Fancy a spot of mystery to sharpen the old mind after summer’s idyll? Then you must check out Sherlock’s Last Case by Charles Marowitz, showing at Colonial Players through September 26. While I am forbidden by Colonial and Scotland Yard to divulge the particulars of this brilliant whodunit, trust me when I say Annapolis’ grand dame of amateur theater has produced another winner with this escapist spoof, rich in one-liners and plot twists.
Here we have Sherlock Holmes (Jim Gallagher), sleuth extraordinaire, at his best: an aficionado of violin, fencing, handwriting analysis, history, chemistry, psychology, yoga and Jiu Jitsu, with a peerless intellect and ego to match. So what if Marowitz’s Sherlock is a touch more pompous than we remember? He has earned that privilege, especially since he dispatched his evil nemesis, Dr. Moriarty.
Enjoying retirement at his cozy Baker Street home, Holmes is ensconced in silk settees and smoking jackets, listening to chamber music and bantering with his loyal associate Dr. Watson (Nick Beschen), that jolly good fellow. Blessed is the man who can count on such an indulgent friend. There’s also efficient housekeeper Mrs. Hudson (Lisa KB Rath), upon whom they both rely for sustenance and the civilizing touch of a woman. She also comes in handy for amusement, as Holmes loves to joke about her parsimonious Scottish nature. Other than such entertainment and the newspaper, however, life is so boring that Holmes has taken to the opium pipe with renewed gusto.
Then a letter arrives from Moriarty’s outraged son, Damion, followed by a visit from his daughter, Liza (Erin Leigh Hill). A delicate auburn-haired beauty who catches Holmes’ attention with her fair looks and temperament, Liza understands her late father’s faults all too well and has come to arrange a truce between Holmes and her brother, who resides in (shudder) America. No sooner has she left, however, than a mysterious assailant hogties Watson in the closet and threatens Holmes with death. Enter the venerable Inspector Lestrade (Morey Norkin), and by scene three the thriller is off and running.
Marowitz’s script, winner of the Louis B. Mayer Award, challenges the audience to solve the perfect crime by thinking beyond the evidence and taking nothing for granted. It also entertains with such a rich repertoire of parodies and puns that you will find yourself stifling laughter so as not to miss the next zinger.
This production, directed by Beth Terranova, is brilliantly cast with Gallagher delivering a spot-on Sherlock. Beschen, though a touch soft-spoken, brings lovable new dimension to the typically circumscribed Watson. The Victorian costumes — by Carrie Brady with Regina Todd — are stunning, and the accents — coached by BettyAnn Leesberg-Lane — melodious. The only hole in this show is the lighting: so dark during the two key suspense scenes as to be soporific, and so bright with black light effect at curtain as to be blinding.
This is a don’t-miss, even for those who, like yours truly, don’t ordinarily go in for mysteries. If it’s entertainment you’re after, it’s elementary.
Two and a half hours with intermission. Includes simulated smoke, gunfire and blood.
Th-Sa 8pm, Su 2pm, plus 7:30pm Sept. 13 (Sept. 13 only, students free with available seats at curtain time); thru Sept. 26. 108 East St, Annapolis, $20 w/discounts, rsvp: 410-268-7373.