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Theatre Reviews

See it, and Shakespeare lives

Shakespeare’s plays are still being performed 400 years after they were created because they were brilliantly written but also because their themes are timeless.     Not every theater company that takes on Shakespeare can live up to the Bard’s talent and intent, moving beyond the page to vitalize his characters, prose and situations. But when Shakespeare is done well, his stories jump off the page and into our consciousness, demanding our attention and forcing us not just to understand but also to feel what his characters are feeling, and why.

Fired by the kind of love that transcends reason and leaves you weak in the knees.

From the thunderclap of their meeting to their untimely deaths, the power of Romeo and Juliet’s love for each other resonates throughout the play, and throughout history.

The playwrights did it.

The theater darkens. Ominous, deep, suspenseful music oozes around us. Shadows rise. A hooded figure attacks. Bowie Community Theater’s latest, Dark Passages, begins.     A good whodunit requires tight writing, staging and pacing, all to keep the audience on the edge of their seats.     In this modern take on the murder suspense mystery, the cast works hard to rise above a script that gives us little more than we’ve already seen in movies, plays and episodes of Castle.

2nd Star Productions casts dynamite in this explosive production

2nd Star Productions grew up on musicals and comedy. Now 18 years old, the company has matured. You’ll see the change — and you’ll want to, I promise you — in 2nd Star’s first production in a new playhouse.

The donuts are all that’s missing in this theatrical treat

Welcome to Superior Donuts in Uptown Chicago, established by the Przybyszewski family c. 1950 and static ever since. You know the place: checkerboard floor, lettered window, illuminated menu board, vintage register. All that’s missing in Colonial Players’ set is the sweet aroma and some napkins for the dispensers.

Two hours of anarchic cacophony and classic pop guaranteed to prolong the craziness of your week

2nd Star Productions does a lot right in staging Funny Money by Britain’s master of farce Ray Cooney. The pace of the frenetic comedy never drags. Actors are superb and spot-on in accents. Director Fred Nelson uses the stage for maximum clarity in this Gordian knot of accidents and lies. Jane B. Wingard’s set and Linda Swann’s costumes feel right. The problem is, it’s a farce. Or maybe that’s just me.

Is the theft of your story a crime?

In Dignity Players’ long list of morality plays, Collected Stories is the crowning achievement. When a writing student mines her teacher’s private life for material, artistic license crosses the line from inspiration to confiscation. So says acclaimed author Ruth Steiner (played by Carol Cohen) of the transgression of heretofore-beloved student Lisa Morrison (Sarah Wade). Lisa claims she did only what her mentor taught her.

Bad Dates is a good night out

In theater terms, when an actor talks directly to the audience, it’s known as breaking the fourth wall. When Janet Luby does it in Bay Theatre Company’s latest, she’s not so much breaking a wall as she is opening a door. Through that door we join her as she shares her life, her attempts at love and a lot of laughs.

Don’t miss this gem of the American stage

Thomas Wolfe famously said, “You can’t go home again.” A decade before coining that phrase, he showed us why in his 1929 debut novel Look Homeward Angel. This thinly veiled memoir of a tumultuous youth in his mother’s Dixieland Boardinghouse made him a pariah in his hometown of Asheville, North Carolina, and a literary star to the rest of the nation. The 1958 stage adaptation by Ketti Frings won every major prize for American drama that year, and it still rings true and relevant.

Come to feel, think and applaud

Many theater companies are neither willing nor able to move from a bubbly musical directly into a disturbing death-row drama based on real life. Colonial Players is the exception, following November’s Annie with Coyote on a Fence.     Coyote on a Fence is what Colonial calls an “arc” show, more challenging than usual and typically appealing to a smaller arc of patrons. Opening night proved that this production is deserving of larger, not smaller, audiences.