August: Osage County
Sometimes, you shouldn’t go home again
The only thing that could bring together the Weston women is tragedy. When the family patriarch — poet Beverly (Sam Shepard: Out of the Furnace) — goes missing, the three sisters converge at their ancestral home, steeling themselves to deal with old hurts, family secrets and, worst of all, their mother.
Violet Weston (Meryl Streep: Hope Springs) has been terrorizing her family since anyone can remember. Rude, cruel and high most of the time, Violet loves only her pills and her booze, both stashed around the house in case of emergencies. Two daughters have fled the state, but one has stayed in hopes of earning a kind word.
Did Violet drive her husband away? Or has he, too, gone on a bender?
The family emergency comes at the perfect time for all three of the Weston daughters, who are going through tumultuous changes. Ivy, the youngest (Julianne Nicholson: Masters of Sex), lives down the road and resents the sisters who left her to deal with mommy dearest. Ivy has a secret: She’s planning a big escape.
Middle child Karen (Juliette Lewis: Open Road) devotes her life to finding a replacement for her mother’s love. She’s found a string of terrible men and awful relationships. She’s brought along her latest fiancé — no less a disaster — in hopes of impressing mother.
Eldest Barbara (Julia Roberts: Mirror Mirror) is also in crisis. Her husband has left and her teenager hates her. Still, she guilts both husband and daughter into joining her, hoping Violet won’t notice the rift.
Will the Weston women find healing? Or will they join together to kill Violet?
Based on the play by Tracy Letts, August: Osage County is the film to see if you’ve spent the holidays arguing with family. The comedic drama examines how Violet’s poisonous relationships have infected every aspect of their lives.
Director John Wells (Shameless) makes Violet’s home cramped and dark if theatrical. The film doesn’t flow easily. Each scene seems more a set piece than a natural progression of storytelling. The only thing missing is a curtain drop.
Excellent performances save August: Osage County the movie. As the matriarch, Streep is a collection of vices and vicious words overlying a deep sadness that adds pathos to her villainy.
In a performance that’s both confident and commanding, Roberts stands out. Struggling to suppress her inherited cruelty, her Barbara is a wonder to watch, whether trying to show her daughter love or wrestling her mother to the ground.
August: Osage County isn’t a film for everyone. There’s enough blue language and abusive behavior to send most holiday audiences running for the exits. But it’s a fantastic showcase for a troupe of powerful actresses.