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The scariest part of this movie is paying see it

      Sean (Robert Sheehan: Mute) dreams of being a professional photographer. He takes his craft seriously and won’t take any job he considers beneath him. Thus limited, he shoots only random things on the street and his semi-naked girlfriend. 
       Until Sean and his buddy come up with a moneymaking scheme. As valets at a local Italian eatery, they lay hands on many car keys. While the customers are dining, the valets loot their homes. 
        The scheme goes wrong with Cale Erendreich (David Tennant: Jessica Jones).
       In Erendreich’s house, Sean discovers a locked room. Instead of jewels, inside he finds a bound and beaten woman. He can’t break her chains but promises to find a way to save her.
       From a pay phone, he calls the police, but doubling back he sees that the cops won’t enter the residence. His second strategy is to bait Erendreich into the open. Now he’s engaged in a game of cat-and-mouse with a serial killer. 
       Poorly shot, bizarrely plotted and hilariously acted, Bad Samaritan is a victim of serial bad choices. Director Dean Devlin (Geostorm) is bad at character development, cinematography and pacing.
      Acting is bad, too. Sean isn’t a particularly interesting hero. Erendreich is supposed to be a terrifying serial killer, but his evil machinations are pretty much limited to prank phone calls and sexting. ­Tennant gives us a villain who glowers, bugs his eyes and snarls through every scene, an odd choice for a movie that takes itself pretty seriously. 
        This movie is so bad that the only entertainment you’ll get from it is the fun of mocking it. 
Thrill-free Thriller • R • 110 mins.
 
 
~~~ New this Week ~~~
Breaking In
      After the death of her father, Shaun (Gabrielle Union) and her kids prepare his home for sale only to find a recently installed security system that makes the house nearly impregnable. 
      The reason for this becomes clear when a violent gang shows up. She fights off her attacker, but the kids are locked in while the bad guys search for something Shaun’s father has hidden. 
       To save her kids, Shaun takes out the bandits one by one.
      This is the Mother’s Day movie for the tough mom in your life. If you and your mom bond over Crossfit or Dirty Harry movies, this one’s for you. 
Prospects: Flickering • PG-13 • 88 mins.
 
Disobedience
       Ronit (Rachel Weisz) is expelled from her Orthodox Jewish community in London for her same-sex relationship with best friend Esti (Rachel McAdams). Moving to New York, she becomes a successful photographer but grieves for her lost family and friends. When the death of her father takes her home, she rekindles her relationship with Esti, now married to a prominent rabbi. 
       Director Sebastián Lelio, who gave us the Oscar-winning A Fantastic Woman, is known for respectfully exploring women’s issues. Both McAdams and Weisz are brilliant performers able to carry the nuance of a complex drama.
Prospects: Bright • R • 114 mins. 
 
Life of the Party
       When Deanna’s (Melissa McCarthy) husband dumps her, she pursues the dream of finishing her bachelor’s degree, enrolling in her daughter’s college and moving into a dorm. She and the doubtful daughter bond, and soon Deanna is the life of every party.
        McCarthy is gifted at both physical and verbal comedy. With the right script, there isn’t much she can’t do. This getting-her-groove-back flick — complete with makeover, sex with a cute guy and reconnection with family — doesn’t set the bar high.
Prospects: Flickering • PG-13 • 105 mins. 
 
RBG
       This documentary follows feminist icon Ruth Bader Ginsberg from Harvard Law School, where she is one of the first women admitted, to civil rights activism, to the U.S. Supreme Court. 
       The filmmakers are admirers, so don’t expect challenges to this legend of justice. But if you want to know more of the life story of one of the most powerful women in America, this should be well worth the ticket. 
Prospects: Bright • PG • 97 mins. 

Disney puts all its heroes in one basket in this epic action movie

     The once mighty Avengers are in tatters. Tony Stark (Robert Downey Jr.: Spider-Man: Homecoming) and Captain America (Chris Evans: Gifted) are feuding. Thor (Chris Hemsworth: 12 Strong) is drifting in space after destroying his home world to save his people. Hulk (Mark Ruffalo: Thor: Ragnarok) is still trying to find himself. 
      The divided heroes reunite to battle a baddie of galactic proportions.
      Thanos (Josh Brolin: Only the Brave) is a space invader obsessed with bringing balance to the universe. It’s his goal to eliminate half the lifeforms throughout the universe to counter overpopulation and dwindling resources. 
     Flashy, entertaining and shallow, Avengers: Infinity War is big-budget popcorn entertainment. Directors Anthony and Joe Russo (Captain America: Civil War) craft a bombastic confluence of seven superhero franchises. It’s a well-balanced film, given the size of characters and number of storylines. The Russo brothers also come up with a few unique character pairings that make the movie a blast to watch. 
       But as in any good Marvel movie, the real test is the quality of the villain. As power-mad galactic terrorist Thanos, Brolin turns in a surprisingly complex performance. His Thanos is committed to his task but not devoid of emotions. He loves his daughter Gamora (Zoe Saldana: My Little Pony: The Movie), but won’t allow her to stand in the way of his mission. For a man bent on destroying half the universe, he’s surprisingly likeable. 
        As in most Avengers movies, there’s not time for deep characters. But that doesn’t mean the film lacks heart. Hemsworth, Downey and Saldana all have great dramatic moments. With plenty of comedy to counteract the grim plotlines, the movie also never veers too far into darkness.
       On a more practical level, for a film with an astronomical budget, Avengers: Infinity War has some surprisingly shoddy effects. A few CGI shots are almost laughably bad, and the main battle is filled with disposable monsters that are neither scary nor interesting. It’s a little disappointing that a movie guaranteed to break box office records can’t take care in its craft. 
      Fans of Marvel’s Avengers series will find this easily the best of the three films. It’s breezy, entertaining fun.
Good Action Adventure • PG-13 • 149 mins.
 
 
~~~ New this Week ~~~
 
Bad Samaritan
       Sean Falco (Robert Sheehan) is a valet who drives the cars he’s supposed to park to their rich owners’ homes for burglaries.
       It’s a lucrative scam until it isn’t.
       In the middle of a break-in, Sean finds a woman who’s bound, gagged and pleading for help. Afraid he’ll be arrested for breaking into the house, he leaves her and calls the police. When the cops find nothing, he’s stricken with guilt.
Now, he has two problems: First, he’s horrified that he might have gotten a woman killed. Second, homeowner (David Tennant) knows who he is and intends revenge. 
        A thriller about the dangers of doing the right thing, Bad Samaritan promises a tense cat-and-mouse game of Hitchcockian thrills. 
Prospects: Flickering • R • 107 mins. 
 
Overboard
       Leonardo (Eugenio Derbez) is a thoughtless wealthy man who treats his servants poorly. He fires harried single mother Kate (Anna Faris) over a trivial matter and refuses her pay. 
       When Leonardo is thrown off his yacht and wakes on the shore with amnesia, Kate sees opportunity. She shows up at the hospital as his wife and brings him home to her kids. Leonardo learns the meaning of work as Kate throws him into a blue-collar job and tasks him with raising “their” kids. 
       Leonardo adapts fairly well to life as Kate’s husband. Soon, the two are edging toward a connection. Will Kate’s lies torpedo their burgeoning relationship? 
       A remake of the 1980s romcom, Overboard is still a highly questionable concept for a film. The gender roles have been reversed from the original, but the movie is still trying to make kidnapping and gaslighting cute and quirky bases for romance. While the older film is perhaps a product of the times, this remake feels hopelessly out of touch. 
Prospects: Dim • PG-13 • 112 mins. 
 
Tully
      Marlo (Charlize Theron) is overwhelmed with caring for three young children. She and her husband aren’t connecting. She’s feeling desperate for some alone time. She worries she’s failing as a wife and mother.
      Though she’s against the idea, Marlo reluctantly accepts her brother’s offer to hire a night nanny for the family. Tully (Mackenzie Davis) turns out to be a godsend for both kids and mother.
       A movie about the problems women aren’t supposed to speak about, Tully will likely strike a chord with mothers everywhere.
Prospects: Bright • R • 94 mins. 

Unique charity helps locals adopt a child and support a widow

      Kadee Corley waits for her phone to ring. The call she expects will change her life, and the lives of her husband Bryan and their seven-year-old son Bryce. Forever.
       They are waiting to hear if the next member of their family is ready to come home. To Odenton. From Bulgaria.
      “We struggled trying to get pregnant with our first child, and after three miscarriages we finally had our beautiful son,” says Kadee.
      Two years later, they discovered Kadee had premature ovarian failure.
       The Corleys began the arduous process of adoption over a year ago.
“We decided to adopt from ­Bulgaria since the process is pretty quick compared to domestic adoptions,” Kadee explained. “Once a match is made, it is just a month or two later that we get to bring a child home.”
       Still, piles of paperwork stand between the Corleys and their new child.
“We have done the home study, filled out all the papers, but now we are dealing with lots of tiny technicalities in the records,” Kadee says.
       On top of the waiting, the Corleys are also feeling adoption’s financial pinch.       They have spent nearly $40,000, refinanced their house, then turned to their community for help.
      “This is our journey as a family,” Kadee says. “It felt really strange to be asking people for money to bring our child home to us.”
       The family wanted to raise money by doing something with a purpose. Online, they found a nonprofit organization called The Both Hands Project. 
      “It was a perfect fit,” Kadee says. 
      Both Hands helps adoptive families raise funds to cover expenses; the familes, in turn, agree to help a widow in need. A family gathers a team of volunteers and Both Hands coaches them to coordinate a service project fixing up a widow’s home. The family and their team also send letters out to raise sponsorship for their day of service. Those funds support the adoption.
       Once the Corleys had their how, they had to find a who.
       “A lot of people thought it was a scam. They couldn’t believe that someone was volunteering to do all this hard work for them for nothing in return,” Kadee says.
       Eventually they found Mary ­Hellman of Deale. 
      “She was under our nose the whole time,” Kadee says. “We initially asked her daughter, who is also a widow, if we could help her, and she sent us straight to her mother instead.”
      The Corleys gathered a group of 25 volunteers, donated supplies and all the elbow grease they could muster to spend 12 hours on an April Saturday working on Hellman’s house and yard.
       Kadee enumerates a long list of projects:
      “We repainted her living room, foyer and dining room; put new shingles on the roof, which was damaged from a recent wind storm; built a ramp and added electricity to her shed; built a new front porch, replaced deck railing and painted the entire back porch; repainted the exterior trim of the house and shed; weeded, mulched and planted an entire garden in front of the house, cleaned out planter boxes and filled them with donated flowers and plants.
      “We filled an entire dumpster of debris,” she says. “We even repurposed some of her late waterman husband’s belongings into décor so she could keep those memories of him.”
       Hellman has, in turn, grown close to the Corley family.
      The Corleys still need to raise $12,000 to completely cover the adoption costs, so their project is still seeking donations: www.bothhands.org/corley-403.

One closes (for now); two open

       Finding a public library in Annapolis this spring has become a lot more interesting.
      The 53-year-old Annapolis Library on West Street is now closed, its building scheduled for demolition. With a new library planned for that same spot — and several pop-ups already open — Annapolitans don’t have to look too far for their public library fix. The Annapolis Library is making its temporary home in Monarch Academy on Capital Drive. And a library experiment has just opened in the Westfield Annapolis Mall. 
       The new Annapolis Monarch Library, opened April 16, is off West Street on Capital Drive, with helpful signs pointing you in the right direction. The library and Monarch Academy charter school share the same building, but the library has its own and separate parking spaces and wing.
       In the entryway, you’ll see large renderings of the digitalized plans for the future public library.
      Past the entry, the library exists as one spacious, airy room, with help desks right at the front and a large children’s section past the stacks. Library staff are eager to answer questions about their new home. 
      Gloria Davis Harberts, regional manager for the area, is accommodating and ready to help patrons out of any confusion. 
      “We had people lining up outside before we opened,” Harberts told me. 
      Almost 9,000 items are already in the Monarch location, and the hold shelves are filling up with requests. 
       Harberts wants to make sure the library’s stay in Monarch brings in more users than ever. Class trips  through the library with Monarch Academy students are already a hit.
       “Some of the students have never been to a public library before,” she says. 
       Creating enthusiastic students and making libraries fun are two goals Harberts hopes to meet. 
 
 
A New Discovery
     Nowadays, you can also go to the library when you’re at the mall. Discoveries: the library at Westfield Annapolis Mall, opened April 30. The 3,000-square-foot space is nestled next to Crate and Barrel in the west wing of the mall, across from the Under Armour store.
     “We believe this new library will open many people’s eyes to what a modern library is and does,” Anne Arundel County Public Library chief Skip Auld says. “Public libraries have transformed from simply being places where people pick up their reading or viewing or listening materials to places where people gather to see friends and neighbors and make new friends, to learn from programs.”
      Technology and entertainment play a large role in this space, with a 3D printer, laptop rentals, self checkout, free movie streaming and online tutoring. 
      New Discoveries branch manager Rachael Myers and her team have lots of new programs in the works, many focused on children and teens. There will be early literacy programs and a Discovery Dock children’s area, along with a bilingual reading corner every Tuesday morning.
      To help make the library a creative community, the Annapolis Arts Alliance has partnered with Discoveries Library to showcase local art in the space. The pieces will be changed regularly to feature new artists and new types of art.
      The Discoveries Library is also more accessible to readers and shoppers with Saturday hours, 10am-5pm. 
      “This branch is completely separate and different from the Monarch Academy space,” says Library Communications Manager Christine Feldmann. It has a very different atmosphere. “We hope to prove that bringing a library into an already highly trafficked area will expose the library to new customers and reengage those that haven’t used a library in a while.” 
      Discoveries will be open until the end of 2019. Depending on the success of this space, the library could make another home at the Westfield Mall. 
 
What to Expect
       The new library on West Street is planned to open in late 2019 or early 2020. 
       The new 32,500-square-foot library will be built where the old library stood, the lot now enlarged from 3.9 acres to 4.7 acres. 
       To serve the needs of a changing community, the new building will have a section for tutoring, large computer stations, separate meeting spaces of different sizes and a business center equipped with tools and services such as shared office space.
     There will also be a vending area for snacks and drinks, expanded children’s spaces with comfortable seating and a tinker lab for workshops and classes. 
 
Test It Out
       As a new Annapolitan, I signed up for a library card while I was asking questions. I figured it was a good test of the new Annapolis Library at Monarch 
       After walking through the stacks of fantasy and fiction, I approached the help desk and asked for a card. 
      Five minutes later I was a new library cardholder with all the information I needed. I spotted an interesting-looking new thriller on the staff picks shelf, checked it out and took it home where it’s mine … for seven days.

A dark and twisted take on the action genre 

      For unsavory jobs, Joe (Joaquin Phoenix: Irrational Man) is the guy to call. The veteran of war, brutality and PTSD is abnormally good at violence.
      The money is good, and his earnings support his elderly mother. Joe, however, is not so good. He suffers constant flashbacks to either his abusive childhood or wartime in the Gulf. 
      His world shifts when he’s hired to save the daughter of a New York state senator from a trafficking ring. Gruff awkward Joe bonds with the girl. When the job goes south, Joe tears through the underbelly of New York, hell-bent on recovering her. 
     Director Lynne Ramsay (We Need to Talk About Kevin) is known for making films that can be hard to access, and this one is no exception. Cryptic, brutal and beautiful, it is also challenging; some in the audience said “weird.” Think of it as an arthouse reboot of the Taken franchise. 
      Ramsay’s peculiar brand of storytelling is expressionistic. Don’t expect the plot to be fully explained. She offers vivid glimpses of Joe’s past and present, expecting us to fill in the rest of the story. If you can stick with it, you’ll be rewarded with a fascinating story about how violence molds our lives and our futures. 
       This isn’t a movie interested in making violence look cool; Ramsay shows its horror. Yet camera work is beautiful, with expert framing and action sequences that dance around violence. Sound design is artful, with highlighted bits of dialogue and noise ratcheting up the tension and explaining Joe’s tortured perception of the world. 
      Phoenix is fascinating, lumbering through scenes with a ballpeen hammer clenched in his fist. His Joe is terrifying yet endearing. He’s clearly lost, and basic human interaction is hard for him. But he follows his own strict moral code. 
       If you’re interested in a meditation on violence, trauma and obsession, You Were Never Really Here might be for you.
Great Action • R • 89 mins.
 
 
~~~ New this Week ~~~
 
Avengers: Infinity War
       Just arrived on Earth, intergalactic super villain Thanos (Josh Brolin) plans to kill half of humanity, enslave the rest and collect the infinity stones that offer him ultimate power. 
      To stop him, this nearly unprecedented melding of film franchises brings together every member of the Marvel extended universe.
       This also means all your favorite superheroes will be short-changed because there’s no way to develop 30 characters in one film. But like all the Avengers movies, this is about spectacle, not plot or character. 
       If you’re not a fan of Marvel films, you may want to stay away from the movie house this weekend. No one wants to compete against this juggernaut.
Prospects: Flickering • PG-13 • 149 mins.

Like their owners, wooden boats don’t live forever. But the 1948 Trumpy yacht Counterpoint survives piece by salvaged piece

      The Trumpy yacht Counterpoint waited dry-docked at Herrington Harbor North for the right person to come along and shine her up, clean her decks and splash her into the water again. That person would have to match the dedication and vision of her former owner, William Watkins, who passed away in 2015.
      As wooden boat enthusiasts know, caring for a ship like this is equal parts passion, grueling work and money. They agree, nonetheless, that wooden boats deserve a second chance at life. Not all can be returned to their original state, but all deserve to be repurposed and reimagined to earn a new kind of glory.
       Wooden boats seem to have a soul, a passion of their own that infects their keepers. Maybe it’s the way the hull groans and hums when it races through changing waters. Maybe it’s the satisfaction of seeing the clouds reflected in a perfectly varnished piece of teak. Whatever it is, wooden boats embody nostalgia.
      With their unmistakable flared bows that gently pull the water away from the boat as they glide along the Bay, Trumpy yachts are remarkable examples of desire for another time. Or, in the case of the Watkins family and Counterpoint, more time. 
 
Another Time
     John J. Trumpy & Sons moved from Gloucester City, N.J., to Annapolis in 1947. The Trumpy yacht yard sat where Charthouse Restaurant now serves its fare on Second Street in the Eastport neighborhood of Annapolis.
       Originally built for Francis V. DuPont in 1948, Counterpoint featured the flared bow of Trumpy yachts that allowed for a smoother ride through choppy waters. Its double-hull construction promised both longevity and durability. Teak decking and mahogany planking combined with brass hardware and chrome instruments made this stylish boat fit for the family that commissioned it and a worthy dream for a lover of the Bay. 
      Eventually the 58-foot yacht was purchased by William Watkins, a Marylander whose life always seemed to lead him back to the water. As a young boy, Watkins would head down to the Colchester section of Baltimore and watch the ships. 
      At 17, Watkins convinced his parents to let him join the Navy. In World War II’s Pacific theater, he served on the destroyer escort Abercrombie, which provided support during attacks on the Philippines and Okinawa.
      Returning from the war, Watkins went on to be a mariner for Standard Oil. Later he owned the Forest Inn in Reisterstown, a restaurant renowned for its crab cakes. Patrons could charter the restaurant’s boat, Freedom II. This 46-foot fishing boat with central air soon became a favorite of industry leaders in East Baltimore and reinvigorated Watkins’ passion for being on the water. 
 
Soul Mate
      Counterpoint joined Watkins’s small fleet in 1974. Berthing her at the Trumpy yacht house in Annapolis, he managed to keep the purchase a secret from his wife for nearly two years, before Charlie Satchell, who ran the boathouse, let the truth slip during a phone call. When Watkins’ wife Barbara answered and denied that the boat was theirs, the jig was up.
      “Counterpoint was his mistress,” explained son Scott Watkins in a phone interview. “She was representative of a time when things were done with style and beauty and had a story. Boats have a soul, and she was my father’s soulmate.”
      Diagnosed with leukemia, Barbara died when she was 43. Her passing left Watkins responsible for the restaurant and raising the kids. Counterpoint became a refuge. 
      As the years passed, time took its toll on boat and owner. Watkins continued to work on the boat for as long as he was able, but when the maintenance grew too difficult and costly, Watkins decided to haul the boat out, still holding on to the hope that he — or someone — might restore her. 
       Counterpoint was towed from her berth with her 83-year-old master on a misty, bitter March morning in 2012. “It was like seeing two old institutions,” Scott said, “sailing for the last time together.” It took nearly 24 hours to deliver the boat to its new home at Herrington Harbour North Marina. 
       Watkins died in 2015 at the age of 85. Counterpoint decayed in place.
       “Over the years, the Watkins family and Herrington Harbour North pursued virtually every avenue to find someone who wanted to restore Counterpoint,” said Herrington’s Hamilton Chaney. 
 
One More Time
      Salvage became the best and, Chaney says, “the only option to save a part of this important piece of maritime history.”
      Piece by piece, Watkins’ Counterpoint has been dismantled. Thus far, nearly all of the mahogany planking from the hull’s stern and starboard has been salvaged as well as 25 pounds of screws, two five-blade propellers, both rudders and a companionway in need of a little cleaning. 
     “It’s a good compromise,” said Scott Watkins of the fate of his father’s beloved Counterpoint. “Boats like her are a representation of the soul and history of the region. It’s so necessary that they aren’t forgotten.”

Lack of communication is downfall and ­salvation in this tense flick

       Predatory aliens roam Earth, hunting humans by sound. Even whispers can lead to a brutal death. Evelyn (Emily Blunt: My Little Pony: The Movie) and Lee Abbott (John Krasinski: Detroit) are working hard to keep their family life quiet. 
Sand is spread on trails from the house to town. Wooden floors are painted so everyone knows where to step to avoid creaks. Shoes are banned from the house as are all items like plates or cutlery that could make telltale sounds. The family uses sign language and crafts light signals for emergencies.
       Despite their planning, tragedy strikes when their youngest picks up a noise-making toy and is killed before his parents can reach him.
        After his death, the family splinters. Oldest daughter Regan (Millicent Simmonds: Wonderstruck) blames herself and fears her father does as well. Lee draws back, secluding himself in a basement bunker as he seeks a way to defeat the aliens. Pregnant Evelyn must think of a way to deliver her baby silently and keep it from crying. Son Marcus (Noah Jupe: Wonder) is terrified of his own shadow.
       When the Abbotts face another threat, can they pull together? 
      Tense, interesting and well acted, A Quiet Place is one of the rare horror movies that doesn’t need cheap parlor tricks to entertain. Krasinski, who also directs, focuses on a family in crisis, exploring relationships and coping.
        The movie’s silence heightens tension. By crafting a film where sound is deadly, Krasinski plays on audience reaction. Rows of viewers collectively gasp or hold their breath. 
       The cast is also phenomenal. Blunt offers a wonderful, nearly silent performance. Small tremors in her face and shifts of her eyes convey more than some actresses can with pages of dialogue. She also works well with Krasinski, establishing that deep connection among the Abbotts before the alien disaster.
         Simmonds, who is a deaf actress, makes a fierce Regan, who lashes out in hurt and guilt over her part in her brother’s death.
        See the movie, but forgo the popcorn and candy lest you be the loudest thing in the theater.
Great Horror • PG-13 • 90 mins.
 
 
~~~ New this Week ~~~
 
Final Portrait
        Portrait artist Alberto Giacometti (Geoffrey Rush) is legendary for capturing the essence of his subjects. 
        Writer James Lord (Armie Hammer) leaps at the invitation to sit for a Giacometti portrait. The artist promises to be quick. But in the studio, Lord discovers that an artist, and a portrait session, can’t be rushed.
        Director Stanley Tucci showcases actors and performances more than plot and nuance. A reflection on how torturous the artistic process can be, it’s a movie for anyone who’s ever struggled to complete a project. 
Prospects: Bright • R • 90 mins.
 
I Feel Pretty
        When deeply insecure Renee (Amy Schumer) hits her head, her world changes. She wakes up seeing herself as a physical ideal — and filled with a confidence she never dreamed of. 
        Will newly empowered Renee be able to conquer the world? Or will the patriarchy put her in her place? 
       This comedy about the difference self-assurance can make seems well meaning, the premise being that women allow themselves to be belittled by society and themselves, and when they shed those shackles, anything is possible. Is Schumer the one to execute it?
Prospects: Flickering • PG-13 • 110 mins.
 
Super Troopers 2
       When a Canadian border town turns out to be located on our side of the border, the United States government asks the Vermont State Troopers to help secure the town during the power transition, leading to a culture war in a tranquil town. 
       Super Troopers 2 rehashes the crass original, which felt fresh and had some funny moments. It’s a sequel no one really needed. 
Prospects: Dim • R • 100 mins.
 
Traffik
       Brea (Paula Patton) and John (Omar Epps) are enjoying a romantic rural vacation when they run afoul of bikers. Trapped in the remote woods, they must rely on themselves to escape the violent, racist gang hunting them.
         Couple-in-peril plots are staples of the B-movie genre. Traffik has a chance to make a statement with its imperiled black couple hunted by a gang of violent whites.
Prospects: Flickering • R • 96 mins.
 
You Were Never Really Here
        Joe (Joaquin Phoenix) has a particular set of skills. A veteran with stress disorder problems, he works as hired muscle. On a mission to retrieve a senator’s missing daughter, he falls into a conspiracy that make him question the world and his own sanity. 
        Lynne Ramsay directs a dreamlike horror movie that will leave you questioning what you see. It played well at Cannes and has earned a few critical raves. But Ramsay likes to challenge her audiences. Expect ambiguous plots and unflinching depictions of depravity.
Prospects: Bright • R • 89 mins.
A Bay Weekly conversation with Annapolis Mayor Gavin Buckley 
      Before running for mayor of Annapolis, restaurateur Gavin Buckley ran in high heels and a skirt during a men-in-high-heels sprint at the 2015 Annapolis Fringe Festival. That was nothing out of the ordinary for the South African-born Buckley, who grew up in Perth, West Australia. 
        Ever since coming ashore in Annapolis in 1992, Buckley has been a proponent of all things local, the arts and West Street. He has exerted influence through his ownership and management of several restaurants, Tsunami, Lemongrass and Metropolitan among them. Some of what he’s done has stuck, as did his victory in redefining what’s permissible in Annapolis’ historic district. He cites his controversy with the city’s Historic Preservation Commission over the Agony and Ecstasy mural painted on the exterior of Tsunami as one reason he ran for mayor. Other things — a dog park near upper West Street — never took hold. 
       Buckley’s enthusiasm and vision are forces to be reckoned with. He wants to make Annapolis into an arts, gastronomic, historic and sailing destination. If he can maintain and expand support from the city’s 39,000 residents and thousands more who live outside the city’s 8.1 square miles, many of the ideas he favors could gain enough traction to change the face of the 10th oldest city in the United States.
       Bay Weekly spoke to Buckley about three months into his first year as mayor. The interview that follows has been edited for length and clarity.
 
Bay Weekly You’ve often talked about the dynamic of drawing locals in and tourists following. How do you see that working?
Gavin Buckley Starting from the top would be keeping the Sailing Hall of Fame here. We call ourselves the Sailing Capital of America, and if we’re not willing to put our money where our mouth is, we should take the sign down. Whether [the hall of fame is] housed in a boutique hotel or not, the sailing industry, the boating industry need to feel supported by the administration.
        A City Dock boutique hotel is an idea I’m putting forth. Called The Maritime, maybe it could be four stories, maybe it could have a rooftop that looks over Spa Creek, some conference rooms or meeting space above the Sailing Hall of Fame. 
 
Bay Weekly How does that vision extend beyond the boating industry to people who live here?
Gavin Buckley The main thing I want to focus on is the plaza that we create, called Lafayette Square, and how we program that plaza. It would still have to be hardscape that you could fit the Boat Show in, that you could pull a tour bus up to to drop people off and then pull out again. But it should be mainly for pedestrians, and there should be things for pedestrians to do. We’ve taken the team down to the wharf in D.C. to see how they’ve programmed a pretty much blighted waterfront area and turned it around.
        We’re bringing in Fred Kent, a famous place-making guy that was here seven years ago to do another presentation. The next day, we’re going to bring him back, put a big tent at City Dock and have a workshop that anyone will be invited to. That workshop can be about how we feel our public space here wants to look, so it’s organic, it comes from the people who live here. It comes from the locals … And you’re a local if you live in Arnold or Crownsville or Edgewater … it’s still your downtown, so getting people invested in it and committed to it, that’s our goal.
        Going up Main Street, we envision a bike path and a trolley line coming down one side of Main Street. We envision expanding the sidewalk and creating outdoor cafes coming down — on the right-hand side — from the Treaty of Paris all the way to Acme and Chick & Ruths.
 
Bay Weekly City Dock is vulnerable to sea level rise. What measures are you planning to counter rising waters and the issues that come with them?
Gavin Buckley The historic district and the water are two of our greatest assets, but the water is also our greatest threat. We have to be mindful of that or we won’t have a historic district. 
        We’re talking about a nine-foot increase. We have to prepare for that. We will appoint a resiliency officer or director who will focus on how we do that. How we’re going to deal with it is to identify the city’s assets, cultural and physical, and the city’s needs and prepare for the next 50 years. Then we’re going to come up with plans that involve the private sector.
 
Bay Weekly Have you gotten to the hows?
Gavin Buckley We should incentivize an international contest. You look at what they’ve done in the Netherlands and in countries that have had to stop big masses of water. If we put a big idea out there and included the county in the plan, we could do things that involve dikes or things like that that could save massive communities that sit on the Severn River or Spa Creek.
        Take the boutique hotel idea. If we put the parking underground, and we put the last level of parking six, eight, 10 feet above grade, that could be the creation of a sea wall for the historic district, if we decide to go that route.
         Using the private sector will be a big thing for us and bundling, coming up with ideas that are blessed by the city, maybe some even pre-permitted by the city, and taking them to the private sector so that we get civic investment is the goal.
 
Bay Weekly In terms of mitigating climate change, you say you’d like fewer vehicles. How will you move people around?
Gavin Buckley The trolleys — we’d like them to be electric. We would like to audit all the city buildings for efficiencies and try to operate those in terms of that. Getting people out of cars and making it a much more walkable city. We like the Danish model. We like it that half their country goes to work on a bike. So if you make bike paths safe, it’s a consideration. We’ve got two bike bridges planned and pretty neat bike paths that go from the historic district down to the mall and from the Poplar Trail to the B&A Trail, from the library over to Quiet Waters Park. We’ve got a lot of ideas like that that can move people around without burning fossil fuel.
 
Bay Weekly How would the city work with the county to do some of these things?
Gavin Buckley Anne Arundel County Executive Steve Schuh has a ­dedicated bike specialist on staff. He’s been talking about bringing the B&A Trail to the stadium. I have to intersect that with a bike path across College Creek that intersects it from the downtown area. We have to work together — use Open Space money to fund certain things.
 
Bay Weekly How do you foresee integrating green technologies into areas managed by the Historic Preservation Commission? Will that require changes to ordinances?
Gavin Buckley We have to consider substitute materials. We have to consider whether the environment trumps preservation in some things. I’m hoping to appoint somebody with that kind of experience on the historic preservation board soon. Then maybe somebody with a building background, too, who understands changes from that angle.
 
Bay Weekly How do you propose integrating more of the city’s history into everyday spaces to develop a greater sense of community?
Gavin Buckley The Market House is going to be a central area for everybody in the town, whatever race, rich or poor, I think it’s going to be a town center again.
        We need to do events that are inclusive. We’ve done that on West Street, and we should do that downtown as well. Kids in marginalized communities should get to see role models who’ve come out of this town and done great things, and know what a rich history we have. We have a mural coming up, Daniel Hale Williams coming to West Street, near Asbury United Methodist Church. He wasn’t just the first African American, but the first person to do successful heart surgery. Another mural we’re trying to do is Thurgood Marshall next to the courthouse. And another is [local DJ] Hoppy Adams; Chick & Ruths is another wall where we can do that. So just some inspirational characters who’ve come out of here. 
 
Bay Weekly You’ve mentioned wanting to create a no-discharge zone all around Annapolis.
Gavin Buckley We’re formulating it with the county because they’re on the same page. I want people to realize that we care about the water. This is a good place to swim. I get frustrated when people say, I’m not swimming there. I’m not eating anything from there. Cities and countries all over the planet with waters all around industrial towns bring them back to pristine condition. We should be fighting for that, too. With Steve Schuh, we’re working on legalities and how we craft it. I know it’s going to affect some boating businesses, but I think we’ll gain more than we’ll lose. 
 
Bay Weekly Through what specific ways do you intend to bring people together?
Gavin Buckley We all need to get to know each other a lot better. My staff are diverse. We are inclusive — age-inclusive, race-inclusive, sexual preference-inclusive. It’s about leadership and how you conduct yourself. Events are diverse. We just did a big plaque at City Hall that celebrates all the elected African American officials in city government; the first-ever elected African American in the state of Maryland was a city councilor. Next we’re going to do another plaque next to that for all the women that have been voted to city council — and just start to draw attention to the fact that other people have worked much harder to get there as opposed to us old white guys. I get mad at old white guys, then I realize I am one. (Laughs.)
 
Bay Weekly Which cities do you look toward for the things you would like to do?
Gavin Buckley The Austins, the Boulders, the Charlestons, the Burlingtons, the Ashevilles. Even locally, Frederick’s done well the last couple of decades. I read up on different mayors and best practices. If I see a good idea, I bring it to our team and see what they think.
 
Bay Weekly Speaking of ideas …
Gavin Buckley We love ideas. Just because we put an idea out there doesn’t mean it’s going to happen; it’s the start of a conversation. I defi­nitely don’t surround myself with people that just think the same way I do. I need other people’s perspectives. If the majority of people don’t like something, we don’t do it. But I think we have a lot of untapped potential and need to try things.
 
Bay Weekly What’s the best way for people to reach you?
Gavin Buckley [email protected] We go through the emails every couple of days, or if there’s a meeting needed, set them up.

Dogs are always our best friends, even when we’re not theirs 

        When an epidemic of canine flu threatens the population of a Japanese town, the mayor (voiced by Kunichi Nomura: The Grand Budapest Hotel) decrees that all dogs be banished to the town’s offshore landfill, Trash Island. 
     People are upset. Scientists are ignored despite their claim to have cured the flu. Is there a conspiracy led by a cat-loving crime family? 
     The dogs, for their part, want to go home to their masters.
     The mayor’s ward (Koyu Rankin: Juken) hijacks a small plane and crash-lands on the island to look for his faithful bodyguard and best friend Spots (Liev Schreiber: Ray Donovan). Instead, the boy finds Chief (Bryan Cranston: Electric Dreams), a stray who hates the concept of masters, and his pack of former house pets. Chief wants nothing to do with the boy, but the pack out-votes him, deciding to help on his quest.
      Eventually, Chief wonders if there might not be some good in masters.
     Meticulously styled, emotionally resonate and utterly fetching, Isle of Dogs will have dog-lovers wagging. It is steeped in director Wes Anderson’s (The Grand Budapest Hotel) typical style. Each frame is filled with copious candy-colored details, with cuteness offset by a rather morbid sense of humor. This vaguely 1960s-mashed-with-fairy-tale style can take some getting used to. But in animated form, it’s easier to go with.
     Though Anderson has only done one other animated film, his aesthetic blends beautifully with the medium.
     Flaws are few and fall to humans. The storyline involving people is less interesting than anything the dogs do. A know-it-all exchange student (Greta Gerwig: 20th Century Women) adds irritation rather than heroism as an annoying foreigner.
      Anderson has not always treated pets well; their deaths are frequently the punchline in his films. But here he nails the emotional bond between human and dog. 
Good Animation • PG-13 • 101 mins.
 
 
~~~ New this Week ~~~
 
Finding Your Feet
      When Sandra (Imelda Staunton) leaves her cheating husband, she is forced to move in with her sister Bif (Celia Imrie). Sandra thinks Bif is the black sheep of the family, while Bif finds Sandra insufferably stuffy.
      The sisters find common ground when Sandra joins Bif at her community dance class. Sandra opens up as she meets members of the class and rediscovers the joys of embracing life.
     This film is no groundbreaker. It’s a group of insanely talented British theater and film stars having fun in a silly romantic comedy. If you enjoyed The Best Exotic Marigold Hotel, buy a ticket. 
Prospects: Flickering • PG-13 • 111 mins.
 
The Miracle Season
     A volleyball team mourning its star player is inspired by a tough-talking coach (Helen Hunt) to dedicate their season to their lost teammate. Soon, the ladies are unstoppable, playing their way to championship.
      A feel-good sports movie based on a true story, The Miracle Season follows Hoosiers, Rudy and Miracle in winning audiences with underdog sports stories. This one adds an all-female team. 
Prospects: Flickering • PG • 101 mins. 
 
Rampage 
        Davis Okoye (Dwayne Johnson) is a primatologist known for raising a silverback gorilla from birth. The gorilla, George, communicates via sign language. Their bond is tested when an experimental chemical finds its way into George’s cage. The gorilla is mutated into a giant ape with a rage problem. 
       It’s a good thing the government uncovers some other mutated animals for George to fight. 
       Sound silly? Of course it is.
       Based on a popular video game featuring giant mutant animals fighting each other, Rampage isn’t so much a movie as a loud distraction. Fans of Johnson and his wry performances should enjoy this mindless popcorn flick. 
Prospects: Flickering • PG-13 • 107 mins. 
 
Truth or Dare
       Olivia (Lucy Hale) and her vacationing friends play a game of truth or dare with strangers. The game turns deadly.
        It could be fun for fans of mindless horror staged on stupid premises. I’m holding out for a horror version of Beer Pong. 
Prospects: Dare you to see it • PG-13 • 100 mins. 

Our heritage, our legacy

      Anne Arundel County’s celebration of Maryland Day, officially March 25, shifts to a hopefully sunnier, warmer weekend this year.
      April 6 thru 8, we celebrate our shared stake in the territory and body politic planted 384 years ago on March 25, 1634, when Lord Baltimore’s colonists made land on a tiny island in a big river in an unknown world: Maryland Day.
      Friday thru Sunday, honor the anniversary of our state by visiting historical and cultural sites in the Four Rivers Heritage Area and across Anne Arundel County. Many activities are free or only $1. 
 
Annapolis Drum and Bugle Corps 
at Susan Campbell Park
Start off Maryland Day with a spirit-lifting flag raising ceremony by the award-winning USNA League Cadets of the Training Ship Mercedes, with music by the Annapolis Drum and Bugle Corps.
Saturday, April 7, 10am, City Dock, Annapolis
 
Annapolis in 100 Memorials
Celebrate Maryland Day with a 2.1-mile walk thru the Historic District with lifelong Annapolitan and experienced Watermark guide Squire Richard. Today’s journey, highlighting 11 local monuments, was inspired by a 1997 conference that brought conservators of outdoor monuments to Annapolis. Tour follows flag ceremony.
Saturday, April 7, 10:30am, Susan Campbell Park, City Dock
 
Annapolis Maritime Museum
Many of the oysters we eat are Made in Maryland. Learn how oysters go from creek to plate with hands-on activities, crafts for kids and Chesapeake critters. 
April 6-8, 11am-3pm, 723 Second St.
 
Anne Arundel County Farmers Market
Anne Arundel County’s oldest farmers market is year round. Browse and buy products that local farmers and producers grow, make or produce: fruit, veggies, meats, cheese, eggs, plants, soap, honey, flowers, baked goods, jams, jelly, herbs, furniture, milk, yogurt, butter, ready-made food and more — all Made in Maryland. 
April 7-8, Sa 7am-noon, Su 10am-1pm, 275 Truman Pkwy., Annapolis
 
Banneker Douglass Museum
Learn how African Americans throughout Maryland from 1633 to the present made lasting changes for all in the exhibit Deep Roots, Rising Waters. Also new at the museum: artist Ulysses Marshall’s exhibit Bent But Not Broken: An Artistic Celebration of the Spirit and Legacy of Frederick Douglass.
April 6-8, 10am-4pm, 84 Franklin St., Annapolis
 
Brewer Hill Cemetery
Take guided tours and learn more about the people interred here, including city and county founders, casualties of the Revolutionary and Civil wars and members of the African-American community. Learn about research and preservation efforts. Descendants please bring photos, Bible records and oral histories for a memorial website.
Saturday, April 7, tours on the hour 11am-4pm, 802 West St., Annapolis
 
Charles Carroll House 
Explore this grand old home, an essentially intact 18th-century property in the historic district. Charles Carroll of Carrollton was the most famous of the many generations of Carrolls who resided here. The family played a major role in the framing of the governance of Maryland and the emerging United States. Charles was one of four Marylanders to sign the Declaration of Independence and was the only Roman Catholic signer. He and wife Mary ‘Molly’ Darnall were given ownership of the house as a wedding present. Charles lived to be 96, leaving the house to his daughter Mary Caton and four Caton granddaughters.
April 7-8, noon-4pm, 107 Duke of Gloucester St., Annapolis
 
Chesapeake Bay Foundation
Tour the Phillip Merrill Environmental Center, the world’s first LEED Platinum building and home to state offices, an educational center and a popular event venue. 
Saturday, April 7, 11am, 6 Herndon Ave., Annapolis
 
Chesapeake Children’s Museum
Play all day in the museum and meet live animals, travel the seven seas on a 10-foot boat, dress up and perform on stage, shop at a Columbian street market or take a stroll on the creekside nature trail (10am-4pm). Saturday, hear the Fantasy Players, a group of young touring musicians playing covers of rock classics as well as original music (2-4pm). Sunday, bring a picnic for the outdoor setting of a retelling of the traditional west African tale of Leopard’s Drum (6pm); make a drum or shaker or bring your own to join the rhythm circle with the Performing Arts Center of African Cultures.
April 7-8, 10am-4pm, 25 Silopanna Rd., Annapolis, $1
 
Deale Area Historical Society
Get a glimpse into rural life in the late 1800s to early 1900s by visiting a two-room home, one-room schoolhouse, an African-American beneficial society building, an outhouse, a tobacco barn, a Russian Orthodox chapel and other smaller buildings essential to life in the country. Docents on hand to answer questions about the time period. 
Sunday, April 8, 1-4pm, 389 Deale Dr., Tracy’s Landing
 
Galesville Heritage Society
Over 350 years of history of colonists, slaves, mariners and merchants enrich this seaside village. John Murray Colhoun — a direct descendent of the village’s Puritan founders, 12th generation farmer and owner of Ivy Neck Farm — presents the Freeing of the Ivy Neck and Tulip Hill Slaves at Memorial Hall (2pm, 952 Main St). Learn about the court battle that followed Colhoun’s great-great-great-grandfather James Cheston Sr.’s will, in 1843,which freed 77 slaves upon his death. Light refreshments served at the Galesville Heritage Museum follow the presentation.
Sunday, April 8, 1-4pm, 988 Main St., Galesville
 
Greenstreet Gardens
Join a seminar on planting and growing Maryland Native Plants with special guest Tony Dove. Special discounts on native plants. 
Saturday, April 7, 11am, 391 Bay Front Rd., Lothian
 
Hammond-Harwood House
The 1774 house is a fine example of Anglo-Palladian architecture. The museum collection features paintings, furniture and decorative arts from the late 18th and early 19th centuries. Social history of the time covers family life, the enslaved people who worked at the house and Annapolis traditions. 30-minute guided Mansion tours, 1pm, 2pm & 3pm, limited to 20 guests (first come, first served); gardens open for free.
Saturday, April 7, noon-4pm, 19 Maryland Ave., ­Annapolis, $1 tours
 
Historic Annapolis Museum
Explore the exhibit Freedom Bound: Runaways of the Chesapeake, an exhibit of videos, audios, historic artifacts, runaway advertisements from 1728 to 1864 and hands-on activities to convey the defeats and triumphs nine real men and women experienced in their struggle for freedom.
April 7-8, Sa 10am-4pm, Su noon-4pm, 999 Main St.
 
Historic Annapolis Hogshead 
Consider the working class life of 18th century Annapolis with historic interpreters and hands-on activities.
April 7-8, noon-4pm, 43 Pinkney St., Annapolis
 
Historic Annapolis William Paca House & Garden
Saturday, make and take Made in Maryland crafts. Sunday, celebrate the marriage of Julianna Jennings and James Brice in 1781 and meet living history interpreters.
April 7-8, Sa 10am-4pm, Su noon-4pm, 186 Prince George St., Annapolis, $1
 
Historic London Town & Gardens
Friday, enjoy a special Hard Cider talk and tasting with Faulkner Branch Cidery & Distilling Co. (7pm, $45 w/discounts). Saturday and Sunday, try your hand at chopping wood and making rope and talk old times with costumed interpreters, smell fresh hearth colonial-style cooking, buy handmade furniture from a master carpenter and explore the gardens; kids dress up in colonial-style clothes. 
April 6-8, 10ama-4:30pm, Edgewater, $1
 
Homestead Gardens
Learn the ins and outs of raising backyard chickens in Maryland, from space and time requirements to the needed supplies. Take a coop tour and watch the Me & My Chicken Photo contest prize presentation with the Anne Arundel County Poultry Princess Olivia Velthuis; kids play in the open corral.
Saturday, April 7, 10am-3pm, Davidsonville & Severna Park
 
Maryland Hall for the Creative Arts
The 9th annual ArtFest Open House brings creative fun to all ages with performances, art demonstrations, hands-on projects, community art and gallery events. Events include children’s drama and theater showcase, monoprinting, digital photo booth, pottery wheel demo, glass fusing demo, printmaking demos, drawing and painting demos, Ballet Theater of Maryland showcase, belly dancing showcase and workshops, woodturning demo, yoga and tai chi demos, hip hop/tap and ballroom dancing demos, food trucks and free ice cream, cow tails, caramel creams and popcorn.
Sunday, April 8, 1-4pm, 801 Chase St., Annapolis
 
Maryland State House
Tour the oldest state capitol in continuous legislative use, explore the history made here and see exhibits, including historical portraits and paintings by Charles Willson Peale. Maryland is the only statehouse ever to have served as the nation’s capitol. The General Assembly is in session Saturday; view the proceedings, space permitting.
April 6-8, 9am-5pm, 100 State Circle, Annapolis, (bring photo ID)
 
Scenic Rivers Land Trust
Take a 2.5- to 4-mile hike through the history-rich setting of the Bacon Ridge Natural Area to discover how humans and nature have interacted to create this landscape, while enjoying the beauty of a 900+ acre protected forest; unpaved wooded trail, leashed dogs welcome. 
Saturday, April 7, 12:30pm (rsvp: www.srlt.org), Hawkins Rd. trailhead (south of I-97 overpass), Crownsville
 
Visit Annapolis and Anne Arundel Co.
Get expert help and maps for your Maryland Day adventures.
April 6-8, 9am-5pm, 26 West St. and City Dock 
Information Booth, Annapolis
 
Shuttle ’round Annapolis, Free
April 6-8: The Annapolis Circulator bus runs every 20 minutes, making a loop on West St., Duke of Gloucester St., Compromise St., Main St. and Church Circle. Flag down the bus or look for designated stops along the route. This service stops at all city parking garages. 
Saturday April 7: Ride site to site on Towne Transport’s shuttle. From 10am to 5pm, the trolley makes an hour-long loop from Visit Annapolis at 26 West St. to the Maryland State House Lawyer’s Mall at College Ave., and back, stopping at nine sites along the way. 
https://marylandday.org/free-transportation-schedules