Return of the King of the Monsters
Fifteen years after a catastrophic nuclear power plant collapse in Japan, engineer Joe Brody (Bryan Cranston: Breaking Bad) is convinced that the government is covering up the real cause of the failure that killed his wife and countless others. He breaks into the ruins of the nuclear facility to prove that this disaster wasn’t a malfunction or a typhoon, but a vast government cover-up.
Joe’s son Ford (Aaron Taylor Johnson: Kick Ass 2) just wants his dad to stop getting arrested. Ford has moved on, starting a family and joining the Navy. Father and son rarely see each other — unless Ford is bailing his father out of a Japanese prison. To get his father to stop his conspiracy theorizing, Ford agrees to visit the nuclear plant ruins on one last mission.
Imagine Ford’s surprise when he discovers his father was right: The government was hiding something — something big and angry. A drilling company in the Philippines crashed into a cavern in the earth, awakening an alpha predator that feeds on radiation.
Ford joins the military in a global effort to stop the monster from destroying the world.
A classic monster movie worthy of the 1954 original, Godzilla is a fun, light take on the Gojira series. Credit goes to the brilliance of director Gareth Edwards (Monsters). Following classic monster movie style, Edwards is slow to reveal Godzilla to the audience, teasing us with glimpses of a tail or a massive footprint.
Clever camera work emphasizes Godzilla’s immense size compared to the human world. Edwards forces you into the action. Shots framed with panicked onlookers in the foreground put you in the midst of the pandemonium. When he treats us to a wide shot of the action, he mindfully keeps a person in the frame as a reminder of just how massive and terrifying Godzilla would be stomping down your street.
Still, the nature vs. man storyline is secondary to the cataclysmic battles. As a result of Edwards’ innovative and interesting camera work, Godzilla is one of the best arguments for 3D graphics and IMAX visuals to appear in theaters this decade.
You’ll see all the types you expect in a disaster/monster movie: a crackpot who’s been right all along, a square-jawed soldier, his attractive but personality-free family, a scientist and thousands of faceless military men to act as cannon fodder. It’s hard to care about the fate of Ford, his pretty wife and his adorable moppet son because they’re cyphers instead of developed characters. But most people buying a ticket to a Godzilla movie aren’t expecting a stirring family drama.
Still, appropriately melodramatic performances by veteran actors like Cranston and Ken Watanabe (Unforgiven) keep us invested in the fate of humanity.
Godzilla is the perfect summer blockbuster: a fun story, amazing visuals and a monster worthy of the big screen. So buy a bucket of popcorn, adjust your 3D glasses and get ready for a modern monster classic.