To celebrate its 50th season bringing musical theater to Annapolis, Annapolis Summer Garden Theatre has chosen this summer to stage, in reverse order, The Producers, Rent … and The Wedding Singer. The Producers won 12 out of its 15 Tony nominations, setting the nominations record and joining the short list of musicals winning in every nominated category. Rent was nominated for 10 Tonys and won four, plus the Pulitzer Prize for Drama. The Wedding Singer … five nominations, no wins and critical yawns.
The fact that The Wedding Singer was a loveable but mediocre 1998 movie didn’t stop its writer, Tim Herlihy, from turning it into a loveable but mediocre 2006 Broadway show. It is, of course, set in the 1980s, and most of its purpose seems to be to remind us of that fact. Big hair, big music, big money and big names are tossed around like rice at the newlyweds — with results nothing near the quality of The Producers and Rent.
Yet a game and talented Annapolis Summer Garden Theatre cast answers the call of the decade with talent and humor that in more cases than not rises above the material.
In case you missed the movie, the plot is basic: Robbie Hart, a wedding singer, lives with his Grandma Rosie in Ridgefield, NJ. He’s engaged to skanky waitress Linda but at a gig meets Julia, who herself is engaged to smarmy Wall Street banker Greg Guglia. Robbie promises to sing at Julia’s wedding, Linda hilariously dumps Robbie at the altar — claiming she wants to marry not a mere wedding singer but a rock star — and Julia pines for Greg to pop the question.
As Robbie and Julia, Jamie Austin Jacobs and Hayley Briner (who splits the role on alternating weekends with Layne Seaman) generate chemistry and do some nice vocal work together, especially on the delightful Grow Old with You, which is carried over from the movie. Briner also delivers an upbeat, very ’80s-like Someday, one of the few songs in this score you might leave the theater humming. And while Jacobs needs to remember that wearing a body mike doesn’t negate the need to project when speaking, he’s got the personality and presence, and certainly the singing voice, to make you forget Adam Sandler.
As Linda, Hannah Thornhill delivers attitude, punch and the vocal chops to match. In Let Me Come Home, she doesn’t just beg to be taken back, she demands it … physically as well as emotionally, in a comic highlight of the show. Jeffrey Hawkins plays Julia’s fiancée Glen with the right amount of Wall Street Gordon Gekko (look it up kids) and also displays a very nice voice on the greed is good message It’s all About the Green. As Robbie’s bandmates, Robbie Dinsmore as a wannabe Boy George and Fred Fletcher-Jackson as a wannabe Van Halen show solid comic timing. Ashley Gladden is Julia’s cousin, a sassy, sexy Holly, whose Saturday Night in the City comes with a Flashdance finale. Even Grandma Rosie channels the ’80s, with Phyllis J. Everette breaking into a very funny rap, Move that Thang. Members of a fine supporting ensemble effectively back up leaders with solid vocals, energetic dance and comic characters.
Director Mark Briner keeps the pace moving, as does the choreography of Becca Vourvoulas, and Ken Kimble’s backstage orchestra hits all the right notes. Andrew Mannion’s set design puts the fun in functional, and Lin Whetzel’s costumes are full of ’80s fun, with big shoulder pads and bigger colors (but why oh why does the Wall Street tycoon walk around in ratty jeans? Not even Guess?).
All in all, an invested and energetic cast and crew bring you a slick and rollicking evening. You won’t cry at the romance, you might even groan at the references, but you’ll also smile and tap your feet — especially if you lived through the decade that bored many of the people you’re watching on the stage.
About two and one-half hours with one intermission.
Thru June 18. ThFSaSu (plus W June 15) 8:30pm, Annapolis Summer Garden Theatre, $22 w/discounts, rsvp: www.summergarden.com.