the perennial favorites The Sound of Music, Cabaret, and Seasons of Love from Rent.
    With 65 songs in total, the entire cast gets to shine. E. Lee Nicol, star of Children of Eden, will break your heart in Not My Father’s Son (Kinky Boots) and I Am What I Am (La Cage aux Folles), then take you to Shangri La in Stranger in Paradise (Kismet).
    Pam Shilling — nominated for a WATCH award for Outstanding Feature Actress in Hello Dolly! — is exquisite in Send in the Clowns (A Little Night Music), Memory (Cats) and Bye Bye Blackbird (Fosse).
    Bowen, ever the comedian, gets to Put On a Happy Face (Bye Bye Birdie) and reunite with Dolly costar Daniel Starnes in Muddy Water (Big River) and in trio with Nicol for The Egg (1776). Starnes also shines in soli written for a young man of his age: Miracle of Miracles (Fiddler On the Roof) and All That’s Known (Spring Awakening).
    Cheryl Campo is empowering in Nothing (A Chorus Line), Shadowland (The Lion King) and As If We Never Said Goodbye (Sunset Boulevard).
    Emily Mudd shows off her vocal and acting range in Think of Me (Phantom of the Opera) and Buenos Aires (Evita).
    Michael Mathes, with his falsetto channeling of Frankie Valley, is so spot-on that when the male chorus spins into Sherry (Jersey Boys), you will swear it’s the recording.
    Young Sophia Riazi-Sekowski will touch you in Maybe (Annie). Geneva Croteau gets you dancing in I Can Hear the Bells (Hairspray). Cheramie Jackson gets into the groove in They Can’t Take That Away From Me (Crazy for You), Josh Hampton in What Do You Do (Avenue Q) and Alexandra Baca in Breathe (In the Heights). There’s even a stirring ensemble acappella rendition of Gold from Once.
    All the big composers you remember are represented here: Porter, Gershwin, Rodgers and Hart, Hammerstein, Bernstein, Hamlisch, Herman, Webber, Sondheim, and 35 others you may have forgotten or never knew about. There are also pop names that might surprise you such as Roger Miller, Elton John and Cyndi Lauper.
    This collection will not only get your toes tapping and your heart thumping but also pique your desire to check out Broadway’s more recent hits.
    Two hours (plus intermission) of pleasure for all ages.


Sixty-Five Years of Broadway! The Best Musicals, Abridged: Directed and Produced by Nathan Bowen. Musical director and accompanist: Laura Brady.

Playing March 13 & 14: The Shop, Cape St. Claire, Annapolis. $20: 410-757-5700; ­www.2ndstarproductions.com.