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Articles by Jane C. Elkin

You’ll welcome the light after two dark hours

Nostalgic for mudslinging yet? If so, you must see Colonial Players’ production of Sunlight, a thoughtful and well-acted tale of academic and family discord over post 9/11 foreign policy.
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Plenty of gore and breathtaking power, but at 2¾ hours, it demands staying power

The online gore-ometer measuring gallons of blood spilled in The U.S. Naval Academy Masqueraders’ production of Titus Andronicus reached five gallons after opening night. With nine onstage murders, one rape, six dismemberments and one incidence of cannibalism, the midshipmen were determined to milk Shakespeare’s bloodiest play for every drop.
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The consequences of a moment last a lifetime

Remember the worst thing you ever said, the words you wish you could take back? The worst thing you ever, the act you wish you could undo? Of course we do, which is why Athol Fugard’s award-winning Master Harold … and the boys is so riveting.
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Bowie Community Theatre’s Dracula
 

Time is short, and it’s bloody frightful. This much we sense from the moment we enter the theater, where a towering clock face in crimson and coal looms over the stage, its second hand racing. A vampire feasts on a maiden. A rampaging lunatic cackles and cowers. Scrim up. Welcome to The Bowie Community Theater’s Dracula, an ­otherwise pallid reflection of a classic.
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Discovery is half the fun in 2nd Star’s Bloody Murder

The marquee outside the Bowie Playhouse is only slightly exaggerating in promising You’ll Die Laughing at 2nd Star Productions’ season opener, Bloody Murder. This is far and away the best non-musical I’ve ever seen under this roof. A creative new show from a new playwright, it’s just the thing for audiences who like to think outside the box and appreciate brainteasers, puns and Brit-bashing....

This escapist comedy makes your problems insignificant by comparison

With Love, Sex and the I.R.S., Bowie Community Theatre promises “a wild farce with twists of fate, sight gags, mistaken identities and hilarious comic lines.”
    That’s accurate if you get your laughs from chauvinistic stereotypes, drunkenness and cross-dressing. Judging from audience reaction, Bowie Community Theatre does it darn well.
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Mixed results for Infinity Theatre’s kids fare

Infinity Theatre’s second summer in Annapolis is a busy one, with not only two musicals but also two children’s plays. Stories Live and in Person, playing Saturday afternoons, is a New York revival billed as a show to introduce the fun of seeing and hearing live theater to teach appreciation of the real thing to kids so plugged in that the lines blur between private and public space.
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A terrific kids’ show — no kidding

Lies. Falsehoods. Tall tales. Call them what you will, some children cling to them long after attaining the age of reason, and Infinity Theatre is to be applauded for broaching the topic with a humorous touch in founder Alan Ostroff’s original play for three to 10-year-olds, The Tall Tales of Enoch.
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Infinity Theatre presents a gem of a time capsule that sets a new standard for local entertainment

Infinity Theatre Company opened a second summer season at the Children’s Theater of Annapolis to a full house Saturday night with Sisters of Swing, a musical memoir about the Andrews Sisters. With a savvy marketing plan that brings New York talent and tourists to our Capital city — plus kids’ shows at the Bay Theatre Company — Infinity sets the new standard of excellence for local entertainment.
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You’ll come away humming all the standard hits and ready to rent the classic film

Fiddler on the Roof, Broadway and Hollywood’s golden chestnut, is rich as rugelach, oozing joy and pathos. The tale of a Jewish village in Revolutionary Russia was destined for success in the hands of 2nd Star Productions, a troupe with a track record of musical triumphs. But Oy! God is not always so quick to grant his blessings....