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Movie Previews by Diana Beechener

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New for the week of March 27

Get Hard
    Banker James (Will Ferrell) is convicted of fraud and sentenced to San Quentin. Terrified, he hires a jail tutor to teach him the ropes. Latently racist as well as a convicted felon, James chooses the first black man he sees, Darnell (Kevin Hart), to teach him how to survive.
    Not a thug but happy to take a fool’s money, Darnell devises a prison prep course for James.
    A crude film filled with racial stereotypes, rape jokes and physical comedy, Get Hard is nominally a comedy. The title, a crass sex pun, tells all.
    Hart will likely shout a lot, Ferrell will perform the lost man-child act he hasn’t changed since his SNL days and you will be bored to tears.
Prospects: Dim • R • 100 mins.

    Oh (voiced by Jim Parsons) is an alien on the run. A perpetual screw-up, he has so annoyed his own people that they’re chasing him across the universe. When Oh lands on Earth, he befriends Tip (voiced by Rihanna), a girl searching for her mother.
    Through a series of adventures Oh and Tip become friends and learn that being different is a beautiful thing.
    A colorful animated romp, Home promises to be beloved by kids and tolerated by parents. There will be lots of silly humor, a few fun songs and plenty of toy tie-ins.
Prospects: Flickering • PG • 94 mins.

Merchants of Doubt
    Do you believe everything you see? A lot of people do. Put a person in a suit, give them an official sounding title and broadcast them on television, and most people will trust what they’re saying.
    A documentary about the ways media experts lie, cheat and spin to make money, Merchants of Doubt is a lesson on not trusting what you see. Investigating the moneymaking industry, Director Robert Kenner concludes that creating panic is the most effective way to keep on the air and earning money.
    Merchants of Doubt will inform and disturb you.
Prospects: Bright • PG-13 • 96 mins.

New for the week of March 20

Do You Believe?
    See faith, love and religion at work in the households of 12 people in this film celebrating the wonders of Christianity. A pastor reaffirms his faith after an encounter with a street corner preacher, an EMT faces a lawsuit after comforting a dying man with the gospel and a homeless mother struggles to provide for her child.
    This anthology of religious parables will likely not convert you. But the choir might find it an enjoyable couple hours of preaching.
Prospects: Flickering • PG-13 • 115 mins.

The Gunman
    Jim Terrier (Sean Penn) earned his reputation as a mercenary assassin. A contract to kill a Congolese mining minister leads him to switch jobs as he realizes he was a pawn in a mining company scheme to destabilize the region.
    Now hoping to redeem himself working with an NGO, Terrier returns to The Democratic Republic of Congo. A near escape from the other end of an assassination makes him fear his past is catching up to him.
    Apparently Sean Penn decided Liam Neeson shouldn’t be the only serious actor profiting from a mature career in silly action movies. This film seems well meaning, but geopolitical problems in Congo play third fiddle to Penn’s gun-firing gymnastics.
Prospects: Flickering • R • 115 mins.

    Tris Prior (Shailene Woodley) is ready for a fight. She’s leading an anti-government resistance to free society and her few surviving loved ones from the tyrannical rule of Jeanine (Kate Winslet).
    This sequel to Divergent and successor to the Hunger Games is aimed at teens and features lots of angst and love. Dystopian teen movies starring powerful women have become a trend, and I’m loath to decry a film that features a strong heroine, even when it’s not otherwise particularly good.
    Except as a two-hour teen distraction.
Prospects: Flickering • PG-13 • 119 mins.

New for the week of March 13

    If the shoe fits, you’re probably a princess. At least if you’re Cinderella (Lily James), an orphan who changes her fate with an extreme makeover. But an evil stepmother (Cate Blanchett) and two scheming stepsisters still stand between the abused woman and her prince charming.
    The fairy tale that convinced children everywhere that shoes really do make the outfit, Cinderella is the latest Disney movie to get a reboot focusing on the baddie. Last year’s Maleficent rehabilitated Disney’s most wicked fairy; this year, Cinderella villain Lady Tremane steps into the spotlight. With Blanchett sneering and chewing scenery, Cinderella is a bit player.
    For fans of Blanchett and children who love glass slippers and magic, Cinderella may be worth the ticket. A Frozen cartoon short is part of the package, so little viewers will have a new catchy song to play on repeat before the feature.
Prospects: Flickering • PG • 112 mins.

Run All Night
    Hitman Jimmy Conlon (Liam Neeson) is the most trusted henchman of mob boss Sean Maguire (Ed Harris). After Conlon’s retirement, he and Maguire remain best friends. Until their sons fight, and Maguire’s ends up dead.
    Seeking vengeance, Maguire will settle for nothing less than the death of Conlon’s son. With the full force of the mob hunting down his kid, Conlon leaves retirement to save him.
    Neeson has made a great second career as an action star, but so far his movies have been pretty rote. Harris may give him a worthy adversary.
    If you love guns, car chases and geri-action movies, Run All Night should be worth the ticket. Otherwise, wait till it joins Neeson’s other action yarns on late-night cable.
Prospects: Flickering • R • 114 mins.

New for the week of March 6

    The police force of the future is a fleet of robots. These perfect peacekeepers become a brutal force for the government, oppressing the people. To overthrow these violent machines, programmer Deon Wilson (Dev Patel) joins a rebel group with larger aims.
    Deon works to reprogram a captured police bot. He christens it Chappie and replaces its programming with a code that allows free thought. Able to make his own decisions, Chappie becomes a childlike friend of the revolution.
    Can he lead the way to a brighter future? Or is he doomed for the scrap heap?
    A marriage of Robocop and Short Circuit, Chappie is director Neill Blomkamp’s latest sci-fi parable. Blomkamp is a visionary, but his dystopian futures can distract him from creating credible plot. If he’s stayed focused, Chappie should be a touching meditation on the power of the human spirit, even encased in a motherboard.
Prospects: Flickering • R • 120 mins.

The Second Best Exotic Marigold Hotel
    After creating a senior paradise for British ex-pats in India, hotelier Sonny (Dev Patel) expands.
    The Best Exotic Marigold Hotel for the Elderly and Beautiful is full but for one room. When Guy (Richard Gere) and Lavinia (Tamsin Greig) vie for that last room, Sonny is inspired to take a loan to expand his hospitality empire.
    With the help of his tenant/advisor Muriel (Maggie Smith), Sonny hopes to build a Second Exotic Marigold Hotel and plan his wedding. But chaos builds in his life, and Sonny’s guests come to his rescue.
    A popular golden years comedy sequel, The Second Exotic Marigold Hotel is the cinematic equivalent of a pastry: Not very good for you, but delightful to consume. A rote plot is made fun by a cast of Britain’s best, including Smith, Judi Dench, Bill Nighy, Diana Hardcastle and Ronald Pickup. Their collective charms make up for any deficits of plot or direction.
Prospects: Bright • PG • 122 mins.

Unfinished Business
    Dan (Vince Vaughn) has one chance to make his small business successful: close a big deal with European investors. He gathers his two associates, the inexperienced Mike (Dave Franco) and the jaded Tim (Tom Wilkinson), and heads overseas.
    The trip doesn’t go as planned.
    Sex, drugs and run-ins with the law make Dan’s objectives nearly impossible.
    Can he find bail money and still close the deal?
Prospects: Dim • R • 91 mins.

New for the week of February 27

    Nicky Spurgeon (Will Smith) is a conman at the top of his game: slick, smart and confident. As a protégé, he trains Jess (Margot Robbie), who has natural talent in seduction and deception. When their training becomes an affair, Nicky gets spooked and sends Jess packing.
    Three years later, Nicky’s working a high-stakes job when he sees her again. Now his life depends on figuring out what angle his former flame is working.
    A romantic thriller with plenty of twists and turns, Focus dares you to figure out who is playing whom. It’s been nearly a decade since Smith has appeared in a good movie, so here’s hoping this breaks the pattern. Robbie is an up-and-coming star who generates natural chemistry with Smith. It should be fun to watch the pair try to out-scheme each other.
Prospects: Bright • R • 104 mins.

The Lazarus Effect
    University researchers Frank (Mark Duplass) and Zoe (Olivia Wilde) are working on a serum to reverse death. Apparently neither has read Frankenstein, because they don’t realize that messing with death is a bad idea.
    They bring a dog back to life, and even though there’s something clearly off about it, they continue their testing. Disaster strikes when Zoe is killed by an electrical shock. Overwhelmed with grief, Frank extends the experiment to her.
    It works. Zoe is revived. But she is not the same, and claims to have been to hell. Now she’s bringing hell to Earth.
    Watch it on cable; it’s not worth the $10 movie ticket.
Prospects: Flickering • PG-13 • 83 mins.

New for the week of February 20

Hot Tub Time Machine 2
    Kids discover a hot tub time machine and use it to change their lives. Nick (Craig Robinson) becomes a music mogul by ripping off pop hits before they’re written. With stolen ideas, Jacob (Clark Duke) and Lou (Rob Corddry) become the inventors of tech marvels from the Internet to the iPad.
    When an assailant shoots Lou, the friends use the time machine to find out where their schemes went wrong.
    The sequel to a ridiculously fun family romp, Hot Tub Time Machine 2 should be just as absurd and enjoyable, with pop-culture references, goofy antics and slightly scandalous humor.
Prospects: Flickering • R • 93 mins.

McFarland, USA
    Jim White (Kevin Costner) plans to invigorate the high school sports teams of McFarland, Texas. But in a community so poor, kids work instead of play. Watching a boy run miles to school every day, he imagines starting a cross-country running team.
    The kids are already experienced runners. Equipment costs are low, and practices can be flexible.
    Can these underprivileged teens prove that sportsmanship is about heart, not money?
    Based on a true story, this inspirational sports underdog story could be great in the wholesome vein of Chariots of Fire.
Prospects: Flickering • PG • 128 mins.

    Bianca (Mae Whitman) is a happy high school senior with friends and a good social life. So she’s devastated when she discovers that boys refer to her as The DUFF (Designated Ugly Fat Friend).
    Not that Whitman looks ugly or fat. She’s a beautiful girl who wears — gasp! — T-shirts and jeans to school.
    To go from DUFF to babe before graduation, Bianca enlists Wesley (Robbie Amell), a callous jock.
    In the grand tradition of most teen makeover films, we’re watching a pretty girl go from casual clothes and minimal makeup to sexy outfits and glamour paint.
    Perhaps The DUFF will have something clever to say about the pressure girls face to be sexy and beautiful even during puberty, but don’t hold your breath. Like most teen comedies, this one seems more aspirational than inspirational. You, too, can look like a model if you skip your homework and spend three hours getting ready in the morning.
Prospects: Dim • PG-13 • 101 mins.

New for the week of February 13

Fifty Shades of Grey
    College Student Anastasia Steele (Dakota Johnson) interviews business magnate Christian Grey (Jamie Dornan) for her school newspaper. An obsessive relationship develops, and sweet, innocent Anastasia is drawn into Christian’s world of money, excess and sex.
    Christian does not do romance or love, and he warns the inexperienced Anastasia that his sexual proclivities might be a bit much for her. Enthralled by the handsome billionaire, Anastasia insists she can be taught.
    If this sounds like the summary of a tawdry romance novel, there’s good reason. It is. Based on bestselling romance novels that brought us bad grammar, insulting characters and lurid portrayal of the BDSM community, Fifty Shades of Grey promises to be as awful on the screen. Leads Dornan and Johnson are devoid of chemistry and heat. Both speak as if they had consumed a handful of sedatives before each scene.
    This is not a date night movie. The relationship borders on abusive, and the sex — which the books were known for — has been watered down to appease the MPAA.
Prospects: Pitch Black • R • 125 mins.
Kingsmen: The Secret Service
    Eggsy (Taron Egerton) is a street kid looking forward to a dismal future. Until he catches the eye of Harry Hart (Colin Firth), who asks if he’d like a different life. Hart is a member of the Kingsmen, a British spy group dedicated to protecting queen and country. Think of them as a squad of bespoke James Bonds.
    Though vastly different from the other Kingsmen recruits, Eggsy finds that he might just be suited for the life of a gentleman spy. If he can earn a spot in the highly competitive organization.
    Based on comic books, Kingsmen: The Secret Service is an action yarn with wry humor. All of the spies have Arthurian code names, and much is made of the upper-crust nature of agents who fight but never muss their suits. Director Matthew Vaughn is known for combining wit and action, so this film should entertain those who enjoy a raised eyebrow and a hail of bullets.
Prospects: Bright • R • 129 mins.

New for the week of February 6, 2015

Jupiter Ascending
    Jupiter Jones (Mila Kunis) dreams of more than cleaning toilets. Constantly down on her luck, Jupiter can’t help but think she’s meant for something more. She’s proven right when Caine (Channing Tatum), a genetically engineered alien, arrives searching for the heir to the Earth.
    It turns out that Jupiter is actually a princess and the true ruler of the planet, which has been used as a galactic mine. It’s up to Caine to keep Jupiter safe until she takes her rightful place among the stars.
    When a big blockbuster is delayed until February, as Jupiter Ascending was, typically it means that the studio is attempting to cut its losses. With an overly complex story and a cast that looks just as lost as the audience will be, Jupiter Ascending is more likely to disappoint than enthrall. Directed by Andy Wachowski and Lana Wachowski (the team that brought us one excellent Matrix film and two abysmal sequels), Jupiter should be visually stunning and mentally draining.
Prospects: Dim • PG-13 • 127 mins.

Seventh Son
    Master Gregory (Jeff Bridges) has dedicated his life to protecting humanity from the supernatural. His greatest accomplishment was locking evil witch Mother Malkin (Julianne Moore) away in an enchanted prison.
    When Malkin breaks out, Gregory has only days to find and train a new apprentice before the world is plunged into eternal darkness.
    Apparently Jeff Bridges has big car and house payments. That is the only plausible explanation for why he continues to squander his talent on ridiculous movies. At least Moore has the decency to look embarrassed about her part in this ridiculous fantasy adventure.
    The lack of coherent script and uninteresting special effects should make this a low-budget affair, despite $15 to $20 for a ticket to this 3D dud.
Prospects: Dim • PG-13 • 102 mins.

The SpongeBob Movie: Sponge Out of Water
    Nefarious pirate Burger-Beard (voiced by Antonio Banderas) searches for a magical book that makes anything written in its pages a reality. To get the final page of the book and use its magic for evil, Burger-Beard must raid a pineapple under the sea, otherwise known as SpongeBob SquarePants’ house.
    SpongeBob’s home destroyed and his town thrown into anarchy, what’s to do but lead a group onto land to retrieve the page and restore order.
    Can these sea creatures survive among the landlubbers?
    The SpongeBob Movie should keep little ones giggling as they eat their popcorn. Whether adults find the film funny depends entirely on how humorous you find animated posteriors, sea puns and a scenery-chewing Banderas. SpongeBob’s devout following should guarantee a good box office even if the movie looks mind-numbingly dull for anyone over the age of 12.
Prospects: Silly • PG • 93 mins.

New for the week of January 28, 2015

Black Sea
    Captain Robinson (Jude Law) has dedicated his life to the sea without much reward. Laid off, he takes a job commissioned by a private banker.
    At the bottom of the Black Sea is a submarine laden with Nazi gold. Robinson and crew must dive into the depths and retrieve the treasure. But the mission turns into a fight for survival as the sailors turn murderous for the sake of fewer, larger shares of the bounty.
Prospects: Bright • R • 115 mins.

Black or White
    Elliot (Kevin Costner) fights to raise his bi-racial granddaughter Eloise (Jillian Estell). However, Eloise’s black grandmother Rowena (Octavia Spencer) wants the child raised in a community sensitive to her cultural heritage.
    Costner and Spencer are both capable actors, but I am skeptical of any movie whose characters solve a racial problem in two hours.
Prospects: Dim • PG-13 • 121 mins.

The Loft
    Five married friends plan to cheat on their wives, renting a penthouse as the staging ground for their liaisons.
    Their plan goes awry when they discover the mutilated body of a woman in their bachelor pad. None admits to knowing her, and none wants to ruin his marriage by going to the police. As the men try to cover up the crime, they begin to suspect each other, and tensions rise to violence.
    This movie has been languishing on a studio shelf for years, which is not a great sign. Worse, it was released in January, where most studios burn off their bad bets.
Prospects: Dim • R • 108 mins.
Project Almanac
    High school pals find plans for a time machine and attempt to build it. To their amazement, the machine works. Now in control of time, they use the machine the way any teenagers would: They get revenge on their bullies, hook up with cute classmates and win the lottery.
    Their time-traveling spree, however, has serious consequences. Planes fall from the sky, natural disasters devastate the planet and friends start to disappear. Can they fix the timeline?
Prospects: Flickering • PG-13 • 106 mins.

Still Alice
    Linguistics professor Alice Howland (Julianne Moore) first forgets words, then routines. When forgetfulness affects her work, she sees a doctor, getting the diagnosis everyone dreads: early-onset Alzheimer’s.
    As the disease progresses, Alice seeks ways to cling to her memories and relationships.
    This is obviously not going to be a movie with a happy ending, so remember to pack tissues or stock up on napkins at the concession stand. Moore has earned rave reviews for a heartbreaking performance that is likely to win an Oscar.
Prospects: Bright • PG-13 • 101 mins.

New for the week of January 23, 2015

The Boy Next Door
    Claire Peterson (Jennifer Lopez) needs to be noticed. The teacher’s confidence is shaken by her divorce. Raising her son, teaching and fixing up her house fill her days.
    Claire’s humdrum life is interrupted when Noah (Ryan Guzman) moves in next door. He’s young, handsome and enamored with her. She knows he’s too young, but she’s lonely and consents to an affair.
    As often happens in movies, things go spectacularly wrong real quickly. Noah turns out to be her new student and a stalker. Claire risks not only losing her job but also going to jail and endangering her family.
    A Lifetime movie with a bit more swearing, The Boy Next Door exemplifies one of the few times sexism works in women’s favors. If the genders were reversed and it were George Clooney seducing a teenage girl, this film would be renounced as utterly creepy. But since JLo is a pretty woman, she can get away with statutory rape.
    If you’ve got to see it, wait a few months for its certain appearance on basic cable within the year.
Prospect: Dim • R • 91 mins.

    Charlie Mortdecai (Johnny Depp) is a man of varied interests. An art dealer and rake, he is a man about town, fop and adventurer. Tasked by MI5 with recovering a stolen painting that is the key to finding a cache of Nazi gold, Mortdecai and his manservant undertake a globe-trekking journey that will lead to peril and possibly money.
    Based on a zany book series, Mortdecai is supposed to be a madcap spy thriller with hints of Upstairs/Downstairs humor. But Depp’s recent cinematic choices prove that he lacks the restraint to make a good film. Humor in this one seems based solely on Depp’s mustache.
Prospects: Dim • R • 106 mins.

Strange Magic
    In an enchanted bog, fairies, elves, imps, goblins and other mystical beings race to get a magical potion that could change the fate of their land.
    It has been a long time since the phrase “from the mind of George Lucas” has inspired anything but dread in this reviewer. Strange Magic’s origin in A Midsummer Night’s Dream does nothing to assuage my fear that he is continuing his trend of ruining classic stories.
    Much like the newest Star Wars films, Strange Magic promises a technologically superior movie with an unoriginal story. The cute creatures and colorful animation might distract younger viewers, but adults shouldn’t expect a story worthy of its source.
Prospects: Dim • PG • 99 mins.

New for the week of January 16, 2015

    Nicholas Hathaway (Chris Hemsworth) is a dangerous man on the Internet. In prison for an Internet heist gone wrong, the hacking genius sees an opportunity for release: catching a cyber terrorist targeting nuclear reactors.
    This will be a film filled with furious typing. Can director Michael Mann bring tension to keyboarding?
    Plus, there’s Hemsworth’s credibility as a hacker. Can the man behind the Avengers’ Norse god be taken seriously as a coding genius?
Prospects: Flickering • R • 135 mins.

    An Anglophile young bear from Peru (voiced by Ben Whishaw) packs a bag and journeys to London. Hopelessly lost in Paddington Station, he is rescued by the Brown family.
    Now christened Paddington, the bear must learn to adjust to life in the city. Just as he is beginning to acclimate, the talking bear attracts the unwanted attention of a taxidermist (Nicole Kidman).
    Based on the beloved children’s stories about the talking bear who loves marmalade and snappy dressing, Paddington should delight smaller moviegoers. Clever writing and an appealing cast — which features Downton Abbey’s Hugh Bonneville, Julie Walters and Jim Broadbent — should keep adults entertained as well.
Prospects: Bright • PG • 95 mins.

The Wedding Ringer
    Doug Harris (Josh Gad) is a loner who plans to marry. Embarrassed to admit that he doesn’t have a wedding party to fill out his side of the aisle, he hires a ringer.
    Jimmy Callahan (Kevin Hart) is a professional friend. His company, Best Man Inc., provides the friendless with a fake entourage, Jimmy is a professional, but he isn’t prepared for Doug, whose awkward clumsiness attracts chaos.
    Can both men survive the wedding week?
    Expect outrageous situations and silly slapstick but not great writing or originality.
Prospects: Flickering • R • 101 mins.

New for the week of January 9, 2015

    A powerful biopic about the most famous face of the Civil Rights Movement, Selma is one of the most important films of the year. Instead of trying to cram the entirety of Dr. King’s life into the movie, director Ava DuVernay wisely chooses to focus on three months that lead from Selma, Alabama, to the passage of the Voting Rights Act of 1965.
    David Oyelowo has earned raves and award show notice for his performance as Dr. King. In the current political climate, the film’s message of respect and peace is especially timely. Whether you remember the marches on Selma or read about it in text books, Selma is essential viewing.
Prospects: Bright • PG-13 • 127 mins.

Taken 3
    Bryan Mills (Liam Neeson) is framed for the death of his wife, when in fact the murder was retaliation for Mills’ brutal take down of an Eastern European mob. Yet again, Mills worries that his daughter will be the next target. So he goes on the offensive, vowing to kill every member of the mob before they can harm his little girl.
    Taken was an amusing diversion that introduced Neeson as a credible action star. Taken 2 was a silly rehash. The third installment promises guns, explosions and lots of shots of Neeson growling threats.
Prospects: Dim • PG-13 • 109 mins.

New for the week of January 2, 2015

Woman in Black 2: Angel of Death
    Why are creepy old houses so irresistible to movie characters? Would you spend the night in a dilapidated house filled with scary toys?
    Orphans fleeing the Blitzkrieg attacks in London take refuge in Eel Marsh House. Bad choice. In Victorian days, it housed a vengeful but now-forgotten ghost who kills children.
    Now, the ghost returns.
    The sequel to a decent Victorian-style chiller, The Woman in Black 2: Angel of Death does not have the promise of its predecessor. The plot is stupid, and it lacks the acting power of Ciaran Hinds, Janet McTeer and Daniel Radcliffe.
Prospects: Dim • PG-13 • 98 mins.

New for the week of December 25, 2014

Big Eyes
    Walter Keane’s (Christoph Waltz) distinctive painting style made him a household name in the 1950s. Keane reinvented the art business, selling prints, postcards and other affordably priced knickknacks featuring adorable people with exaggerated eyes.
    The real secret to Keane’s success was his wife Margaret (Amy Adams), who allowed her husband to take credit for her work, believing that a woman’s paintings wouldn’t sell as well.
    When the Keane marriage unravels, the con is revealed. Will Margaret get recognition? Or will the revelation destroy her business?
    A compelling true story about art, love and sexual politics, Big Eyes promises director Tim Burton’s return to legitimate film. It’s been over a decade since Burton made his last competent live-action film, and for a while it seemed the director and his frequent collaborator Johnny Depp were content to continue ruining each other’s careers.
    Big Eyes is a welcome escape from Burton’s typically gothic style and features great performances. The big question: Can Burton keep this quirky film from drifting into melodrama?
Prospects: Bright • PG-13 • 105 mins.

The Gambler
    English professor Jim Bennett (Mark Wahlberg) is passionate for more than literary analysis. His first love is high-stakes poker. When he borrows from a local gangster and loses big, he must find the money to save his life.
    Wahlberg is a very specific type of actor. That type is not very good. When paired with a strong director, he can grunt, furrow his brow and occasionally speak with a semblance of human emotion. He’s never done particularly well playing intellectuals, so be prepared to hear him mangle a few author names as he phones in yet another performance.
    Though Wahlberg isn’t a draw, director Rupert Wyatt wisely stacks the deck with a dream ensemble. Brie Larson, Jessica Lange, Michael K. Williams, George Kennedy and John Goodman all show up to distract us from a Wahlberg performance. The big question: Does this gamble pay off?
Prospects: Dim • R • 111 mins.

Into the Woods
    Be careful what you wish for, or you might end up singing about it.
    Cinderella, the Baker and his Wife, Rapunzel, Little Red Riding Hood and Jack all have dreams. To pursue them, each character must enter the woods and face peril. Will a wish granted bring happiness or despair to the fairytale crowd?
    This adaptation of Stephen Sondheim’s well-loved fractured fairytale musical features one great performance and a lot of mediocre singing. As a witch who stirs trouble more often than cauldrons, Meryl Streep is at her vampy best. She sings, she sneers, she whirls into scenes like a glamorous Tasmanian devil. The rest of the cast tries to keep up, but they seem under Streep’s spell.
    Broadway aficionados will notice that Sondheim’s lyrics have been altered to make the songs acceptable for a Disney audience. The change doesn’t matter much, as director Rob Marshall’s perfunctory adaptation offers nothing to make the movie worth your while.
Fair Musical • PG-13 • 124 mins.

New for the week of December 19

    The tale of the little orphan who could gets a modern remix in this adaptation of the musical Annie.
    Foster child Annie (Quvenzhané Wallis) believes that her parents will one day rescue her. Under the thumb of the cruel Miss Hannigan (Cameron Diaz), Annie and her fellow foster kids lead the hard-knock life. Then a chance encounter with mayoral candidate Will Stacks (Jaime Foxx) gives Annie her escape. Stacks takes her in as a photo prop to help him in the polls. Though he intends the arrangement as temporary, Stacks and his staff fall for the charming orphan.
    Wallis has proven herself a pint-sized powerhouse with her astounding performance in Beasts of the Southern Wild. But the rest of the cast lacks her promise. Diaz has proven time and again that she’s a dismal singer, so it’s maddening that she gets one of the musical’s most beloved songs to ruin.
Prospects: Flickering • PG • 118 mins.

The Hobbit: The Battle of the Five Armies
    The final installment of The Hobbit series finds Bilbo Baggins (Martin Freeman) and his dwarf friends on the verge of a bloody battle. Dwarf leader Thorin Oakenshield (Richard Armitage) intends to wage war to win back his throne.
    Complicating matters is Smaug (voiced by Benedict Cumberbatch), a gold-loving dragon.
    At this point, you’ve either given Peter Jackson $30 to watch his first two bloated, boring Hobbit films, or you’ve hidden from this series like Gollum. The movies feature fantastic effects, rote characters and a story so stretched that you can feel Jackson stalling. This time, his stall is a 45-minute battle sequence that should be visually stunning and completely satisfying — as long as he keeps the dialog to a minimum.
    If you’re a dedicated Tolkien fan, you might as well cough up the final $15 and finish the series. If you’ve managed to avoid the Hobbit films, save your money and stay home secure in the knowledge that you’ve saved roughly nine hours of precious time.
Prospects: Flickering • PG-13 • 144 mins.

Night at the Museum: Secret of the Tomb
    It’s running out, the magic that has brought the Smithsonian’s exhibits to life as soon as the museum closes every night. Security guard and de facto caretaker, Larry (Ben Stiller) gets to solve the problem.
    There seem to be answers in London, so Larry and some special exhibits pack for a trip.
    The final installment of the Night at the Museum series, this is also one of Robin Williams’ final films.
    If you’ve got a group of kids to entertain, a movie featuring broad humor and a monkey is probably a good bet.
Prospects: Flickering • PG • 97 mins.

New for the week of December 12

Exodus: Gods and Kings
    Pharaoh Rhamses (Joel Edgerton) grew up with adopted brother Moses (Christian Bale) his closest companion. Though Moses is a Jew, his status as a member of the royal family has saved him from slavery. As Moses grows, he can no longer turn a blind eye to Rhamses’ mistreatment of the Jews.
    Bolstered by God, Moses leads a rebellion. Rhamses in turn vows to exterminate his traitor brother and the Jews. Now, Moses and Rhamses will find out who is more powerful: the Pharaoh or Jehovah.
    Based on the Bible story, Exodus: Gods and Kings has already stirred a controversy. Director Ridley Scott chose to cast white actors as the principal characters and black actors as slaves. The casting choices are odd and insensitive but hardly new. Hollywood has a long history of skipping over actors of color.
    If you’ve wondered what the Ten Commandments would look like if Batman replaced Charlton Heston, Exodus: Gods and Kings will be worth the ticket. But if you’re uninterested in watching two men shout lines from a well-known story across vast CGI landscapes for two and a half hours, consider catching this drama on cable.
Prospects: Flickering • PG-13 • 150 mins.

Top Five
    Andre Allen (Chris Rock) is known for his biting standup comedy. He successfully transitioned from comic to actor, starring in a string of hit comedies. Now, Allen wants to take the step to dramatic star.
    Before he can make the conversion, he’s got to do a press tour. One reporter (Rosario Dawson) questions Allen’s career, making him rethink his abandoning comedy and his roots.
    Written, directed and starring Rock, Top Five is an incisive comedy about race, the entertainment industry and fame. Rock has earned raves for the film, earning comparisons to Woody Allen. Featuring some of the most influential names in comedy — including Whoopi Goldberg, Cedrick the Entertainer, Kevin Hart, Tracy Morgan, Romany Malco and Sherri Shepherd — Top Five should afford plenty of laughs as well as some razor-sharp observations on race in America.
Prospects: Bright • R • 101 mins.

New for the week of December 5

The Pyramid
    Archeologists hope to dig into the mysteries of a recently discovered Egyptian pyramid rumored cursed. As they plunge into the ancient structure, they are so excited by their discoveries that they fail to realize they’ve become lost.
    Desperately retracing their steps, the scientists realize that something is hunting them as they wander booby-trapped corridors.
    The Pyramid is a reboot of classic Egyptian horror movies with more computer graphics, fewer extras dressed as mummies. Expect lots of jump scares, silly dialog and phenomenally poor decision making from a group of PhDs.
Prospects: Flickering • R • 89 mins.
    After the death of her mother, Cheryl (Reese Witherspoon) spirals out of control. Drugs, affairs and deep depression rend her marriage. To make a life change, she takes time off to find herself, committing to hike 1,100 miles of the West Coast. Along the way, she confronts the grief she’s been hiding from and learns to ask for help.
    Witherspoon has been a frontrunner in the Oscar race since the announcement of this movie. A one-woman show that allows her to run the gamut of emotions, Wild is based on a bestselling autobiography.
Prospects: Bright • R • 115 mins.
Zero Motivation
    A group of Israeli women serving in a military unit count down the seconds until they can return to the comforts of civilian life. No commandoes, these soldiers spend most of their time in offices, finding creative ways to avoid work.
    This Israeli comedy about the boring everyday life of soldiers was a hit in its native land.
Prospects: Bright • NR • 100 mins.

New for the week of November 28

Horrible Bosses 2
    After successfully getting revenge on their bosses, Nick (Jason Bateman), Dale (Charlie Day) and Kurt (Jason Sudeikis) remain dissatisfied with their working lives. To reap the rewards of their hard work, they start their own company.
    Naturally they are duped by a nefarious businessman, and their million-dollar idea is stolen. Broke, angry and desperate, they decide to get even. The plan is to kidnap the investor’s adult son (Chris Pine) for ransom. When their plan goes spectacularly wrong, the three friends have to scramble to come out on top.
    The sequel to the crude yet funny Horrible Bosses, this film will be more slapstick. It is not the movie for grandma and the kids after Thanksgiving dinner.
    Day, Bateman and Sudeikis are a great team and play well off each other. But the plot looks absurd, even for a comedy.
Prospects: Flickering • R • 108 mins.

Penguins of Madagascar
    Four penguins leave their families for adventure and join The North Wind, an animal undercover agency. Their assignment is to stop Dr. Brine from destroying the world.
    How? Well, that’s classified.
    A prequel featuring the funniest characters from the Madagascar series should have plenty of family friendly laughs and silly humor.
Prospects: Bright • PG • 92 mins.

New for the week of November 21

The Hunger Games: Mockingjay Part I
    After dismantling the Hunger Games and gaining acclaim as a figure of rebellion throughout Panem, Katniss Everdeen (Jennifer Lawrence) has gone into hiding. Recovering in District 13, which was thought destroyed, she finds a vast resistance waiting to take up arms against the oppressive Capital. Naturally, she is recruited to be the symbol of the rebellion.
    Based on the bestselling series of young-adult novels, Mockingjay is the end to the Hunger Game series, which means, of course it must be split into two movies to maximize profit for the studio. Unfortunately, Mockingjay was also the weakest entry in the book series, with ridiculous plot twists and a lackluster ending.
    Can the studio improve on the disappointing book?
    It’s not a common occurrence, but this film has a chance. Its odds rise with a great cast, including Oscar winners Lawrence and Philip Seymour Hoffman, plus Julianne Moore, Donald Sutherland and Jeffery Wright.
    Don’t go expecting resolution. Part I is sure to be a cliffhanger so you’ll be back in line with your $15 next year when the series concludes.
Prospects: Flickering • PG-13 • 123 mins.

The Theory of Everything
    Astrophysicist Stephen Hawking (Eddie Redmayne) is working toward his PhD at Cambridge University when he falls in love with fellow doctoral candidate Jane Wilde (Felicity Jones). Promising career and romance are both thrown for a loop when Hawking is diagnosed at 21 with a neurological disease expected to kill him in his youth.
    Hawking chooses to fight for life. With Jane’s help, he triumphs over time and circumstances, becoming a world-renowned scientist.
    Films that attempt to capture the life of an extraordinary figure often spread themselves too thin. Hawking’s scientific breakthroughs in the face of his debilitating disease would fill two hours. Adding a grand romance assures skimpy treatment for both themes.
    Redmayne has earned universal praise. He’s an Oscar frontrunner for both his transformative performance and the Academy of Motion Picture Arts and Sciences’ fondness for biopics about famous people with physical afflictions.
Prospects: Flickering • PG-13 • 123 mins.

New for the week of November 14

Beyond the Lights
    Noni (Gugu Mbatha-Raw), the biggest chart-topper in music, is feeling the pressures of fame.
    Her instant attraction to Kaz (Nate Parker), a police officer on her security team, leads the pair into an intense relationship. Noni’s management is unhappy about their star’s distraction, and Kaz’s friends worry that Noni will hurt his political aspirations.
    Can their love work in spite of their careers? Or is it impossible to hit the right note?
    The plot of this love story could be fodder for a Lifetime movie. But writer/director Gina Prince-Bythewood, who directed the beautiful Love and Basketball, is an old hand at turning seeming clichés into masterworks. She has a strong lead in Mbatha-Raw, who impressed critics with her period turn in Belle earlier this year.
Prospects: Bright • PG-13 • 116 mins.

Dumb and Dumber To
    Not much has changed since we last checked in with Harry (Jeff Daniels) and Lloyd (Jim Carrey). Still a pair of dolts who delight in pranks and willful ignorance of their surroundings, the duo now has a mission: Finding Harry’s long-lost daughter.
    If they do, will they ruin her life?
    A sequel 20 years in the making, Dumb and Dumber To features the same cast, the same directors and pretty much the same jokes. This latest Farrelly Brothers comedy is likely to prove that the director brothers should have stopped making movies around 2004.
    If you enjoy watching Jeff Daniels fall down and listening to Jim Carrey make ear-piercing noises, please send me an email, because I would love to meet the one person who wanted a sequel to the dismal Dumb and Dumber.
Prospects: Dim • PG-13 • 110 mins.

    Canadian journalist Maziar Bahari (Gael García Bernal) was born in Iran. Returning to his homeland to cover the election between Mir-Hossein Mousavi and Mahmoud Ahmadinejad, he finds unrest. Unhappy with the results of the election, which many believe to be falsified, Iranians take to the streets to protest.
    Sensing a story, Bahari films the protests and sends the footage to global news networks. Police arrest him. For 118 days, a man who calls himself Rosewater interrogates and tortures Bahari. Meanwhile his wife leads a campaign to bring him home.
    Based on a true story, Rosewater is a current-events drama about the strength of the human spirit. The film also marks the directorial debut of Jon Stewart, of Daily Show fame.
Prospects: Bright • R • 103 mins.

New for the week of November 7

Big Hero 6
    Teen robotics genius Hiro (Ryan Potter) isn’t sure what to do with his life. When his brother Tadashi, also a robotics prodigy, dies, Hiro inherits Tadashi’s last project: an inflatable robot named Baymax. Programmed to help the injured, Baymax becomes Hiro’s constant companion.
    When the duo discovers a nefarious plot afoot in San Fransokyo, they need reinforcements. Recruiting Tadashi’s old college buddies, Hiro creates a squad of tech-savvy heroes itching to do good.
    Based on the popular Marvel comic, Big Hero 6 is a movie about more than beating the baddies to a pulp. Dealing with grief, finding your place and embracing new family are heavy themes that might be too much for younger viewers. Still, the star is a giant inflatable robot who likes cats.
    Disney has had an animation renaissance of late, producing two quality films (Frozen and Wreck it Ralph) that brought in big bucks. Here’s hoping Big Hero 6 continues the tradition of family entertainment that enchants little ones and involves adults.
Prospects: Bright • PG • 108 mins.

    The Earth can no longer sustain life. After years of environmental abuse, the planet is devolving into an arid rock. Extinction is only a matter of time — until scientists discover a rip in space-time.
    A team is assigned to treck into the tear, exploring the far side of the universe to find a planet that can sustain human life.
    A sci-fi epic with eco-friendly messages, Interstellar is an ambitious piece of filmmaking. Three Oscar winners — Anne Hathaway, Michael Caine and Matthew McConaughey — should lend great performances to the sweeping narrative. Christopher Nolan is a capable director, and visuals should be stunning; this is a film that may be worth the IMAX upcharge. On the other hand, Nolan tends to self-serious, over-long films. His cleverness and technical proficiency sometimes stand in for heart and humanity.
    As an environmental parable that clocks in at more than two and a half hours, Interstellar could be a punishing slog if you’re not invested in the material.
Prospects: Flickering • PG-13 • 169 mins.

    Megan (Keira Knightley) isn’t quite ready to be an adult. When her boyfriend pops the question, she flees. Desperate to forget that she’s approaching 30 with no goals accomplished, she befriends 16-year-old Annika (Chloe Grace Moretz).
    Megan wants to crash with the high schooler while she figures out a few things. Annika is fine with the plan, but her father (Sam Rockwell) is concerned that a grown woman rooms with his daughter.
    If Megan’s journey seems familiar, it’s because you’ve seen it 1,000 times before in indie movies with alternative rock soundtracks and unoriginal scripts.
    The film lives or dies on the promise of its actors. Knightly, Moretz and Rockwell are unrelentingly charming, but will their comely figures distract from the hackneyed story?
Prospects: Flickering • R • 99 mins.

    Andrew (Miles Teller) can lay down beat with the best of them. The most talented drummer at his music academy, he attracts the attention of Professor Fletcher (J.K. Simmons). Fletcher is the best instructor in the school, but he uses physical and mental abuse to get results.
    Andrew and Fletcher clash over music and life. Are Fletcher’s hard-knock lessons a jealous man’s way of stomping out a young talent?
    A forceful drama with great performances, Whiplash is a study of whether greatness can be achieved without insanity. Teller and Simmons are earning raves and awards buzz for their visceral performances as two men unable to settle for anything less than perfection.
Prospects: Bright • R • 107 mins.

New for the week of October 31

Before I Go to Sleep
    Christine (Nicole Kidman) goes to bed in her 20s and wakes up in her 40s. Once the shock wears off, Ben (Colin Firth) introduces himself as her husband, explaining that a head trauma has affected her memory. Every night, her brain resets and she loses any information she’s learned that day.
    While Ben’s at work, Christine discovers a recording she made. Don’t trust Ben, the video implores. Before she loses her memories and possibly her life, she must try to ferret out what happened all those years ago.
Prospects: Flickering • R • 92 mins.

    Riggan Thomas (Michael Keaton, Tim Burton’s Batman) was famous for his portrayal of superhero Birdman. Now he’s a joke respected only for a pair of movies he made decades ago. To reinvent himself as a serious stage actor, Thomas has gone for broke, financing a Broadway drama.
    With opening night looming, he deals with one disaster after another. As pressure mounts, his inner voice becomes increasingly like Birdman.
Prospects: Bright • R • 119 mins.

    Documentary filmmaker Laura Poitras began receiving troubling emails in 2013. Signed Citizenfour, they made wild-seeming claims about illegal NSA surveillance on U.S. citizens. Convinced the story could be true, Poitras flies to Hong Kong in hopes of meeting Citizenfour — who she’s identified as Edward Snowden.
Prospects: Bright • R • 114 mins.

    Lou Bloom (Jake Gyllenhaal) is a self-styled crime journalist in Los Angeles, filming deadly accidents, smoldering fires and bloody crime scenes.
    Not content to wait for crime reports to come in, Bloom takes to the streets. As he skids down this slippery slope, the police wonder if this diligent cameraman is more than an observer.
    A morally ambiguous thriller, Nightcrawler examines tabloid culture and easily bent ethics. In it, Gyllenhaal extends his characterization of half-crazed oddballs.
Prospects: Bright • R • 117 mins.

    Two men wake up shackled in a dingy bathroom. Their only hope? Two saws on the floor next to them. Who will make the chop? Will it make a difference?
    Ten years after a clever concept spawned seven dismal sequels, there’s not much to celebrate about Saw.
Prospects: Dim • R • 103 mins.

New for the week of October 24

John Wick
    A couple of thugs break into a man’s house, kill his dog, leave him for dead and take the beautiful car they came for.
    But the thugs’ victory is temporary, as they picked the worst possible target for their crime spree.
    A former assassin, John Wick (Keanu Reeves) retired from the murder business. Now a widower tired of his quiet life, he’s ready for revenge.
    Reeves has always been best with physical roles, so this movie may be just what the doctor ordered to revitalize his career.
Prospects: Bright • R • 101 mins.

    When a friend dies playing with a Ouija board, a group of buddies seek answers in the spirit world. They begin futzing with the Ouija board, and suddenly they’ve met a spirit. It is not Casper the friendly ghost.
Prospects: Dim • PG-13 • 89 mins.

St. Vincent
    Recently divorced Maggie (Melissa McCarthy) is doing her best. Working long hours to support her family means leaving son Oliver at home alone. In desperation, she asks neighbor Vincent (Bill Murray) to help out.
    Vincent is no one’s first choice for a babysitter. He drinks, gambles and makes everyone miserable. His plan to teach Oliver how to be a man involves hard work, alcohol and trips to a strip club.
    Any movie where Bill Murray plays a drunken reprobate has promise. Expect St. Vincent to be a comedy with a heart of gold pulled off by two of the most popular comedians in modern cinema.
Prospects: Bright • PG-13 • 102 mins.

New for the week of October 17

The Best of Me
    Dawson (James Marsden) and Amanda (Michelle Monaghan) were high school sweethearts driven apart by fate and tragedy. When they meet 20 years later at a funeral for a friend, their affair rekindles.
    The Best of Me is based on a Nicholas Sparks novel, which guarantees three things: The characters will be boring, the dialog flowery to the point of nausea and a tragic death or three will provide emotional punch. In the pantheon of saccharin writers, Sparks is perhaps the most successful of the modern era.
Prospects: Dim • PG-13 • 117 mins.

The Book of Life
    Manolo (Diego Luna) is desperately in love with Maria (Zoe Saldana). To win her heart, he must compete with village hero Joaquin (Channing Tatum). But just when things are looking up for Manolo, disaster strikes. He wakes up in the land of the dead, a skeleton among the calavera.
    Can love conquer all?
    A gloriously animated family film, The Book of Life earns a recommendation for the gorgeous, intricate designs that proliferate the movie. Produced by Guillermo del Toro, this film promises to be a visual feast, and in spite of the skulls shouldn’t be too daunting for younger viewers.
Prospects: Bright • PG • 95 mins.

    In April of 1945, the Allies have the Axis forces on the run. As the Allies make their final bloody charge toward victory, a Sherman tank crew comes to the fore.
    The tank is crewed by Wardaddy (Brad Pitt) and his team. After a trusted member is lost, the crew is assigned an inexperienced gunner who freezes under fire. Now they are outnumbered and out-gunned.
    Fury has a mixed bag of talent including Pitt, who is more entertaining in his post-heartthrob days, the always-excellent Michael Pena and solid character actor Jon Bernthal. The film also features troubled actor Shia LaBeouf, who vacillates between terrible and mildly annoying.
    If writer/director David Ayer’s ensemble can make it as a team, Fury should be a thrilling WWII flick with plenty of action and noble speeches. But if it fails, 134 minutes is an awfully long time to be stuck in a tank.
Prospects: Flickering • R • 134 mins.

Men, Women & Children
    Put down your phone and pay attention.
    Men, Women & Children is a film that explores how instant communication has changed American life for better or worse. A series of vignettes examine how our social media obsession has affected our relationships, self-esteem and interactions.
    If this film feels familiar, that’s probably because 2012’s Disconnect had essentially the same plot. It’s an interesting concept but one difficult to explore cinematically. Watching teens text isn’t particularly exciting, and it’s hard to weave together a coherent plot that doesn’t seem ridiculous or alarmist.
Prospects: Flickering • R • 115 mins.

New for the week of October 10

    Zoe Reynard (Sharon Leal) wants for nothing. She has a great career, beautiful children and a devoted husband. But she longs for danger and takes a walk on the wild side that she may not survive.
    Based on Maryland novelist Zane’s bestselling potboiler, Addicted is a titillating thriller featuring steamy scenes and lots of twists. It’s also a good step to getting more diverse offerings at the local box office.
Prospects: Flickering • R • 105 mins.

Alexander and the Terrible, ­Horrible, No Good, Very Bad Day
    When you wake up with a wad of gum in your hair, your day is off to a bad start. For young Alexander Cooper (Ed Oxenbould) this is the start of a day in which nothing seems to go right.
    Unfortunately, the rest of the Cooper clan is experiencing a similar streak of bad luck. Facing their own spate of problems, they realize they must band together to survive this terrible, horrible, no good, very bad day.
    Based on the beloved children’s book, this family comedy may overwhelm adults with silly humor, but it’s sure to keep younger viewers giggling.
Prospects: Flickering • PG • 81 mins.

Dracula Untold
    When a rival lord threatens his peaceful kingdom Vlad Tepes (Luke Evans) knows he must go to war. Outnumbered and facing defeat, Vlad makes a desperate choice: trading his soul for the safety of his family and subjects.
    Vlad becomes Dracula, a vampire who boasts immense power but can no longer live out his life with his family.
    Beyond a new spin on the Dracula origin tale and flocks of bats flying in fist formation, the movie looks like it should remain Untold.
Prospects: Dim • PG-13 • 92 mins.

The Judge
    Hank Palmer (Robert Downey Jr.) is a successful lawyer defending the rich and famous. When his father, a judge, is accused of murder, Palmer leaves his practice to return to his small home town.
    Convinced of his father’s innocence, Hank offers his services. But when the judge (Robert Duvall) refuses. Hank must battle the legal system and his cantankerous father to save the day.
    The best hope for this movie lies in the cast, which includes Vera Farmiga, Vincent D’Onofrio and Billy Bob Thornton as well as Downey and Duvall.
Prospects: Flickering • R • 141 mins.

Kill the Messenger
    Journalist Gary Webb (Jeremy Renner) is on the hunt for a great story. But is the scoop of a lifetime worth his life?
    As he investigates the CIA link in America’s crack craze, agents tail him, drug dealers want to silence him and his family is in mortal danger.
    Based on the true story of Pulitzer Prize-winning Webb, Kill the Messenger is a historic thriller with a solid actor leading the cast.
Prospects: Bright • R • 112 mins.

Meet the Mormons
    To combat negative publicity, the Church of Jesus Christ of Latter-day Saints entered the film business. This documentary chronicles the lives and service to the church of six devout Mormons.
Prospects: Flickering • PG • 78 mins.

New for the week of October 3

    The Forms are a happy couple expecting a baby girl and decorating her nursery. Husband Jim completes the décor with Annabelle, a huge white doll with a porcelain face. When satanic cultists break into the house, the centerpiece of their baby’s room becomes a conduit for evil.
    This prequel to The Conjuring will give you good reason to throw out your toy collection.
Prospects: Flickering • R • 98 mins.

Gone Girl
    Everyone wants a marriage like Amy (Rosamund Pike) and Nick’s (Ben Affleck). They’re beautiful, successful and deliriously happy.
    Until Amy disappears.
    Based on Gillian Flynn’s bestselling novel, Gone Girl is a domestic thriller that will make even the happiest couples glance at their beloved with a bit of suspicion.
Prospects: Bright • R • 149 mins.
Hector and the Search for Happiness
    Psychiatrist Hector (Simon Pegg) is stuck in a rut, so he leaves his practice to trek around the world.
    I find the trope of rich white people learning from impoverished third-world people to appreciate the simple things distasteful at best, racist at worst. I’m sure this movie has the best of intentions, but it seems like a superficial look at a real problem. What if you can’t afford to quit your job and fly to China to demand enlightenment?
Prospects: Dim • R • 114 mins.

Left Behind
    The Rapture removes millions of people from Earth without a trace. For the pour souls left behind, chaos rules. Planes fall from the sky; driverless cars cause massive crashes. Survivors huddle in the dark after the electricity goes out. In this terrifying new order, Rayford Steele (Nicholas Cage) leads a small band of survivors on a quest for redemption.
    Based on the bestselling novels, Left Behind is a Christian parable with the heart of an action movie. But it’s been well over a decade since Cage’s presence in a film was a mark of quality.
Prospects: Flickering • PG-13 • 110 mins.

    Robyn Davidson (Mia Wasikowska) abandons city life for a walkabout in Western Australia’s desert. With a backpack, four camels and her faithful dog, she undertakes a journey of nearly 2,000 miles, documented by National Geographic photojournalist Rick Smolan (Adam Driver).
    Based on a true story, Tracks is the opposite of Hector and the Search for Happiness. Instead of demanding answers from others, Robyn looks within. The scenery should be impressive, but this is a one-woman show. Luckily, Wasikowska can be a magnetic presence on screen.
Prospects: Bright • PG-13 • 112 mins.

New for the week of September 26

The Boxtrolls
    Orphan Eggs is taken to the sewers by the Boxtrolls, a benevolent bunch of critters who have built a world from the trash of the people living above them. The boy grows up as part of the Boxtroll community, ferreting away pieces of trash from the town of Cheesebridge and helping his fellow trolls construct magnificent inventions.
    A nefarious surface dweller discovers the Boxtrolls and proposes the town exterminate them. Now Eggs must brave the surface to save his family. Can he broker peace between the trolls and the humans?
    A Claymation adventure from the creators of Coraline and ParaNorman, clever writing and subtle humor make The Boxtrolls fun for all ages. But very young viewers may be frightened by this style of animation, which features grotesque caricatures.
Prospects: Bright • PG • 97 mins.

The Equalizer
    Mild-mannered hardware store worker McCall (Denzel Washington) shows his tough side when his young friend (Chloe Grace Moretz) is harmed by Russian mobsters. McCall turns out to be a retired spy and highly skilled killer determined to avenge his friend.
    Based on the popular television show of the 1980s, The Equalizer is Washington’s foray into the geri-action genre. Fortunately, Washington, like Liam Neeson before him, is an accomplished actor likely to bring gravitas to an otherwise ridiculous plot. Without a dependable actor in this genre, you end up with The Expendables.
Prospects: Bright • R • 131 mins.
The Skeleton Twins
    Maggie (Kristen Wiig) and Milo (Bill Hader) are twins who haven’t spoken in a decade. When both narrowly avoid death, they reunite to figure out how their lives have become so disappointing.
    As they heal the rift, the twins discover that they may need each other to make changes to their lives.
    A slight departure for comedians Wiig and Hader, The Skeleton Twins gives them room to prove themselves as actors and cinematic leads. With some clever writing from Mark Heyman (Black Swan), the film should be an amusing study of dysfunction.
Prospects: Bright • R • 93 mins.

New for the week of September 19

The Disappearance of Eleanor Rigby
    Every love story has two sides. When tragedy tests the marriage of Conor (James McAvoy) and Eleanor (Jessica Chastain), we see the relationship crumble and reform from both perspectives.
    Writer/director Ned Benson cut two planned movies — Him and Her — together to create a love story that explores how the different people view the same relationship. Two capable actors keep the film from straying too far into melodrama. But the ambitious project feels more like a cinematic experiment than a cohesive story.
Prospects: Flickering • R • 122 mins.

The Maze Runner
    Thomas (Dylan O’Brien) wakes up in an arena with other boys. None remembers his earlier life. Each morning, the gates to an elaborate maze open, and the boys try to navigate it in hopes of getting out.
    In the ever-changing passages, Thomas discovers clues that could lead him to answers about his past and his condemnation to this world.
    Yet another dystopian teen thriller based on young adult fiction, this one is distinguished by its predominately male cast.
Prospects: Flickering • PG-13 • 113 mins.

My Old Lady
    When his father dies, Mathias (Kevin Kline) learns he’s been left a Parisian apartment. Inside, he is surprised by Mathilde (Maggie Smith), the apartment’s original owner.
    The property is part of a viager, a French system in which the buyer pays an older owner a monthly fee until death, at which time the apartment transfers to the buyer. It’s usually an easy arrangement, but Mathilde is determined to outlive her buyers.
    Based on a true story, My Old Lady is a European comedy offering laughs and little substance. Maggie Smith has made a career portraying cantankerous old ladies, and by now we know what to expect when she arches an eyebrow.
Prospects: Flickering • PG-13 • 107 mins.

This Is Where I Leave You
    When the patriarch of the Altman clan dies, the estranged brothers and sisters converge on their childhood home for the funeral. As part of their father’s final wishes, the children spend the week at home with their mother, attempting a family reconnection.
    This comedy about the benefits of small families treads no new ground in the screwed-up-relative genre. Mom is plastic surgery-obsessed, the kids aren’t happy in their marriages and everyone blames a sibling or a parent. The cast — Tina Fey, Jane Fonda, Adam Driver, Corey Stoll and Jason Batemen — could make it worthwhile.
Prospects: Flickering • R • 103 mins.

    Podcaster Wallace Bryton (Justin Long) disappears when his search for fascinating stories takes him to Canada. Wallace’s girlfriend and his best friend journey to Manitoba seeking answers. What they find is a sadistic killer determined to transform Wallace into a monster.
    The latest horror yarn from director Kevin Smith, Tusk combines humor and gore. But be warned: his movies feature profanity and depravity galore.
Prospects: Flickering • R • 102 mins.

A Walk Among the Tombstones
    Former NYPD officer Matt Scudder (Liam Neeson) isn’t crazy about his new job: finding who kidnapped a heroin dealer’s wife.
    Neeson has evolved from a dramatic actor to a new generation’s Clint Eastwood. He is physically imposing and a capable action lead, but it’s depressing to see him squander his dramatic chops on potboiler mysteries and dumb action yarns like this one, based on Lawrence Block’s Scudder mystery series.
Prospects: Flickering • R • 113 mins.

New for the week of September 12

Atlas Shrugged: Who is John Galt?
    With the economy in near collapse, the nation has devolved into chaos. Amid crime and corruption, wealthy leaders of industry grow scarce.
    In the midst of the anarchy, one man holds the key to peace and prosperity: John Galt. Unfortunately, no one knows who or where he is.
    The third installment of this Ayn Rand adaptation completes the epic. As in the first two films, expect low-budget effects, middling acting and so-so writing. If you haven’t seen the first two films and aren’t familiar with the story, this is not the installment to start with.
Prospects: Dim • PG-13 • 98 mins.

Dolphin Tale 2
    Rescued dolphin Winter has adapted well to her prosthetic tail, thriving at the Clearwater Marine Hospital. Her recovery is challenged when her surrogate mother and only dolphin companion dies. Because of USDA regulations, the hospital must find Winter a new companion or release her into the wild.
    Dr. Clay Haskett (Harry Connick Jr.) and Sawyer Nelson (Nathan Gamble) race against time to find Winter an appropriate companion.
    The sequel to Dolphin Tale, the film is based on the exploits of a real dolphin with a prosthesis. The first movie was earnest as Winter conquered her biggest challenge, learning to swim with a custom prosthesis. Compared to that feat, making a new aquatic friend seems easy.
Prospects: Flickering • PG • 107 mins.

The Drop
    Bob Saginowski (Tom Hardy) is a bored bartender at one of Brooklyn’s many drop bars. A front for mob activities, drop bars quietly launder cash for the underworld. When the bar is robbed, Bob and his uncle Marv (James Gandolfini) must explain to the mob what happened to the money.
    Bob and Marv must untangle the crime and make their debt right before the mobsters that run their neighborhood decide to take things into their own hands.
    Modern crime master Dennis Lehane adapted his short story Animal Rescue for this film. It’s sure to have a brilliant sense of place and more than a few plot turns. The film is also one of the last screen performances of the great Gandolfini.
Prospects: Bright • R • 106 mins.

Love is Strange
    Together nearly 40years, George (Alfred Molina) and Ben (John Lithgow) are thrilled that they can finally legally marry in New York. Until marriage shatters their idyllic existence.
    As a teacher in a Catholic school, George is fired, and the couple loses its only source of steady income. Older and with few job prospects, they sell their apartment. Eventually they’re forced to separate to live with family.
    Can they find their way back?
    This modern love story takes a poignant look at how a moment of joy can lead to years of pain. Filmmaker Ira Sachs explores not only the discrimination faced by gay couples but also the treatment of aging Americans. Both fantastic performers, Molina and Lithgow will doubtlessly make the story heartbreaking.
Prospects: Bright • R • 94 mins.

No Good Deed
    Terri (Taraji P. Henson) is cooking for her kids when she hears a knock at the door. She finds Colin (Idris Elba) soaked to the bone. He says his car ran off the road and asks to use the phone to call for help. Always willing to do the right thing, Terri goes to get her phone.
    This impulse for kindness begins a night of terror for Terri and her family. Colin is, in fact, an escaped convict who engages Terri in a violent battle of wills.
    A standard-looking thriller, No Good Deed is elevated by its cast. Plot points and some dialog seem to be recycled from 1980s B-movies, but if anybody can redeem hackneyed material, it’s Elba and Henson.
Prospects: Flickering • PG-13 • 84 mins.

New for the week of September 5

The Identical
    In the Great Depression, twins are born to an impoverished couple. Unable to care for two babies, the parents make the heart-rending decision to give one of their boys to a childless preacher (Ray Liotta) and his wife (Ashley Judd).
    As the separated boys grow, each shows a talent for music. Encouraged to perform, Drexel (Blake Rayne) becomes a musical sensation. Discouraged from his musical path, Ryan (also Rayne) must follow his adopted father into the ministry.
    Can he deny his genes? Or are both boys destined for musical stardom?
    If you spot the similarities between this story and the story of a certain blue-suede shoe singer, you’re on the money. The Identical borrows heavily on the Elvis Presley origin story, creating a fictional universe where The King’s twin lived to experience a very different life.
    While the movie seems a sincere character study, I’m not sure it can escape parody. Liotta, who is a fine actor, offers a southern accent that would make Larry the Cable Guy cringe. Rayne is a handsome blue-eyed singer with slicked-back greaser hair, but he isn’t able to capture the magnetism that made Presley a phenomenon.
Prospects: Flickering • PG • 107 mins.

    After her mother dies, troubled teen Beckett (Sophie Curtis) and her father move across the country. Enrolling at an elite school, Beckett falls under the spell of a beautiful teacher (Kelly Reilly). But as Beckett explores the school, she realizes that something is amiss. Girls die mysteriously and the faculty is oddly ageless.
    Yet another supernatural teen thriller based on a young-adult novel, Innocence doesn’t have much for audiences beyond high school. The film was lost in production purgatory for more than a year, never a good sign.
Prospects: Flickering • PG-13 • 96 mins.

The Remaining
    Friends gather for a wedding plan to party the night away. When the ceremony is interrupted by the Rapture, those remaining on Earth are left to wonder just what happened to their loved ones.
    They won’t have too much time to think about it, because the end of days starts promptly. Soon they are fighting for their lives as the apocalypse unfurls.
    A found-footage horror film with a Biblical twist, The Remaining promises to have lots of low-budget thrills and PG-13 violence. If you can stomach a wildly gesticulating camera and lots of people screaming Look at that! while pointing to something we can’t see, this is the movie for you.
Prospects: Dim • PG-13 • 87 mins.

The Trip to Italy
    Frenemy comedians Steve Coogan and Rob Brydon take to the road once again to review six of Italy’s most storied restaurants. You might not think watching two men feast sounds like much of a movie, but their loony, hilarious conversations are the real meat of the film.
    Whether battling over who has the best Michael Caine impression or discussing success as they age, Coogan and Brydon are fascinating and funny dinner companions.
Prospects: Bright • NR • 108 mins.

New for the week of August 29

As Above, So Below
    The City of Lights is built on a morbid foundation. Deep below the streets of Paris are the catacombs, comprised of stone, mortar and bones. Walls of skulls and femurs were arranged into a maze that holds up the city.
    Scarlett (Perdita Weeks) assembles a team to investigate, but soon they are lost. As panic rises, strange things appear among the bones. Are they going mad? Or does an ancient evil lurk among them?
    Daily tours explore the catacombs in Paris (which really do have human remains decorating them), so the mysterious evil seems unlikely. Concepts are hackneyed and jump scares predictable. Still, a horror movie could have worse settings than a literal house of bones.
Prospects: Flickering • R • 93 mins.

    When three scientists lose their jobs to budgetary cuts, they make their occult studies a business. Billing themselves as The Ghostbusters, the trio set out to rid The Big Apple of ghosts, ghouls and other ectoplasmic nightmares.
    When business booms, the ghostbusters must figure out why. It turns out the gates to an evil dimension have been opened in the subway. That’s a bummer because subways in New York are bad enough without demons.
    In celebration of its 30th anniversary, Ghostbusters is re-released this weekend. The comedy of Bill Murray, Dan Aykroyd and Harold Ramis is timeless. This is easily the best movie at the box office.
Prospects: Bright • PG • 105 mins.
The November Man
    The November Man (Pierce Brosnan) is deadly Peter Devereaux, the CIA’s best assassin, who has earned a quiet retirement — or so he thinks.
    A witness who could bring down several high-ranking government officials appears at Peter’s doorstep, the two are marked for death by the CIA. Now Peter must elude his brightest pupil, David Mason (Luke Bracey).
    It’s been a few decades since Brosnan played a superspy on the big screen. This rote political thriller doesn’t seem worthy of the former Bond.
Prospects: Flickering • R • 108 mins.

New for the week of August 22

If I Stay
    Mia Hall (Chloe Grace Moretz) is a cello prodigy on her way to Juilliard. She thought leaving home — and her first love (Jamie Blackley) — would be the hardest decision of her life. Until the car accident.
    With her family dead, she lies in a coma. Will she face the world alone or join them in the great beyond?
    Based on the best-selling teen novel, If I Stay is a drama about growing up and moving on. It may be the vehicle to propel Moretz to roles equal to her impressive talents.
Prospects: Bright • PG-13 • 106 mins.

Frank Miller’s Sin City: A Dame to Kill For
    In Sin City, there are no happy endings. Gambler Johnny (Joseph Gordon-Levitt) swears revenge after his beating by a powerful senator. Two-bit crook Dwight (Josh Brolin) vows to kill the love who betrayed him. Exotic dancer Nancy (Jessica Alba) is after the man who took away the love of her life.
    Things will end bloody and messy, as they always do in Sin City.
    Based on Frank Miller’s dark and depraved comics, Sin City: A Dame to Kill For promises scantily clad women, violence and beautiful (if graphic) black-and-white imagery. Director Robert Rodriguez has found an effective way to translate Miller’s distinctive style to the screen. But the subject matter isn’t for everyone. If you like a character development and clothing with your female characters, it’s not for you.
Prospects: Flickering • R • 102 mins.

When the Game Stands Tall
    The De La Salle Spartans are legendary among high school football teams, with a 151-game (roughly 12-year) winning streak. Coach Bob Ladouceur (Jim Caviezel) is credited with motivating the team to this unprecedented success.
    When the streak ends, tragedy strikes. Ladouceur’s job is to bring his team back from despair. Just in time for football season, Stands Tall seeks to inspire and motivate.
Prospects: Flickering • PG • 115 mins.

New for the week of July 24, 2014

    Demi-god Hercules (Dwayne Johnson) has had enough of his immortal family. He spent his early life seeking to become a hero to prove his worth to his father, Zeus. After completing 12 impossible labors to earn a spot in history, Hercules is punished by jealous gods.
    Now a shell of his former vainglorious self, Hercules commits his life to destruction and joins a band of six mercenaries. When the King of Thrace hires the band to train an army, the demi-god questions his choice.
    The second Hercules movie of 2014 looks to continue a trend of horrible action movies that feature Greek gods. Like most of these films, Hercules employs some great British actors (John Hurt and Ian McShane) for embarrassing work. Director Brett Ratner has yet to make a movie that justifies his big-budget bonanzas. While Johnson certainly has the build of a Greek god, even The Rock’s wealth of charm can’t save the dismal dialog and silly effects.
Prospects: Dim • PG-13 • 98 mins.

    Lucy (Scarlett Johansson) wakes up in a hotel room in incredible pain to find a scar on her abdomen. A nefarious group has made her into a drug mule, inserting a bag of mysterious chemicals into her system and instructing her to transport them to their headquarters.
    But the bag leaks, and the chemicals seeping into Lucy’s system alter her brain chemistry. Now, instead of 10 percent of her brain, she is able to access 100 percent. This means she can control her cells, time and space. The evolved Lucy goes on a rampage, seeking revenge on the criminals who turned her into a super human.
    Writer/director Luc Besson has made a career creating strong heroines who kick butt and take no guff from the men around them. It’s always a treat to see a female action star rescue men and save the day. If you can get past the laughable conceit that Johansson is the first human to use 100 percent of her brain, Lucy could be a satisfying feminist action yarn.
Prospects: Flickering • R • 90 mins.

A Most Wanted Man
    A tortured Islamic immigrant walks into a Hamburg bank claiming to be the heir to a great fortune. But he raises the radar of German and American intelligence agencies that scramble to verify his identity, fearing he may be the key to a terrorist plot.
    Most spies don’t look like James Bond. Some are pudgy middle-aged office workers who authorize horrible things in the name of national security. Mostly, it’s paperwork, negotiations and guesses made while poring over classified documents. No one understands just how mundane the life of a spy can be quite like John le Carre, who was a spy himself. His novel is the basis for A Most Wanted Man, which promises both smart political intrigue and Philip Seymour Hoffman’s last leading performance.
Prospects: Bright • R • 121 mins.

Wish I Was Here
    Aidan Bloom (Zach Braff) is struggling as an actor and man. He has a beautiful wife and two children but feels he hasn’t reached his true potential. When Aidan’s father is diagnosed with cancer and can no longer pay for his grandchildren’s private schooling, Aidan must home school the children or send them to — gasp! — public school.
    But how can Aidan ever rise above his out-of-work-actor status if he’s stuck schooling the kids all day?
    Like most films written and directed by Braff, Wish I Was Here could easily be entitled First World Problems. He’s ­seeking a Holden Caulfield-like quality, but he comes off as a complainer. Naval gazing might be interesting with the right navel, but it isn’t Braff’s.
Prospects: Insufferably Smug • R • 106 mins.

New for the week of July 17, 2014

Planes: Fire and Rescue
    Famous plane racer Dusty (Dane Cook) gets devastating news: His engine is damaged and his racing career is over. Determined to be useful and still in search of adventure, Dusty joins the aerial firefighting brigade The Smokejumpers.
    A sequel to Disney’s Cars spinoff Planes, Planes: Fire and Rescue is sure to delight kids and sell a lot of toys. Sadly, the Cars and Planes movies produced by Disney and Pixar are usually fairly weak as far as storytelling. Be prepared for a film your kids will love and you will have to tolerate through repeated viewings.
Prospects: Dim • PG • 83 mins.

The Purge: Anarchy
    One night a year in a dystopian version of America, all crime is legal. Marauders roam the streets during this purge, preying on the weak and the poor while the rich stay safely ensconced in bunkers.
    On the night of the purge, Eva and her daughter are chased from their home by armed assailants. A couple runs out of gas, stranding them near a terrified Eva. Desperate and about to be killed, the defenseless group is saved by Leo (Frank Grillo), a purger who has taken to the streets to kill the man responsible for his son’s death.
    The sequel to the underwhelming The Purge, this is a horror movie with lofty metaphoric intentions and no ability to deliver upon them. Director/writer James DeMonaco, who also helmed the first movie, wants to make a bloody statement about class warfare, but he’s only capable of making a bloody mess with his characters and action sequences.
Prospects: Dim • R • 103 mins.

Sex Tape
    Things have gotten a little stale for Jay (Jason Segel) and Annie (Cameron Diaz) in the 10 years since they got together. Bored by their romantic life, Annie suggests using their new iPad to film their sexual escapades. The evening of filmed illicit activities reignites their spark.
    The two are happier than ever, until they realize their sex tape was accidently uploaded onto the Cloud. Now, their friends, children, parents and bosses all can see them.
    Back in the dark ages when people rented VHS tapes from Blockbuster Videos, this same plotline was used in several sitcoms. This modern take on the tale might be fun, but it depends on your tolerance for sexual humor and crass language and your interest in seeing Segel and Diaz in skimpy clothing.
Prospects: Flickering • R • 94 mins.

New for the week of July 4, 2014

Life Itself
    One of the most trusted opinions in the film industry and the first film critic to win a Pulitzer Prize, Roger Ebert made a career out of shepherding moviegoers to good films. His thumb rating system became a dependable indicator of a movie’s quality. His life was dedicated to the movies: first watching them, then writing them, finally writing about them.
    Acclaimed director Steve James (Head Games) shows you the man behind the thumb in his new documentary Life Itself. The film uses Ebert’s biography as its blueprint and features interviews with friends, family, fellow critics and directors.
Prospects: Bright • R • 115 mins.

New for the week of June 26, 2014

Begin Again
 When Dave (Adam Levine) makes it big, he unceremoniously dumps Gretta (Keira Knightley) his longtime songwriting partner and girlfriend. Depressed, Gretta plays small gigs at New York coffeehouses to restart her career.
    When former record-executive Dan (Mark Ruffalo) hears Gretta sing, he sees dollar signs.
    A musical drama with some A-List talent, Begin Again could be the romance of the summer. It could also be a mess of a film, filled with clichés and insipid songs. Still, Ruffalo and Knightley have chemistry, and it should be fun to watch them make beautiful music out of the hustle and bustle of the city.
Prospects: Flickering • R • 104 mins.

Earth to Echo
    Three lifelong friends receive bizarre signals on their cell phones. Tracking down the source of the signals, the boys discover something amazing: a small alien stranded on earth. The friends try to hide him from the government while looking for a way to get him home.
    If this movie sounds familiar, then you’ve probably heard of a film called E.T. I suppose each generation needs their own kiddie alien epic. If you’ve got little ones or you want to see what E.T. would have looked like with superior CGI graphics, this film should be worth the ticket.
Prospects: Flickering • PG • 91 mins.

Deliver Us from Evil
    As police officer Ralph Sarchie (Eric Bana) investigates a string of odd crimes and disturbing violence, he suspects that the force behind the crime spree isn’t human. So he teams with a priest (Edgar Ramirez) to fight this unseen evil.
    On the surface, this looks like The Exorcist with guns. Still, Bana and Ramirez are both underrated actors, so this film might be better than your standard what-goes-bump-in-the-night fare. If you’re in the mood for a few chills to combat the heat wave, this is the movie for you.
Prospects: Creepy • R • 118 mins.

Obvious Child
    Up-and-coming standup comedian Donna Stern (Jenny Slate: Bob’s Burgers) is having a terrible Valentine’s Day. She is dumped, fired and pregnant. Her 20-something lifestyle having failed, she has to try growing up.
    A divisive comedy about taboo realities, Obvious Child will leave some viewers laughing and others cringing. If you don’t think humor can be mined from abortion, casual sex and delayed adolescence, this is not the movie for you.
Prospects: Flickering • R • 83 mins.

    A global-warming experiment backfires, killing almost all life on Earth. The few human survivors jump onto a train called the Snowpiercer, which traverses the globe via a perpetual-motion engine. The group frays as messages of dissent show up in the cars.
    Korean auteur Bon Joon Ho is already widely regarded as one of the most interesting voices in the sci-fi genre, so it should be interesting to see what he does in his English language debut. Ho has a great cast including Oscar winners Tilda Swinton and Octavia Spencer, as well as John Hurt and Captain America himself, Chris Evans.
    If you’re interested in stylish thrillers and metaphoric sci-fi tales, there’s no better ticket this weekend.
Prospects: Bright • R • 126 mins.

    Perpetual loser Tammy (Melissa McCarthy) is having a bad run of luck. Fired from her fast food job, she discovers that her husband is dumping her for another woman. Lost and alone, Tammy takes a roadtrip with Grandma Pearl (Susan Sarandon).
    McCarthy is a brilliant comedian, but filmmakers don’t seem to know what to do with her, so they take the easy road, casting her in gross-out comedies that exploit her weight for stupid laughs.
Prospects: Flickering • R • 96 mins.

Transformers: Age of Extinction
    Down-and-out mechanic Cade Yeager (Mark Wahlberg: Lone Survivor) comes across an intriguing hunk of junk: Instead of a beat-up truck, this is Optimus Prime.
    Will Yeager protect the Transformer or turn him over to an interested government official? While he makes his choice, the evil Autobots plan to launch an attack to extinguish both the Transformer and humans.
    Director Michael Bay could be a good filmmaker. But he’s more interested in breasts and special effects than storytelling. This one runs well over two hours, so you should probably pick up some Excedrin Migraine Relief with your Coke and popcorn.
Prospects: Loud • PG-13 • 157 mins.

New for the week of June 20, 2014

Jersey Boys
    Four middling Jersey crooks discover they’re better at harmonies than crime and form a quartet. As they rise from the streets to international fame, tension builds as the group’s lead singer, Frankie Valli, becomes the media’s darling. The Four Seasons threaten to tear themselves apart because of conflicting egos and bad habits.
    Based on the hugely popular Broadway musical, Jersey Boys chronicles the family, crimes, attitudes and music that defined the group. We share the perspective of each of the four characters as the story unfolds.
    Director Clint Eastwood (Trouble with the Curve) wisely chose to use the actors who originated the parts on Broadway rather than casting well-known faces.
    If you’re a fan of The Four Seasons or are interested in how a bunch of low-level thugs parlayed their Sopranos-like youth into superstardom, Jersey Boys is worth the ticket. Chances are, you’ll leave the theater and head straight to iTunes.
Prospects: Bright • R • 134 mins.

The Rover
    After a global economic catastrophe, the world has become a cesspool. In the Australian outback, a drifter (Guy Pearce) is robbed of his only possession: his car. He tracks down the thieves seeking bloody revenge. When he finds one of the robbers (Robert Pattison) badly wounded and abandoned by his cohorts, the drifter takes the naive man on as his apprentice.
    A story of grit, violence and friendship, The Rover is a dramatically refined Mad Max. Pearce has a long record of great performances and little recognition, while Pattinson is world famous for a terrible performance in an awful film franchise. They should be an interesting pairing as they fight their way across the outback.
Prospects: Flickering • R • 102 mins.

Think Like a Man Too
    A wedding brings five couples to Las Vegas. The men and women go their separate ways for bachelor and bachelorette parties, until the nights of fun devolve into a competition to see which sex parties harder.
    The sequel to the hugely successful comedy based on a Steve Harvey relationship advice book, Think Like a Man Too continues the battle of the sexes. The strength in these films is doing hackneyed comedy well. With stars like Kevin Hart, Regina Hall and Taraji P. Henson, even rote material can be hilarious.
Prospects: Flickering • PG-13 • 106 mins.

New for the week of June 13, 2014

22 Jump Street
    Now far too old to plausibly work as undercover high school police officers, Jenko (Channing Tatum) and Schmidt (Jonah Hill) are reassigned. The duo heads to college to ferret out a drug ring.
    At school, cracks form in Jenko and Schmidt’s relationship. Jenko is more interested in the football team than the case. Schmidt becomes infatuated with the avant-garde scene. Can the duo work together to find the drug dealers? Or should they call it quits and enroll full-time?
    The success of 21 Jump Street was due to the electric chemistry between Hill and Tatum. Directors Phil Lord and Christopher Miller need only to wind up this proven team and let them loose.
    The sequel to the wildly popular 21 Jump Street, 22 Jump Street will be a cavalcade of self-aware, slapstick and crude humor. That’s not a bad thing.
Prospects: Bright • R • 112 mins.

How to Train Your Dragon 2
    In the five years since Viking Hiccup (Jay Baruchel) proved that dragons could be allies, dragon riding has become a hugely popular pastime in the village. Still best friends with his dragon Toothless, Hiccup spends his days mapping uncharted dragon territories and discovering new species of fire-breathing friends.
    On a cartography expedition, Hiccup encounters the legendary Dragon Rider, a figure locked in battle with an evil force seeking to control dragons. Hiccup, Toothless and the Vikings join the war to save the dragons they’ve come to love.
    How to Train Your Dragons 2 features stunning graphics, interesting new dragon species and the loveable yet goofy Vikings (many of whom are Scottish for no apparent reason). I hope the sequel continues the original’s affirmative kid-friendly messages about being yourself and overcoming disabilities.
Prospects: Bright • PG • 102 mins.

The Signal
    MIT students Nick and Jonah aspire to becoming the badest hackers on the Internet. To prove their worth, they’ve planned to decode the location of Nomad, a rival hacker.
    When they find Nomad, Nick and Jonah are elated — until he attacks and the boys’ loose consciousness. When Nick awakens, he finds that he and his friends are now captives in a nightmarish game. Can the trio discover a way out? Or is this a code the hackers can’t crack?
    A science-fiction film with a low budget, The Signal thrives on conspiracy theories, computers and implausible scenarios. The cast features Laurence Fishburn.
Prospects: Flickering • PG-13 • 95 mins.

Words and Pictures
    Prep school English teacher Jack Marcus (Clive Owen) is content to lecture his students and drink himself to death until he meets the newest member of the faculty. Severe arthritis has hampered the once-successful career of apathetic artist Dina (Juliette Binoche). She provokes Jack’s ire by asserting that words aren’t nearly as important as pictures.
    Jack and Dina enlist students in a battle to determine language or images. As they spar, the two troubled teachers spark an attraction. Can they conquer their demons? Or are they doomed to a life of pedantry?
    With Owen and Binoche, Words and Pictures is sure to be a beautifully acted romantic comedy. Taking a cue from the Tracy and Hepburn films of old, director Fred Schepisi (The Eye of the Storm) fills the movie with snappy dialog and crackling chemistry.
Prospects: Bright • PG-13 • 111 mins.

New for the week of June 6, 2014

Edge of Tomorrow
William Cage (Tom Cruise) is an unprepared soldier dropped in the middle of a combat zone. Within five minutes, he’s killed by the aliens he’s meant to be fighting.
    Imagine his surprise when he wakes up alive the day before he dies. Turns out Cage is in a time loop: He dies and dies, only to wake up the day before his death. Retaining his knowledge from previous lives, he begins to learn from his deadly mistakes. 
    Super soldier Rita Vrataski (Emily Blunt) discovers Cage’s secret and recruits him to beat the seemingly invincible invasion force. Her training involves killing him every time he’s injured so they can start afresh when he regenerates. 
    Think of it as Groundhog Day if Bill Murray had a machine gun. Time looping can be tricky because it’s easy to devolve into repetition. Cruise was once king of the action and sci-fi films, but his star has dimmed. Perhaps the talented Blunt will add charm and charisma. 
Prospects: Flickering • PG-13 • 113 mins. 
The Fault of Our Stars
Hazel (Shailene Woodley) is a typical teen: She’s sarcastic, eager for freedom and uncomfortable in her own skin. She also has cancer. Forced into a support group, she meets Gus (Ansel Elgort), a fellow teen whose cancer took his leg. 
    Gus is attracted to Hazel, but she is unsure. Hazel thinks of herself as a grenade that will eventually blow up and destroy her loved ones. Consumed by the idea that her parents will not survive her impending death well, she doesn’t want to think about love. But a persistent Gus wins her over, and Hazel discovers the beauty of first love.
    Based on the revered young adult novel by John Green, The Fault in Our Stars is a tragic love story. Woodley, a rising star for several years, gets to show off her dramatic chops. Bring plenty of tissues.
Prospects: Bright • PG-13 • 125 mins. 
Night Moves
Three environmentalists decide to make a splash by blowing up a hydroelectric dam. Directed by Kelly Reichardt (Meek’s Cutoff), this promises to be a tense, pensive thriller about activism and the extremes to which people will go to be heard. Don’t expect lots of action. Reichardt is a thoughtful filmmaker who likes to make her characters discuss and reflect on their actions. Night Moves will reward interest in the issues, but it won’t be light fare. 
Prospects: Bright • R • 112 mins.

New for the Week of May 30, 2014

    When an army threatens her peaceful forest kingdom, a young fairy named Maleficient (Angelina Jolie) becomes a ferocious defender of her realm. Betrayal turns the once sweet-natured fairy to vengeance.
    To ensure the usurper king suffers as she has, Maleficent places a curse on his family and the newborn princess who will one day rule. As Maleficent waits for her revenge to play out, she doubts her decision to curse the good-natured princess. Can she reverse the spell? Or have her rash actions doomed them all?
    A twist on the classic Sleeping Beauty tale, Maleficent is retold from the perspective of one of Disney’s most iconic villains. This fractured fairytale also looks to continue Disney’s admirable trend of female-focused cinema, showing young women taking control of their own stories.
    Whether you’re curious how Jolie will fill out Maleficent’s impressive cheekbones and horns or you’re looking for an adventure film for the family, Maleficent is the ticket this weekend.
Prospects: Bright • PG • 97 mins.

A Million Ways to Die in the West
    The Old West wasn’t a great place to live a long and healthy life. Albert (Seth MacFarlane) is a simple farmer with one goal: to live as long as possible. He avoids plagues, wolves, bullets and every other common cause of death in the west. Until he meets Anna (Charlize Theron).
    Beautiful and mysterious, Anna draws Albert’s admiration. But Anna’s husband Clinch (Liam Neeson) is a renowned gunfighter who doesn’t like men messing with his woman. Can Albert learn to defend himself and the woman he loves?
    Blazing Saddles for a new generation, MacFarlane’s lampooning of the Old West is sure to have sex jokes, scatological humor, meta pop-culture jokes and a liberal amount of theft from other, better comedies. There will be plenty of visuals and language you won’t want your little ones repeating.
Prospects: Flickering • R • 116 mins.

New for the Week of May 23, 2014

    Lauren (Drew Barrymore) and Jim (Adam Sandler) are single parents looking for love. Set up on a first date that ends in disaster, they vow to never meet again.
    Until, of course, contrived circumstances book Lauren and Jim on the same African family vacation. Thrown together, they blend their families and make a romantic connection.
    The ploy is as old as Shakespeare and comfortingly simple.
    Sandler and Barrymore proved their easy chemistry in their first outing, 50 First Dates. But Sandler’s Happy Maddison Production Company has a long track record of subpar films. Here’s hoping Barrymore’s effervescent charm works magic.
Prospects: Dim • PG-13 • 117 mins.

X-Men Days of Future Past
    In a dystopian future, the X-Men are fighting a losing battle for the survival of themselves and mutants. To stop a world war, Professor Xavier (Patrick Stewart) sends an envoy back in time to the first seeds of conflict.
    Now the X-Men must fight on two timelines to stop the annihilation of humanity and mutants. Can they succeed? Or is the world’s fate sealed?
    X-Men Days of Future Past is a twisting, intricately plotted entry in the superhero comic series. Filled with such wonderful actors as Ian McKellen, Jennifer Lawrence, Michael Fassbender and Hugh Jackman, it should be a favorite among fans.
Prospects: Bright • PG-13 • 131 mins.

New for the Week of May 16, 2014

    Dido Elizabeth Belle (Gugu Mbatha-Raw) is the daughter of a Navy admiral and a lowborn woman. She is of mixed race, which makes her an outsider in every circle of society.
    Raised by her great-uncle (Tom Wilkinson), Belle grows up in a huge house with servants and fine clothing. But she can’t join her family for dinner because of the color of her skin. When she meets a pauper son of a vicar, who advocates for equality among the races, she must choose to risk her somewhat privileged position or accept her fate.
    Based on the true story of Dido Elizabeth Belle, this period drama has an excellent cast and covers an interesting period in British history. If you’re interested in learning about the rules of British culture and the beginning of the abolitionist movement, Belle is a good teacher. If you’ve never been engrossed in a British parlor drama, you might want to skip this flick.
Prospects: Bright • PG • 104 mins.

    When an immense monster emerges from the ocean bent on destroying cities, soldiers try to stop the creature as civilians flee in terror. One man is committed to discovering the truth about where the monster came from and how long world leaders have known.
    The last time Americans made a Godzilla movie, it was an unparalleled disaster, with terrible effects, a stupid story and actors who looked embarrassed to put their names on the project. This time, Warner Brothers is being a little more careful with the classic Japanese monster series. Director Gareth Edwards, who won acclaim for his low-budget tense horror film Monsters, is a good choice for a fresh start.
    The cast is a stacked deck. Featuring Bryan Cranston, Juliette Binoche, Ken Watanabe, Elizabeth Olsen and Sally Hawkins, this Godzilla remake could be a great addition to the classic Gojira lineage. If you’re in the mood for explosions, big effects, dramatic monologs and lots of people running, this is the film for you.
Prospects: Bright • PG-13 • 123 mins.

Million Dollar Arm
    JB Bernstein (Jon Hamm) will lose his sports agency if he doesn’t sign some new talent. Out-maneuvered by ruthless competitors, he must get creative to find the next big thing in sports.
    Inspiration strikes while he’s watching a late-night cricket match. JB goes to India to recruit the next Major League Baseball pitcher among the players on the cricket field. He organizes a trip and brings back two players who he believes could make it as MLB pitchers.
    Back home, JB sends his pair of prospects to training camp and puts them up in his home. Cultures clash as a committed bachelor learns to live with others.
    Based on a true story, this feel-good sports movie should please baseball fans and bore most others. Unless you’re a dedicated Mad Men fan, watching Don Draper groom baseball players in a family-friendly movie probably won’t inspire feeling. Still, a good-natured movie about accepting other cultures and following your dreams might be just the tickets for families with children who might be afraid of Godzilla.
Prospects: Flickering • PG • 124 mins.

New for the Week of May 9, 2014

Fading Gigolo
    To help his broke friend Murray (Woody Allen), Fioravante (John Turturro) turns to the world’s oldest profession. Fioravante becomes a professional gigolo, wooing the lovelorn for exorbitant fees. Murray, who is impressed with Fioravante’s earning potential, decides to become a manager in the Don Juan business.
    Can Fioravante be a success as an escort? Or will love distract him from financial prosperity?
    Written and directed by Turturro, Fading Gigolo looks like a farcical comedy worthy of his co-star. With an all-star cast that includes Sophia Vergara and Sharon Stone, Fading Gigolo promises entertaining neurotic comedy.
Prospects: Flickering • R • 90 mins.

Legends of Oz: Dorothy’s Return
    Dorothy (Lea Michele) comes back from her adventures in Oz to post-tornado Kansas. She has no time to settle in because she’s immediately drawn back to Oz by her buddies The Scarecrow (Dan Aykroyd), The Tin Man (Kelsey Grammer) and The Lion (James Belushi). They need Dorothy’s help to defeat a new threat to Oz: The Jester (Martin Short).
    Can Dorothy once again take the yellow brick road to adventure?
    An animated film for kids and Oz fanatics, The Legends of Oz: Dorothy’s Return should be a lighthearted continuation of the Baum books. Michele is an accomplished vocalist, so her Dorothy should add impressive songs to keep the plot moving.
Prospects: Flickering • PG • 88 mins.

    On his way home from work, construction manager Ivan Locke (Tom Hardy) takes a phone call that could end his career. Desperate to right the situation, Locke enters an all-night driving odyssey filled with frantic phone calls and frenetic driving.
    Set entirely in the car, Locke is an interesting acting exercise. Hardy must move the plot along, maintain an accent, keep the audience’s attention and perform believably without the help of any other actors, fancy editing or CGI effects. One of the most charismatic actors to come out of England recently, Hardy is up for the challenge. His one-man-show performance has earned him raves from critics around the world.
    But Locke is, in essence, an acting exercise. Before you buy a ticket, Consider whether you want to be trapped in a car with Tom Hardy for 85 minutes.
Prospects: Bright • R • 85 mins.

Mom’s Night Out
    Allyson (Sarah Drew) needs a break. Tired of a life of underappreciated work, she organizes a Mom’s Night Out. But disaster gets in the way of fun, and soon the group of mothers are on a city-wide hunt for a misplaced child.
    Gross-out humor and slapstick comedy need grounding in excellent performances. This film looks out for easy laughs.
Prospects: Flickering • PG • 98 mins.

    Kelly (Rose Byrne) and Mac (Seth Rogen) settle into parenthood in a quiet neighborhood perfect for raising a family. But their domestic tranquility is shattered when a fraternity moves in next door.
    They want to be cool neighbors, but late-night partying and binge-drinking students make their neighbors unbearable. Their call to the cops sparks a war with the fraternity, until a series of escalating pranks threatens to destroy the quiet neighborhood.
    Can Mac and Kelly triumph over the testosterone-fueled antics of their new neighbors? Or should they give up and put their dream house on the market?
    A prank war between Seth Rogen and Zac Efron guarantees gross humor. Director Nicholas Stoller is another alum of the so-wrong-it’s-right school of humor, meaning that this film is sure to have you cringing while you laugh.
Prospects: Bright • R • 96 mins.

New for the Week of May 2, 2014

The Amazing Spiderman 2
    Peter Parker (Andrew Garfield) is still trying to balance a normal life with his secret identity as Spiderman. Working a regular job by day, crime-fighting at night and maintaining a relationship with his girlfriend Gwen (Emma Stone) is difficult. As new foes threaten New Yorkers every day, Peter has his hands full.
    In this sequel to The Amazing Spiderman, director Marc Webb took the more-is-more approach. Spidey deals with relationship issues, identity crisis and three major villains. Cramming Electro (Jamie Foxx), Green Goblin (Dane DeHaan) and Rhino (Paul Giamatti) into one film ­doesn’t leave much room for depth.
    I’m still not convinced that Garfield has the charisma and acting chops to make Spidey an interesting hero, but the success of the first movie proves that I’m in the minority.
Prospects: Flickering • PG-13 • 142 mins.

The Railway Man
    During the Second World War, thousands of Allied prisoners were forced to build the Thai/Burma railway. British prisoner Eric Lomax (Colin Firth) builds a radio to offer his fellow captors hope by broadcasting music and news of the Allied advance to their encampment.
    When his radio is discovered, Eric is punished brutally. He returns to England a recluse suffering from post-traumatic stress disorder. Marriage to Patti (Nicole Kidman) gives him a chance at healing — if he can overcome his obsession with his Japanese torturer.
    With strong performances from Oscar-winners Kidman and Firth, this true story promises a moving tale of love and vengeance.
Prospects: Bright • R • 116 mins.

New for the Week of April 25, 2014

Brick Mansions
    In the large brick high-rises of Detroit, the police have given up trying to stop the surge of crime. Instead, they build a huge containment wall around the buildings and leave the baddies to their own devices. This fixes the problem until a drug kingpin threatens the city from within.
    To stop the destruction of Detroit, an undercover cop (Paul Walker) joins with an ex-con (David Belle) to infiltrate the stronghold.
    One of the last films made by Walker, Brick Mansions was slated as a direct-to-DVD release before the actor’s untimely death in a car crash. This doesn’t bode well for the quality of the story. However, Belle is one of the founders of the ­Parkour movement — bounding like Spiderman up walls and over objects — so the stunts in this simple action flick should be impressive.
Prospects: Flickering • PG-13 • 90 mins.

The Other Woman
    Lawyer Carly (Cameron Diaz) discovers that her gorgeous boyfriend Mark (Nikolaj Coster-Waldau) is married. When she bumps into Mark’s wife, Kate (Leslie Mann), Carly does the unthinkable: She makes a friend. The two team up to get revenge on Mark. Yet another girlfriend (Kate Upton) joins the mission.
    The script looks predictable, but Diaz and Mann give hope as experienced comedians.
Prospects: Flickering • PG-13 • 109 mins.

The Quiet Ones
    Jane Harper (Olivia Cooke) is plagued by supernatural problems. She moves from home to home, as no one will house her for long. Professor Joseph Coupland (Jared Harris) doesn’t believe the supernatural stories that surround her. If he can prove she suffers from mental illness, he can disprove the existence of ghosts and ghouls.
    Coupland brings Jane to an isolated house to document her illness. What happens next terrifies the university crew and may cost them more than their academic credibility.
    Inspired by true events — these movies always are — The Quiet Ones looks to be sustained by CGI effects rather than tension in plotting or character.
Prospects: Flickering • PG-13 • 98 mins.

Walking with the Enemy
    Searching for his family in World War II Hungary, Elek Cohen (Jonas Armstrong) forms a brilliant plan: He steals a Nazi SS uniform so he won’t be questioned.
    Elek’s plan works, exposing him to the horrors of the Nazi regime. Disgusted by what’s happened to his country, he attempts to reroute his family and other Jews from the slaughter. Walking with the Enemy is inspired by a true story.
Prospects: Bright • NR • 124 mins.

New for the Week of April 18

    Two Alaskan bear cubs learn to survive in the wild with help from their mother in Disneynature’s newest documentary. The film follows the cubs as they emerge from winter hibernation into a frozen world where mother bear teaches them how to hunt, avoid rival bears and evade natural dangers.
    Narrated by John C. Reilly, Bears’ stunning visuals will delight viewers of all ages. Like Chimpanzee and African Cats before it, Bears is a Disney-fied look into the natural world. It’s perfect for small kids or squeamish older viewers. But the films depict the wild unrealistically.
    If you purchase a ticket this week, a portion of your payment goes to wildlife preservation charities.
Prospects: Cute • G • 40 mins.
Dom Hemingway
    Dom Hemingway (Jude Law) has finished a 12-year prison sentence. Will he go back to a life of crime? Or will he abandon the only life he’s ever known to reconnect with his daughter?
    The story of one man’s struggle against his own nature, Dom Hemingway is a showcase for Law, who has found a niche as a reliable character actor game to destroy his cinema-idol looks for a good performance. His brash, profanity-laden performance is earning him praise.
    Expect a good cockney crime caper in the spirit of Lock, Stock and Two Smoking Barrels or the original Italian Job.
Prospects: Flickering • R • 93 mins.

A Haunted House 2
    After helping exorcize his ex-girlfriend, Malcolm (Marlon Wayans) pursues a fresh start. Unfortunately, Malcolm’s demons aren’t done with him.
    A lampooning of horror movies, A Haunted House 2 is big on crude humor, hammy performances and silly takes on famous scary moments.
Prospects: Dim • R • 87 mins.

Heaven is for Real
    After emergency surgery, young Colton Burpo claims to have died and traveled to heaven. The parents dismiss it as the imaginings of a little boy, until Colton names people and places he should not know.
    Based on the popular book, Heaven is for Real is the latest offering in the steadily growing Christian film market.
Prospects: Flickering • PG • 100 mins.

    Artificial Intelligence researcher Dr. Will Caster (Johnny Depp) is on the verge of a technological breakthrough. His work is controversial, and an anti-technology terrorist group poisons him. As Caster fades from life, his wife and fellow researcher (Rebecca Hall: Closed Circuit) uploads his mind to his AI experiment.
    She hopes to save the man she loves. But Caster uses his newfound omniscience to fix the world. Can he be stopped?
    With The Lone Ranger and roughly 50 Pirates of the Caribbean movies to his name, Depp has gone from well-respected indie actor to a big-budget joke. Will this performance put Depp back on track?
Prospects: Flickering • PG-13 • 119 mins.

Under the Skin
    If Scarlet Johansson offered you a lift, would you take it?
    Johansson plays an alien who has come to rural Scotland to seduce and kill unsuspecting men. Patrolling the streets in a white van, the alien has quite a bit of success. But as she interacts with humans, she becomes curious about humanity and questions her mission.
    The third movie from director Jonathan Glazer (Birth) is no sexy action thriller. This moody musing on humanity is more into tone and atmosphere than sexy shenanigans and gore. Johansson is a capable actress who often gets stuck playing the seductress. It should be interesting to watch her turn the typecasting on its head with this measured, subtle performance.
    Under the Skin isn’t a movie for everyone, but it’s fun to see Glazer play with different genres, picking them apart to show the human fears and foibles beneath common plot tropes.
Prospects: Bright • R • 108 mins.

New for the Week of April 11

Draft Day
    Cleveland Browns general manager Sonny Weaver (Kevin Costner) has a chance to change the fate of his team. Trading for the Number One draft pick, he must decide if he will build the team he wants or listen to the orders of the owner. As draft day approaches, Sonny opts with making the most of his position.
    Costner returns to film after a lengthy absence, following mixed reviews, with the same old charisma. You won’t find hard-hitting commentary on football in this sugary script, but you may find a family-friendly fix for your football jones.
Prospects: Flickering • PG-13 • 109 mins.

    Mirror, Mirror on the wall, will you kill my family, after all?
    Ten years ago, Tim Russell was convicted of butchering his parents. He claimed an antique mirror possessed his parents, forcing Tim to kill them in self-defense. His only advocate was his sister Kaylie.
    Newly released, Tim wants to forget the past and move forward. Kaylie, however, is obsessed with finding the mirror and exonerating her brother. When she finally finds the so-called Lasser Glass, she also enters a world of trouble. Soon mysterious deaths and odd breaches with sanity again occur in the Russell household.
    Can Kaylie and Tim defeat the mirror? Or are they already through the looking glass?
Prospects: Bright • R • 105 mins.

Rio 2
    After finding freedom, Blu and Jewel settled down in the wild to have a family. Three hatchlings later, city-bird Blu is still trying to fit in with the jungle crowd. Can Jewel and the kids help him learn the ways of the wilderness? Or is this bird fated to fly back to the coop?
    Animation sequels are almost never as much fun as the originals. Still, Rio 2 offers a great voice cast, featuring Anne Hathaway, Jessie Eisenberg, Kristin Chenoweth and Andy Garcia, as well as some impressive animation. Like its predecessor, Rio 2 is written for younger audiences with bright colors, flashy animation and a few feathered puns.
Prospects: Flickering • G • 101 mins.

New for the Week of April 4

Captain America: Winter Soldier
    After the events of The Avengers, Steve Rogers (Chris Evans) is still looking for an identity beyond Captain America. He’s uncomfortable with the modern world and unsure of technology. As he struggles to conform to a new era, he throws himself into working with SHIELD, the super-hero equivalent to the CIA.
    When a rogue Soviet spy terrorizes Americans, Rogers volunteers to bring down the threat. But the so-called Winter Soldier’s link to Rogers’ past life gives him pause.
    Any Marvel fan knows the secret identity of the Winter Soldier and that Captain America will ultimately triumph (I mean, he is an Avenger, after all). The joy in these movies is watching the action and the acting. Evans has proved himself an able hero with an impressive physique and a stoic screen presence. The stoicism works for the character, but sometimes it makes poor Cap a stick in the mud. The addition of Emily VanCamp, Robert Redford and Anthony Mackie to the already impressive lineup may make for more fun.
    Remember to stay to the end to see the preview of Marvel’s next venture.
Prospects: Flickering • PG-13 • 136 mins.

New for the Week of March 28

    A humble man is told by God that disaster is coming. Noah (Russell Crowe) is to build an ark and prepare for an oncoming flood. At first, he’s seen as crazy, but odd changes in the weather convince the men around him that the town nut might actually be a prophet.
    Now the real danger begins.
    A Bible tale directed by Darren Aronofsky should be visually stunning and dramatically gripping. A master of physical and psychological horrors, Aronofsky is expert at picking apart the mental and physical frailties of humanity. Don’t go expecting a Sunday school story; Noah will carry a deeper and more subversive message.
Prospects: Bright • PG-13 • 138 mins.

    John ‘Breacher’ Wharton (Arnold Schwarzeneggar) leads a DEA task force against drug cartels. They shoot, punch and stab their way into the most violent drug dens in America, seizing cartel cash for the government and racking up the body count.
    When some of the drug money goes missing, Breacher’s team becomes a problem for both the cartels and the government. One by one, the team is murdered. Is the cartel seeking revenge? Or is there a traitor among them?
    Writer/director David Ayer was behind one of 2012’s most interesting cop films, End of Watch. His gritty, hyper-violent sensibility can be tough to take, but he also develops nuanced characters. It should be fun to watch Ah-nuld reach up to a subtle script.
Prospects: Flickering • R • 109 mins.

New for the Week of March 21

Bad Words
    Guy Trilby (Jason Bateman) is a bit of a loser, but he sure can spell. A loophole in the Golden Quill National Spelling Bee rules allows him to seek glory by out-spelling eighth graders.
    While demolishing the self-esteem of most of the children, he befriends a small boy with antisocial tendencies. Can Trilby help his young friend become well-rounded? Or will he make a small malcontent in his image?
    A foul-mouthed black comedy about a vindictive man-child, Bad Words could be hilarious or awful. Bateman is a usually reliable comedic presence, and his directorial debut should be a promising source for inappropriate humor.
Prospects: Bright • R • 88 mins.

    In the future, society will be divided into five factions. Each group represents a different walk of life: Soldiers, selfless charity workers, politicians, peacekeepers and intellectuals. When teenagers come of age, a blood test determines their factions.
    Tris Prior (Shailene Woodley) doesn’t fit neatly into any of the factions. Called a divergent, she shares the qualities of several different factions and is free to choose which life she wants. But divergents scare the government into seeking to eliminate them for the good of society.
    Divergent clearly wants to follow in the footsteps of The Hunger Games, a wildly successful and well-respected dystopian teen series. Whether the trials of Tris are as compelling as the trials of Katniss is yet to be seen, but Divergent has a great supporting cast featuring Kate Winslet, Ashley Judd, Tony Goldwyn and Miles Teller.
Prospects: Flickering • PG-13 • 139 mins.

God’s Not Dead
    Josh Wheaton (Shane Harper) is having a tough time in his freshman philosophy class. His professor (Kevin Sorbo) is a committed atheist who preaches that God is dead and all forms of religion are wrong. The professor tells all his students that they must deny the existence of god in an essay or fail the class.
    Can Wheaton, a devout Christian, convince his professor that God is alive? Or should he report this ethically reprehensible classroom assignment to the college?
    If you’re looking for a movie to reaffirm your faith, this will likely do it. If you’re looking for a balanced debate, you won’t find it here.
Prospects: Flickering • PG • 95 mins.

The Grand Budapest Hotel
    Gustave (Ralph Fiennes), the concierge at the famous Grand Budapest Hotel, is a lothario. Throughout two world wars, he has wined and dined elderly heiresses, battled for their inheritances and been accused of the theft of priceless art.
    Written and directed by the king of quirky cinema, Wes Anderson, The Grand Budapest Hotel promises a cavalcade of stars, gorgeous production design and a smart script.
Prospects: Bright • R • 100 mins.

Muppets Most Wanted
    When the Muppets tour Europe, disaster strikes. A master thief, Constantine, happens to be a dead ringer for Kermit the Frog and switches places with the muppet, who is immediately arrested.
    While Kermit rots in prison, Constantine infiltrates the Muppets. At first, they don’t notice the difference, but soon personality quirks tip them off that something is amiss with their typically mild-mannered leader.
    Can the Muppets spring Kermit?
    Muppets Most Wanted is a kids’ movie with adult appeal. If you have a small moviegoer or fond memories of Miss Piggy, this is your weekend ticket.
Prospects: Bright • PG • 112 mins.

New for the Week of March 14

Need for Speed
    Tobey (Aaron Paul) joins a cross-country street race as his first act out of prison. Framed and angry, Tobey hopes that the race and its winnings will help him seek revenge against the former friend who put him in jail.
    But the friend sets out to make sure Tobey never finishes the race.
    Based on the wildly popular video game, Need for Speed promises to combine B-movie action with a terrible script. Still, Paul is coming off of the critically acclaimed show (Breaking Bad) and might have the acting clout to make this movie a success. There seems to be a market for pretty cars and big explosions. If you dream of violating every motor vehicle law in existence, this is your ticket.
Prospects: Fast and furious • PG-13 • 130 mins.

Tyler Perry’s Single Mom’s Club
    An incident at school brings a group of single mothers together. The unlikely collection, each from a different socio-economic class, bonds over their single status. They start a support group to help single mothers navigate life with kids.
    From writer/director/star Tyler Perry, the Single Mom’s Club seems to be an attempt at straight comedy rather than a condescending parable. It just might be the movie that allows Perry to put aside his issues with women. As long as Madea doesn’t pop up, it might even be funny.
Prospects: Flickering • PG-13 • 111 mins.


New for the Week of March 7

300: Rise of an Empire
    The fall of 300 Spartans to the vast Persian army was just the beginning. Tales of the valiant Spartans have spread throughout Greece, and the city-states are joining ranks to fight off the demonic Persians and their otherworldly army.
    Filled with oiled abs, loincloths and macho warrior screams, 300: Rise of an Empire is a blood, sweat and brawn action movie. Actors and characters are fairly interchangeable in the vast field of set pieces and odd creatures. If you dream of the days when Greeks fought sexy sea witches while wearing naught but a cape and their underoos, this is your movie. If you have a passable knowledge of Greek mythology and/or history, avoid this film or risk a migraine the size of the Persian Empire.
Prospects: Flickering • R • 102 mins.

Mr. Peabody and Sherman
    Mr. Peabody (Ty Burrell) is a brilliant scientist, inventor, Olympian and business genius. He is also the world’s smartest dog. Bored with his life of invention and industry, Mr. Peabody invents the WABAC Machine, a time machine that takes him and his adopted human boy Sherman way back, traveling to history’s important moments.
    Sherman, a bad pet, breaks the rules of time travel and throws the world into chaos. Can Mr. Peabody fix Sherman’s mistakes? Or is disaster inevitable?
    Based on the fun Rocky and Bullwinkle Show cartoons, Mr. Peabody and Sherman looks like a pale imitation of the original. Gags that make little ones laugh will make adults groan.
Prospects: Flickering • PG • 92 mins.

New for the Week of February 28, 2014

    Air Marshal Bill Marks (Liam Neeson) is experiencing some mental turbulence. Midair, he gets a text from an unknown source demanding $150 million. Pay or one passenger will be killed every 20 minutes.
    Bill has two problems: Not only are passengers being bumped off but somebody is using a cell phone during the flight.
    Neeson has made the improbable leap to action star in his later years, and it’s paid off extremely well. He’s already killed half of Paris in Taken, ravaged Germany in Unknown and fought a pack of Alaskan wolves in The Grey. He’s running out of populations to beat to a bloody pulp, so now he must take to the skies.
    He’s backed up by a surprisingly talented cast that includes Julianne Moore and Michelle Dockery. Neeson action films are usually pretty entertaining — if you remember to check your brain at the door.
Prospects: Flickering • PG-13 • 106 mins.

Son of God
    The story of how Jesus Christ founded one of the world’s most powerful religions, Son of God is meant to inspire its audience with the messages of the Bible.
    There’s not much suspense, as the plot of the rise of Jesus (Diogo Morgado) from carpenter’s son to messiah is well-known.
    Oddly, the film is billed as a documentary, but a re-creation complete with actors and special effects is not a documentary.
    If you’re looking for a film that will reaffirm your religious convictions, this will be well worth the ticket. Be careful taking children, however, as scenes depicting the crucifixion might be a little too intense for small viewers.
Prospects: Flickering • PG-13 • 138 mins.

The Wind Rises
    As a boy, Jiro dreams of becoming a daring pilot. His imaginary friend is Italian aeronautical engineer Giovanni Caproni. When poor vision keeps Jiro from taking wing, he follows in Caproni’s footsteps and begins designing planes for a Japanese Engineering company in 1927.
    Jiro’s innovative designs change the face of the aeronautical industry and almost turn the tides of a world war.
    The final film of legendary animator Hayao Miyazaki (who retired from the industry this year), The Wind Rises is sure to be one of the most visually sumptuous films of 2014 with imaginative characters and breathtaking sequences. Unlike many Miyazaki films, The Wind Rises is based more on history than fantasy. Miyazaki has also gathered an all-star vocal cast, including Joseph Gordon-Levitt, Emily Blunt and Mandy Patinkin, for his finale.
Prospects: Bright • PG-13 • 126 mins.

New for the week of February 14, 2014

About Last Night
    Can you find true love in a one-night stand? Debbie (Joy Bryant) and Danny (Michael Ealy) are about to find out. Set up by their friends for a date, Debbie and Danny feel an immediate attraction. As they try to make a go of it as a couple, the relationship of friends Bernie (Kevin Hart) and Joan (Regina Hall) implodes.
    About Last Night is a remake of a 1980s sex comedy. So do you like your lighthearted romcoms with big hair or smart phones?
    This reviewer votes for the modern update, crediting the considerable talents of the supporting cast. Hall and Hart are both talented comedians experienced at stealing scenes and winning laughs even with thin material.
Prospects: Flickering • R • 100 mins.

Endless Love
    Jade (Gabriella Wilde) is beautiful, rich and sheltered. She summers in the refined world of country club living. Wouldn’t you know she’s going to fall for David (Alex Pettyfer), a grunt worker at the club? The attraction is instantaneous and obsessive.
    He’s from the wrong side of the tracks, her parents are mortified and all hell is about to break loose as the young lovers decide they must be together at all costs.
    Another remake of a 1980s film, Endless Love should be a movie about the dangers of all consuming love. Instead, it romanticizes and idealizes obsessive behavior. The formula worked for Twilight. But it promotes poor writing, bad acting and silly relationships.
Prospects: Dim • PG-13 • 103 mins.

    In the near future, OmniCorp is a robot company in charge of policing the world. America is the only holdout. Now OmniCorp is experimenting with a new robot prototype combining human and machine.
    The prototype is built when detective Alex Murphy (Joel Kinnaman) is killed in the line of duty. His consciousness and head are linked to machines. Robocop becomes an overnight sensation; every city in the United States will soon have one.
    Another reboot of a 1980s’ original, RoboCop is the most controversial of the week’s remakes. The original is a classic, raising the bar for a remake. Acting will decide the competition. Character actors like Marianne Jean-Baptiste, Michael Keaton, Gary Oldman and Samuel L. Jackson have the right stuff. But is Kinnaman worthy to be the new Alex Murphy?
Prospects: Flickering • PG-13 • 108 mins.

Winter’s Tale
    Peter Lake (Colin Farrell) is at the end of his rope when he breaks into one of New York’s finest homes. Finding a woman in the seemingly deserted house, he begins a love affair with heiress ­Beverly that spans 100 years.
    How? The movie is vague beyond telling us true love is magic.
    Based on a 1980s fantasy novel, Winter’s Tale combines love, time travel, religion and magical realism. Without hundreds of pages to develop the intricate plot, the movie could be confusing. On the other hand, you get to see Russell Crowe snarl after the young lovers as the devil personified.
Prospects: Flickering • PG-13 • 118 mins.

Newfor the week of February 7, 2014

The LEGO Movie
    Ordinary LEGO minifigure Emmet (Chris Pratt) leads a humdrum life in LEGO land. When the world is threatened, Emmet is incorrectly identified as the most important minifigure in the LEGO universe. Convinced Emmet is the one to save the world, LEGO Batman, Gandalf and a host of other LEGO celebrities recruit him to go on an adventure.
    Can Emmet save his fellow LEGOs from a seemingly unstoppable evil? Or is he in over his head?
    Sure to attract just about every kid under the age of 12, The LEGO Movie should be chock-full of pop-culture references and rigid-limbed action. Wonderful voice actors, including Morgan Freeman, should entertain adults in guessing who they’re hearing.
Prospects: Bright • PG • 100 mins.

The Monuments Men
    As the Allied forces fought the Axis powers through Europe, buildings were blown to bits or burned to the ground. In the rubble was another casualty of the war: great works of art. To prevent the cultural destruction of Europe, President Roosevelt assembled a special team.
    Nicknamed The Monuments Men, this group of artists, restorers, architects and art historians seek to preserve great buildings and sculptures; track down art stolen by the Nazis; and prevent unnecessary destruction.
    GIs risking their lives on foreign soil weren’t reliably interested in sacrificing more to preserve a Michelangelo. The Monuments Men fight an uphill battle against their own troops and the Nazis.
    Based on a true story, The Monuments Men is a star-studded film, including George Clooney (who also directed), Matt Damon, Bill Murray, John Goodman, Bob Balaban, Jean Dujardin and Cate Blanchett.
Prospects: Bright • PG-13 • 118 mins.

Vampire Academy
    Vampires have been a powerful society for millennia, but that doesn’t make them invulnerable to danger. They entrust their lives to dhampirs, vampire/human hybrids, who serve as guards.
    Rose is a dhampir training to protect a vampire princess at St. Vladimir’s Academy, a school for both species. Smart-mouthed and rebellious, Rose doesn’t fit in well with the strict rules of the Academy. When the princess is threatened by a dangerous tribe of vampires, Rose must prove herself.
    Vampire Academy is based on a popular series of paranormal teen books recognized for biting dialog and high-school satire. Think Clueless with fangs.
Prospects: Flickering • PG-13 • 104 mins.

New for the week of January 31, 2014

Frozen Sing Along
    If you’re a karaoke junkie or can’t stop singing “Do You Want To Build a Snowman?” then Disney has the movie for you. Out this week comes the smash hit Frozen with a sing-along track. That means you and everyone else in the theater get to follow the bouncing snowflake in song.
Prospects: Noisy • PG • 102 mins.

Labor Day
    Driving up a lonely road, Adele (Kate Winslet) and her son encounter a grungy hitchhiker. Frank (Josh Brolin) is a convict who was injured escaping from jail. This might raise red flags for some mothers, but Adele gives Frank a chance and offers him shelter. Apparently, if you’re cute enough, you earn the benefit of the doubt from lonely single mothers.
    With the police closing in, Adele and Frank seek happiness by eluding the law.
    This is the type of overwrought love story possible only in the movies. It assumes attractive people are inherently good and escaped criminals just need a little love.
Prospects: Dim • PG-13 • 111 mins.

That Awkward Moment
    Jason (Zac Efron), Daniel (Miles Teller) and Mikey (Michael B. Jordan) are best buds who share everything. When love affects each of the trio in a different way, can the guys stay together?
    A relationship comedy from the male perspective is rare. With two impressive talents Jordan and Teller, this one could become a jocular classic instead of ­another crude comedy.
Prospects: Flickering • R • 94 mins.

New for the week of January 24, 2014

Gimme Shelter
    Apple (Vanessa Hudgens) is a pregnant teen with a horrible home life. Her mother, an abusive prostitute (Rosario Dawson), wants Apple to join her working the streets. In the vain hope of escaping the life she’s always known, Apple tracks down her father (Brendan Fraser), who she has never met.
    Dad turns out to be a Wall Street tycoon who is happy to accept his pregnant teen daughter into his life. Can Apple adapt to life outside the streets? Will her father be able to connect to his child?
    An overwrought drama with a plot straight out of a Lifetime movie, Gimme Shelter’s success will depend wholly on the performances. Considering the film stars a Disney teen queen and George of the Jungle, I wouldn’t look for much award recognition.
Prospects: Dim • PG-13 • 100 mins.

I, Frankenstein
    Sometimes, you know a movie is a bad idea. I, Frankenstein is that kind of movie. Nor is From the creators of the Underworld series much of a recommendation.
    Frankenstein’s monster, known as Adam (Aaron Eckhart), has spent centuries hiding in plain sight. Seeking his place in the world, this immortal wretch draws the attention of two factions warring for supernatural supremacy: The Gargoyles and the Demons.
    Will Adam side with the Demons or the Gargoyles? Can a Frankenstein’s monster find love in a futuristic dystopia? Why on earth is this movie getting a theatrical release?
Prospects: Dim • PG-13 • 100 mins.

New for the week of January 17, 2014

Devil’s Due
    Newlyweds Zach (Zach Gilford) and Samantha (Allison Miller) are enjoying a dreamy honeymoon when they receive an odd warning from a gypsy. Instead of heeding the warning, they continue to party.
    One lost night later, Samantha discovers she’s pregnant. It’s a little earlier than expected, but the couple is thrilled with the news … Until Zach notices some weird changes in Samantha’s personality, including increased strength and fits of violence.
    The problem with the found-footage conceit is that we know how it ends: If anyone survived to show the footage, it wouldn’t need to be found. This found-footage take on Rosemary’s Baby is filled with horror clichés and silly dialog instead of scares.
Prospects: Dim • R • 89 mins.

Jack Ryan: Shadow Recruit
    Jack Ryan (Chris Pine) puts his life on the line during his tour in Afghanistan. But his talent is for detecting complicated plots against the nation. In the CIA’s Financial Intelligence Unit, he uncovers a plot by a Russian baddie to destroy the U.S. economy and is sent into the field to foil it.
    Jack is a re-imagining of the late Tom Clancy’s most popular character. Whether this version of Ryan will be popular enough to start a new series is yet to be determined, but the film has a few things going for it. Pine is a popular young star just bland enough to be the perfect action hero. For the role of evil Russian, director Kenneth Branagh has made an appropriately hammy choice: himself.
Prospects: Flickering • PG-13 • 105 mins.

Nut Job
    Surly (Will Arnett) isn’t your typical park squirrel. To feed him and the rest of the park through the cold months, he plans a heist of Maury’s Nut Store. But he’ll need the whole of the park to pitch in if he’s going to get the goods.
    A combination of Ocean’s 11 and a Disney movie, The Nut Job is a crime thriller for the under 12 set.
Prospects: Flickering • PG • 86 mins.

Ride Along
    High-school security officer Ben (Kevin Hart) dreams of becoming a cop. He also dreams of marrying his girlfriend Angela (Tika Sumpter). With a Police Academy acceptance letter and a diamond ring, Ben is close to achieving both goals. The only thing standing in his way is Angela’s hot-tempered police officer brother, James (Ice Cube).
    To prove his worth as a cop and a potential family member, Ben goes on a ride along with James through the mean streets of Atlanta. What starts out as a day of hazing becomes more serious as Ben becomes embroiled in a major case.
    Comedy superstar Hart is looking to turn his standup career into a film career. This easy, silly comedy won’t suit high-minded viewers, but there’s a lot to be said for slapstick.
Prospects: Flickering • PG-13 • 100 mins.

New for the Week of January 10, 2014

August: Osage County
    The only thing that could bring together the Weston women is a tragedy. When the family’s patriarch, poet Beverly, goes missing, the three sisters converge at their ancestral home, steeling themselves to deal with old hurts, family secrets and, worst of all, their mother.
    A beautifully acted, foul-mouthed take on family dramas, August: Osage County is filled with strong female performances for several generations of actresses, with Meryl Streep holding court as the venomous Weston matriarch.
    Not a film for those who don’t like profanity or high drama, August: Osage County is a fun piece of camp for those who love to watch a good fight. As the barbs and the foul language fly, you’ll realize your family problems aren’t so bad.
Good Drama • R • 121 mins.

The Legend of Hercules 3D
    Born of Zeus, Hercules (Kellen Lutz) is a man destined to be king. But a forbidden romance gives the world’s strongest man an option. He could run away with his love.
    A revamp of the ancient Greek myth, The Legend of Hercules features lots of action, horrendous dialog and 3D graphics. There are also lots of mangled British accents because apparently Ancient Greeks spoke the King’s English. January is notoriously a slow time at the box office, so many studios release duds like this one now.
Prospects: Dim • PG-13 • 99 mins.

New for the Week of January 3, 2014

    How much do you love your iPhone? Is it your best friend and constant companion? Could you see yourself falling in love with Siri? If so, director Spike Jonze has created a frightening glimpse into your future.
    Theodore (Joaquin Phoenix: The Immigrant) is an isolated man in a world of electronics. Making friends is hard for him, but in this world of constant connection to electronic devices, human contact is no longer a necessity. When he upgrades his operating system to an artificial intelligence named Samantha (Scarlett Johansson: Under the Skin), he finally feels connected.
    Phoenix is impressive in a role that requires him to romance a smart phone. His isolation and sweetness make this tale of virtual love sad instead of creepy. Under the direction of Jonze, Her will give you excellent reason to put away your iPhone for a few hours.
Good Drama • R • 126 mins.

Lone Survivor
    A team of Navy SEALs is sent on a routine reconnaissance mission in the hills of Afghanistan. Discovered by kids and an old man, the team of four faces a hard choice: kill the kids and complete the mission or let them go and risk alerting their enemies.
    A mix of blood, sweat and action-movie clichés, Lone Survivor is based on a true story. As the title predicts, only one of these men makes it out of the mountains alive. Despite a weak script, likeable performances make the three deaths heart wrenching.
Good Action • R • 121 mins.

Paranormal Activity: The Marked Ones
    Jesse (Andrew Jacobs: Major Crimes) has strange experiences. Objects move when no one is near them. He feels people watching him. Something sinister follows him.
    Jesse has been marked as next in line for a demonic possession. Can he and his friends stop the assault?
    The latest in the found-footage series, Paranormal Activity: The Marked Ones offers us the same scares with different characters. Once an inventive and genuinely scary film, the series has gotten progressively sillier and more predictable. Why do all these people take cameras with them wherever they go? If you believe a demon is trying to steal your immortal soul, is it really a good time for a selfie?
Prospects: Dim • R • 84 mins.

New for the Week of December 25, 2013

47 Ronin
    Based on an ancient Japanese legend, 47 Ronin is the story of a group of warriors out to rid the land of violent warlords. Kai (Keanu Reeves) is a shunned man who joins with 47 samurai to fight for freedom.
Prospects: Dull • PG-13 • 119 mins.

Grudge Match
    Henry ‘Razor’ Sharp (Sylvester Stallone) and Billy ‘The Kid’ McDonnen (Robert De Niro) feuded in and out of the boxing ring. Long retired from their careers, the two prehistoric pugilists are lured back for a final bout to find the toughest.
Prospects: Dim • PG-13 • 113 mins.

Justin Bieber’s Believe
    Pop brat Justin Bieber is great at making headlines. His teen and tween fans are legion, which is why he’s come out with yet another behind-the-scenes
Prospects: Dim • PG • 92 mins.

Mandela: Long Walk to Freedom
    When Nelson Mandela (Idris Elba) chose to fight for equality in his native land of South Africa, he knew it would be a long journey. Mandela was thrown into jail, his family harassed and his compatriots murdered. After 27 years, he was freed, astounding the world when he called for forgiveness instead of vengeance.
    Long Walk to Freedom is a straightforward chronicle of his early years. See it as a way of paying homage to a great man.
Good Drama • PG-13 • 139 mins.

The Secret Life of Walter Mitty
    Wallflower Walter Mitty (Ben Stiller) has big dreams. His astounding imagination gives him a rich inner life. Reality isn’t so kind. He’s a pushover at work, desperately shy and barely noticed by those around him.
    When a picture under his care goes missing, his job at Time is in peril. To find the missing negative, he must go globetrotting. Can Walter finally live his dream life? Or is he too shy for adventure?
    Based on a short story by James Thurber, The Secret Life of Walter Mitty is about the power of the mind. The movie is a departure for Ben Stiller, who usually traffics in sillier fair.
Prospects: Flickering • PG • 114 mins.

The Wolf of Wall Street
    Jordan Belfort (Leonardo DiCaprio) is a stockbroker who discovers that fraud is the best way to make money in the market. But no good crime goes unpunished as Jordan’s ostentatious lifestyle draws federal scrutiny.
    Based on the true story of Belfort, who was the mastermind of a securities scam in the 1990s, The Wolf of Wall Street is a story of excess. Clocking in at 180 minutes, it’s a film of excess too, though master director Martin Scorsese may make it easy for you.
Prospects: Bright • R • 180 mins.

New for the Week of December 20, 2013

American Hustle
    The flimflam team of Irving (Christian Bale) and Sydney (Amy Adams) is caught by the FBI while running a low-rent scam. Instead of jail, they’re offered a deal: Work with the Feds to help bring down the corrupt politicians of New Jersey, then walk away. The script is based on a real incident in Jersey in the 1970s, but the story plays fast and loose with what really happened.
    Now working for volatile agent Richie DiMaso (Bradley Cooper), Sydney and Irving must ingratiate themselves into Jersey politics, a dangerous mission for the small-time pair. Making matters worse is Irving’s wife (Jennifer Lawrence), who might blow the whole operation in a fit of jealousy.
    There are few casts as dreamy as this one. Every lead character has at least one Oscar nomination, including director David O. Russell. A whiz at fast-paced dialog and oddball characters, Russell is a master of the screwball drama.
Prospects: Bright • R • 138 mins.

Anchorman 2: The Legend Continues
    Already a legend in San Diego, news anchor Ron Burgundy (Will Ferrell) leaves his comfortable job for an anchor position at a startup 24-hour news channel. He brings with him his co-anchor wife Veronica (Christina Applegate) and his goofy newsroom buddies.
    Can Ron stay classy in a new city?
    The first Anchorman was a riotous comedy. In this sequel, Ferrell has upped the star power, casting a host of big comic names like Amy Pohler and Tina Fey as well as movie stars like Harrison Ford and Liam Neeson. I’m not convinced this will make the story better, but Ferrell’s throwback anchorman is consistently funny, even when the material is weak.
Prospects: Bright • PG-13 • 119 mins.

Inside Llewyn Davis
    Llewyn Davis (Oscar Isaac) has nothing to his name but a guitar. A folk musician trying to make it in 1960s’ Greenwich Village, he lives on the charity of others, crashing on couches and looking for gigs.
    We follow Llewyn on an Odyssey around the boroughs of New York, searching for success that won’t compromise his artistic integrity. Prickly and constantly getting in his own way, he won’t have an easy journey.
    One of the best movies of 2013, this meditative look at the pain and perseverance needed to be an artist is filled by the directors, the Coen brothers, with brilliant performances and familiar folk tunes.
    A wonderful take on the musical, all the songs are live recorded, meaning there are no studio tricks, just singing and playing. If you’ve ever owned a Peter, Paul and Mary album or wondered what it would be like to be a professional musician, Inside Llewyn Davis is your ticket.
Prospects: Bright • R • 105 mins.

Walking with Dinosaurs 3D
    Patchi (Justin Long) is the runt of his dinosaur litter. Small and overlooked, he hangs with bird pal Alex (John Leguizamo), dreaming of the day he’ll be big enough to lead the pack. He’ll get the chance sooner than he thinks, as he must help his group find a safe new home while avoiding carnivores.
    Billed as an immersive experience, Walking with Dinosaurs is the kids’ film of the week. For $20, you’ll get a cheap pair of 3D glasses and an 87-minute film that looks like a mash-up of Ice Age and The Land Before Time. Adults might find themselves wishing for an asteroid.
Prospects: Flickering • PG • 87 mins.

New for the Week of December 13, 2013

Tyler Perry’s A Madea Christmas
    What happens at the meeting of two actors who have made their living off ugly stereotyping? We’ll find out when Tyler Perry’s Madea meets Larry The Cable Guy in A Madea Christmas. Perry and The Cable Guy have spent years lowering the entertainment bar, yet audiences flock to their films.
    The film follows Madea (Tyler Perry) and a friend to the country to surprise said friend’s daughter for Christmas. The mother-daughter relationship is strained, so it’s up to Madea and her home-truths to set everyone straight.
    Madea needs you to boycott lest we get more of the same.
Prospects: Dim • PG-13 • 105 mins.

New the Week of December 6, 2013

Out of the Furnace
    Russell (Christian Bale: The Dark Knight Rises) is not living the American Dream. He works long hours for small pay at a steel mill and takes care of his ill father. When little brother Rodney (Casey Affleck: Ain’t Them Bodies Saints) comes home from Iraq, Russell’s hopeful for a better life.
    It doesn’t happen. When Rodney disappears, the only clues to his whereabouts lead Russell to a crime ring. The police do nothing, so Russell heads into the woods after the criminals and, he hopes, his brother.
    With a cast that boasts great actors like Bale, Affleck, Sam Shepard, Willem Dafoe and Woody Harrelson, Out of the Furnace promises good drama.
Prospects: Bright • R • 116 mins.

New the Week of November 28, 2013

Black Nativity
    Baltimore teen Langston (Jacob Latimore) is sent to New York by his mother (Jennifer Hudson) to spend Christmas with relatives. Langston bristles in the home of the Rev. Cobbs (Forest Whitaker), who is a harsh disciplinarian. Mrs. Cobbs (Angela Bassett) is more welcoming, but Langston flees.
    Traveling from New York to Baltimore, he needs a little divine help in discovering the truth about his family. 
    A musical adaptation of Langston Hughes’ play, The Black Nativity features a magnificent cast and a compelling story. With a soaring soundtrack to set the scene, the film could be an instant holiday classic.
Prospects: Bright • PG • 93 mins.

    The kingdom of Arendelle has been locked in perpetual winter thanks to the frosty enchantment of Elsa (Idina Menzel). With powers growing fearfully beyond her control, she withdraws from the world.
    Arendelle’s hope for a warm front is sister Anna (Kristen Bell), who seeks to find Elsa and end her icy reign. Joined by mountaineer Kristoff (Jonathan Groff), a snowman and a reindeer, Anna journeys across the treacherous winter landscape.
    The latest animated offering from Disney may entertain the kiddies but it’s likely to leave parents feeling cold.
Prospects: Flickering • PG • 108 mins.

    Phil Booker (Jason Statham) left the DEA to give his family a normal life. But even in a quiet little town, he runs afoul of the local drug lord (James Franco) who specializes in making meth and killing people.
    A B-Movie with bad accents, ludicrous storylines and silly acting, Homefront has all the marks of cinema best enjoyed with alcoholic beverages and heckling friends. As both are disapproved in our area, skip this one.
Prospects: Southern-fried Silly • R • 100 mins.

    In 1950’s Ireland, Philomena (Judi Dench) is unmarried and pregnant, a huge sin in her conservative Catholic town. Her son is taken from her by the church to be adopted by an American family. Forced to sign a contract saying she will never seek her boy, Philomena must live with guilt.
    Though she marries and has a family, Philomena wonders about the boy she never knew. Then she meets BBC investigative journalist Martin Sixsmith (Steve Coogan), and the pair take on decades of government and church red tape to reunite lost mother and son.
    Based on Sixsmith’s book The Lost Child of Philomena Lee, this film is a true story. Dench is getting raves for her performance as the fierce and funny Philomena and Coogan as her stuffy foil. The film fought the MPAA to win a PG-13 rating, despite its language.
Prospects: Bright • PG-13 • 98 mins.

New the Week of November 22, 2013

Delivery Man
    David (Vince Vaughn: The Internship) is a schlub. Working for his dad in a menial job, directionless and not appreciating his girlfriend, he would be in a midlife crisis if his life had started. Given the ultimatum to grow up, David looks for something to give his life meaning.
    Meaning finds David when he learns that, due to a fertility clinic mix up, he’s fathered 533 children. Given that he donated to the clinic over 20 years ago, he’s understandably upset to discover this alarming growth of his family tree. When 142 of his kids file a lawsuit in hopes of learning the identity of their father, he must decide whether to come forward.
    Can David be a father to hundreds of children? Will he ever grow up?
    A remake of a French Canadian comedy, Delivery Man looks to have heart. David’s struggles make him relatable. As for the scores of children, don’t you want to know how that works out?
Prospects: Flickering • PG-13 • 103 mins.

The Hunger Games: Catching Fire
    After winning the Hunger Games, Katniss Everdeen (Jennifer Lawrence: Silver Linings Playbook) has become a symbol of rebellion. President Snow (Donald Sutherland: Crossing Lines) blames his slipping power on Everdeen.
    To destroy her challenge without causing a rebellion, Snow orchestrates the 75th Hunger Games as a Quarter Quell, pitting past winners against each other for supremacy.
    Faced with a group of even more dangerous killers, Katniss and her faithful partner Peeta once again battle for their lives. Their fight also fuels the talk of rebellion, which is breaking out all over the dystopian nation of Panem.
    The second in the wildly successful Hunger Games trilogy, Catching Fire features a tight plot and memorable characters.
    There’s no doubt this film will be a success. Buy your tickets and prepare for legions of screaming teens.
Prospects: Bright • PG-13 • 146 mins.


New the Week of November 15, 2013

The Best Man Holiday
    Fifteen years after a near-disastrous wedding, college friends decide to meet for a Christmas celebration. Their joyous reconnection goes fraught with tension over old rivalries, romances and betrayals.
    The sequel to the popular Best Man, The Best Man Holiday is a light holiday break from shopping. The script is filled with romantic comedy clichés, and the story becomes silly.
    Still, it’s rare to find a mass-market romantic comedy featuring a black ensemble cast that doesn’t include Madea. This film might outdo the white-washed fare typical this time of year. With Nia Long, Regina Hall, Sanaa Lathan, Morris Chestnut and Taye Diggs it’s sure to charm even with a weak script.
Prospects: Flickering • R • 122 mins.

The Dallas Buyer’s Club
    Bull rider Ron Woodroof (Matthew McConaughey: Mud) is all about sex, drugs and danger. His lifestyle catches up to him when he’s diagnosed with HIV. A committed racist and homophobe, Ron takes some time to adjust suffering from a “gay disease.”
    As his health declines and hospital visits become more frequent, he reconsiders both the disease and the people he used to shun. Outraged that the government is restricting he use of drugs available across the border in Mexico, Ron vows to die fighting. He organizes a network of AIDS patients, all desperate for effective medicine, and crosses the border to procure AZT, a drug that might save Dallas’ growing population of infected people.
    McConaughey is making great strides to convince the world he’s a credible actor. This is the latest in a line of films that shows the fit Texan is more than a chiseled jaw and six-pack abs. Films like this tend to preach, but it’s impressive to see McConaughey’s transformation from a Hollywood joke into a respected actor.
Prospects: Bright • R • 117 mins.

New the Week of November 8, 2013

Blue Is the Warmest Color
    Adele (Adèle Exarchopoulo: I Used to Be Darker) is a girl of 15 who is hoping to find a true love. She dates a few boys, but she first finds romance in a blue-haired girl named Emma (Léa Seydoux: Grand Central).
    Exploring her burgeoning sexuality, Adele dives into a relationship with Emma. Like most young love, theirs is intense, passionate and hard to maintain.
    A darling of the Cannes Film Festival, Blue Is the Warmest Color is a beautifully shot and written love story. It isn’t, however, a story without controversy. The sex scenes are so provocative that the film earned an NC-17 rating. The real controversy is that the lead actresses say that director Abdellatif Kechiche (Black Venus) exploited them and their bodies for the film. Only you can decide whether great art excuses such transgressions.
Prospects: Bright • NC-17 • 179 mins.

Thor: The Dark World
    It’s been two years since Thor (Chris Hemsworth: Rush) last saw his love Jane (Natalie Portman: Thor). He’s been desperate to return to Earth and continue their romance, but his father Odin (Anthony Hopkins: Red 2) refuses to let him leave Asgard.
    When Jane goes missing, Thor is driven to action. He returns to Earth, locates Jane and whisks her off to Asgard.
    While the lovers reconnect, an old threat looms over Asgard. The Dark Elves have found their leader and power and return to threaten both Earth and Asgard. Survival may come from an unlikely source: Thor’s duplicitous brother Loki (Tom Hiddleston: Deep Blue Sea). Can they save the worlds? Can they trust Loki? Can Marvel generate any interest for its least popular hero?
    The sequel to Thor has a cleverly built-in audience. Like all Marvel movies, they interconnect, so if you haven’t seen all the Iron Man, Captain America and Thor movies, you won’t understand The Avengers films. The problem with this system is that it puts no pressure on Marvel and the studios to make these films good. So even if Thor: The Dark World is a mess of storylines that needed massive reshoots from a different director, it’s likely that you’ll end up seeing it anyway. The bright spot in The Dark World: Hiddelston’s Loki has found more popularity than the hero of the movies, and he’s devilish fun to watch whenever he’s on screen.
Prospects: Flickering • PG-13 • 112 mins.

New the Week of November 1, 2013

All Is Lost
    An unnamed man (Robert Redford: The Company You Keep) is enjoying the solitude of the open water on a solo voyage across the Indian Ocean. His pleasure cruise turns into a nightmare when he wakes to water in his cabin. After bashing into a floating shipping container, his small yacht is taking on water that’s damaging his radio equipment.
    Unable to navigate without computers or to call for help, he must abandon his ship and hope that his knowledge of currents will get him and a raft into a shipping lane, where he can be rescued.
    A film about our will to survive in spite of overwhelming circumstances, All Is Lost is a movie about one man versus the sea. Director J.C. Chandor (Margin Call) takes a big risk by making this film a one-man-show. Like Gravity, it derives most of its tension from the idea of a person alone against overwhelming elements. It has already become a darling of the festival circuit.
Prospects: Bright • PG-13 • 106 mins.

Ender’s Game
    Seventy years after a race of aliens took over the Earth, humanity is having a hard time. Edging to annihilation, the human military force recruits children to lead battles. Perhaps kids have a different thought process up to outsmarting the technologically superior threat.
    The savior of the human race might be Ender (Asa Butterfield: Hugo), a brilliant boy who scores high on aptitude tests and is taken from his family to an orbiting military school to begin training.
    Vying to be the next Hunger Games, Ender’s Game is sci-fi for adolescents, adapted from a popular series of books.
Prospects: Flickering • PG-13 • 114 mins.

Free Birds
    Two Tom turkeys (voiced by Woody Harrelson and Owen Wilson) team up to change history and remove turkeys from the first Thanksgiving menu by traveling back in time.
    An animated film with a fun voice cast that includes Amy Poehler and George Takei, Free Birds is an easy choice for families, although adults might wish they could baste these turkeys after an onslaught of birdbrained jokes.
    When children realize that one of these turkey pals is trussed up next to the mashed potatoes, Thanksgiving could turn tearful.
Prospects: Flickering • PG • 91 mins.

Last Vegas
    When 60-something Billy (Michael Douglas) finally decides to tie the knot, he plans a wild weekend in Vegas, assembling the gang for two days of debauchery.
    But Vegas and his friends have changed. Instead of the Sinatra-style ’60s strip, there’s a new generation, loud music and odd entertainment. On top of that, Billy’s buddy Paddy (Robert De Niro) is still nursing a decades-old grudge. Can they heal old wounds? Can they acclimate to a new Vegas? Can they stay up past 10pm?
Prospects: Flickering • PG-13 • 105 mins.

New the Week of October 25, 2013

The Counselor
    A squeaky-clean lawyer (Michael Fassbender: 12 Years a Slave) seeking a fast buck agrees to aid drug trafficking. The supposed one-time deal turns into a tangled web of illegal activities. The counselor’s dilemma: how to get out without blood on his hands or handcuffs on his wrists.
    Based on a script written by legendary novelist Cormac McCarthy (No Country for Old Men), The Counselor is sure to be bleak, bloody and packed with seedy characters. Director Ridley Scott (Prometheus) is wonderful at lifting up rocks to show the slithering underbelly of the crime world. He works best exploring a cast of deeply flawed characters, so he should excel with a McCarthy story.
    The Counselor can also rely on its all-star cast. With Fassbender, Penelope Cruz, Javier Bardem, Brad Pitt and Dean Norris, the film should be a master class in acting.
Prospects: Bright • R • 117 mins.

Jackass Presents: Bad Grandpa
    Irving Zisman (Johnny Knoxville: Jackass) celebrates his 86th year on earth in a trek across America with his eight-year-old grandson Billy (Jackson Nicoll). Along the way, the duo causes enough property damage and enrages enough people to make Borat look dull.
    Playing hidden-camera pranks on mostly unsuspecting Americans has been a tradition of the Jackass franchise, and Knoxville and his crew of troglodytes thrive on making Americans clutch their pearls in shock. Most pranks are physical, crude and humorless.They seem to be up to their old tricks in Bad Grandpa, with young Billy performing a semi-striptease at a child beauty pageant; Irving smashing motorcycles at a biker bar; and the pair ruining a funeral.
Prospects: Dim • R • 93 mins.

12 Years a Slave
    Solomon Northup (Chiwetel Ejiofor: Dancing on the Edge) is a free, well-educated and well-traveled black man living with his family in pre-Civil War New York. Until he is kidnapped, sold into slavery and must learn to survive.
    In a new world of pain and suffering, he finds kindness and kinship among fellow slaves. Yet despair threatens.
    Inspired by the true story of Solomon Northup’s struggle to regain his freedom, 12 Years a Slave is already winning rave reviews on the festival circuits and earning Oscar buzz.
    Long overlooked for excellent work, Ejiofor could become a household name with this breakout role. Director Steve McQueen (Shame) — who is known for his character studies — supports Ejiofor with a cast featuring Alfre Woodard, Paul Giamatti, Michael Fassbender and Brad Pitt.
Prospects: Bright • R • 133 mins.

New the Week of October 18, 2013

    Carrie White (Chloe Grace Moretz: Kick Ass 2) is a shy girl who’s been fodder for school bullies throughout high school. Her mother (Julianne Moore: Don Jon), a religious zealot, punishes Carrie because of her supposed sins. Alone in the world, Carrie discovers she’s telekinetic and rethinks her status as perpetual victim. 
    The problem here isn’t scripting, acting or even production values. Carrie is already an icon. Most people interested in scary movies have already seen Sissy Spacek wild-eyed and drenched in blood in the 1976 original, so why spend money to see Moretz do it? 
Prospects: Flickering • R • 99 mins. 
Escape Plan
    Security expert Ray Breslin (Sylvester Stallone: The Expendables 2) makes his living breaking out of prisons. Now he has to break out for real. He partners with Rottmayer (Arnold Schwarzenegger: The Last Stand), is a veteran prisoner with an axe to grind.
    Can this odd couple make it to freedom without killing each other first?
Stallone and Schwarzenegger have an easy charisma and great chemistry, and it can be fun to watch these legends. 
Prospects: Nostalgic • R • 116 mins.
The Fifth Estate
    A look into the life of controversial WikiLeaks founder Julian Assange (Benedict Cumberbatch: Star Trek). The film has been decried by WikiLeaks and Assange himself. Depending on your views, this might make you want to see the film or decide against purchasing a ticket.
Wherever you stand on the topic, it’s undeniable that Cumberbatch is having a big moment right now. The British actor is on a fast track to earning his first Oscar nomination, and this might be the film that does it. 
Prospects: Flickering • R • 128 mins.
I’m in Love with a Church Girl
    Miles Montego (Ja Rule) is a retired drug trafficker. He’s got all the money in the world and plenty of women to spend it on. Still, he’s unfulfilled, and he can’t get the DEA off his back. 
    He’s immediately attracted to Vanessa (Adrienne Bailon: Lovestruck). But she isn’t impressed by money and cars; she’s a church girl who values faith and commitment over bling.
    Can Miles find faith and prove himself worthy? But is Ja Rule an actor? Can performances outweigh heavy-handed moralizing? In this movie with a messgae, how much are you willing to bet?
Prospects: Flickering • PG • 118 mins.


New the Week of October 11, 2013

Captain Phillips
    In 2009 the Alabama, a U.S. container ship in international waters, was hijacked by Somali pirates. To save his crew from harm, captain Richard Phillips (Tom Hanks) allows himself to be taken hostage by Muse (Barkhad Abdi), the leader of the outlaws.
    In a standoff, with each other and the Navy SEALS, the two men examine how they got themselves into this situation. They form a tentative understanding as the American learns what motivates the Somali pirates.
    As the movie is based on a real incident, a quick Google search will give you spoilers on what happened to both Phillips and Muse.
    Hanks has won two Academy Awards, but in recent years his non-Toy Story work has been questionable. Here, his New England accent sounds overdone. Will this Hollywood superstar recover his on-screen magic?
    Directed by shaky-cam aficionado Paul Greengrass, Captain Phillips is sure to be a taut action-thriller filmed with wildly jarring hand-held shots. If you can stomach Greengrass’ unsteady action aesthetic, the story should be a compelling examination of how desperation drives people to crime.
Prospects: Bright • PG-13 • 134 mins.

Machete Kills
    A crazy arms dealer (Mel Gibson) plans to launch a missile into America, spreading war and anarchy. The desperate president (Charlie Sheen) calls in the only man that can stop the disaster: Machete (Danny Trejo). Machete must murder his way through a bevy of beautiful assassins, crazed killers and Mexicans.
    A sequel to an unnecessary movie, Machete Kills promises a non-stop cacophony of breasts, bullets and explosions. The cast is an interesting mix of pop-culture personalities, crazy people and legitimate actors. You’ll find Michelle Rodriguez, Demian Bichir, Lady Gaga, Antonio Banderas, Tom Savini, Cuba Gooding Jr., Sheen and Gibson under the same marquee.
    The problem is Machete, who turns out to be a dull blade. Trejo is an intimidating presence on screen, but he doesn’t carry the movie. His delivery is wooden, his fight scenes are slow and creaky and the idea that nubile, barely clad women are cat-fighting for him is ridiculous.
    Still, director Robert Rodriguez is experienced at crafting male power fantasies. If you’re interested in sexy babes who fire gun bras, you’ll find no better movie this year.
Prospects: Dim • R • 107 mins.

Romeo & Juliet
    In a time before sexting, dramatic Facebook posts and Taylor Swift albums, teenagers resorted to suicide pacts to deal with oppressive parents and surging hormones. Such is the case for Romeo (Douglas Booth) and Juliet (Hailee Steinfeld), two teens who meet at a party, fall instantly in love and decide they must be together forever. But a feud between their families makes their union impossible.
    Screenwriter Julian Fellowes (Downton Abbey) and director Carlos Carlei (The Flight of the Innocent) take the traditional tack with this Shakespeare play. That’s just as well as I’m loathe to see Romeo texting, “wt lite thru yonder window br8ks?”
    Oscar-nominee Steinfeld is a strong Juliet. Booth has less prestige but offers passion as the other half of the star-crossed lovers in the ultimate tale of teen love gone wrong. Still, adaptations of Shakespeare can be tricky, as modern actors find iambic pentameter difficult.
Prospects: Bright • PG-13 • 118 mins.

New the Week of October 4, 2013

    Dr. Ryan Stone (Sandra Bullock: The Heat) joins an elite team of astronauts for her first shuttle mission. She and veteran astronaut Matt Kowalski (George Clooney: The Descendants) are on a space-walk when an explosion sends them hurtling through space.
    No gravity, no way of stopping, no shuttle and no hope of immediate help, Kowalski and Stone are held together by a tenuous radio connection. Will they find a way to save themselves? Or are they doomed to float ever further into the abyss of space?
    A terrifying premise that plays on our worst fears of death and isolation, Gravity has been earning rave reviews around the world. Director Alfonso Cuaron (Children of Men) has a knack for building tension, so expect Gravity to be gut-wrenching. As with many movies that feature minimal casts who spend long periods alone (127 Hours, Castaway), the film’s success will hinge on the performances of the leads. Cuaron has cast a pair of Oscar winners to act out this nightmare.
    This film looks like a contender in awards season, so check it out if you want to stay up-to-date. For a literary version of similar themes, check out Ray Bradbury’s short story Kaleidoscope.
Prospects: Bright • PG-13 • 91 mins.

    President John Kennedy’s assassination on November 22, 1963, threw Dallas into turmoil as secret service agents attempted to make sense of the unimaginable and doctors struggled to save the life of the most powerful man in the world.
    Parkland is the story of how a few ordinary people were drawn into that day. The film follows the staff at the Parkland Hospital, the secret service, the family of Lee Harvey Oswald and Abraham Zapruder.
    With an all-star cast that includes Marcia Gay-Harden, Paul Giamatti and Billy Bob Thorton, Parkland could be fascinating. The addition of Zac Efron as a doctor tasked with saving JFK worries me that some of the actors are not up to the material.
Prospects: Flickering • PG-13 • 93 mins.

Runner Runner
    Grad student Richie (Justin Timberlake) has a gift for numbers that allows him to earn his tuition via offshore online gambling. When he’s cleaned out, the whiz kid believes he’s been robbed by a technical glitch.
    Richie takes his suspicions to the source: Online gambling entrepreneur Ivan Block (Ben Affleck). Instead of demanding a refund, Richie concludes that the big money of Ivan’s criminal lifestyle sounds pretty good. Soon, he’s Ivan’s right-hand man, enjoying the women and toys that come with having all the money in the world.
    Somehow, Richie is shocked to discover that Ivan isn’t a nice guy. Thus he must find a way to avoid the long arm of the law and the longer arm of Ivan while trying to keep his ill-gotten gains.
    For a movie that seems like a summer thriller left on the shelf too long, Runner Runner has one positive: Affleck’s delightfully unhinged performance. There’s something enjoyable about a ham, especially one adding levity to an otherwise dull movie.
Prospects: Flickering • R • 91 mins.

New the Week of September 27, 2013

Baggage Claim
    Gorgeous flight attendant Montana (Paula Patton: 2 Guns) is miserable. Poor Montana doesn’t have a date to her little sister’s wedding. She uses her job to meet as many eligible bachelors as she can, hoping to find Mr. Right and earn her MRS degree before the big day.
    It’s truly depressing that in 2013, Hollywood still thinks a woman is incomplete without a man. Send a message: Boycott this movie.
Prospects: Dim • PG-13 • 96 mins.

Cloudy with a Chance of Meatballs 2
    Inventor Flint (Bill Hader: The To Do List) made a machine that turned weather systems into delicious food. It was fun until meatball storms and ice cream snow forced the residents of Flint’s tiny island home to flee.
    When Flint and a cleanup crew return, they find that sentient food has taken over. Can they combat tacodiles and shrimpanzees?
    Though the humor skews young, the graphics and voice acting should be entertaining for even the most sophisticated viewers. Who doesn’t like a good food pun?
Prospects: Bright • PG • 95 mins.

Don Jon
    Jersey boy Jon (Joseph Gordon-Levitt: Lincoln) is happy with his simple life. He works out, he hangs out with his pals, he hooks up with girls on Saturday night and he goes to church with his family on Sunday morning. In his spare time, he cultivates an impressive pornography obsession.
    His life changes when he meets a beautiful girl (Scarlett Johansson) who demands that he give up the porn and commit to her.
    Gordon-Levitt — who writes and directs as well as acts — seems to be revising last year’s Shame, a searing sex-addiction film, by adding a little humor and a lot more Jersey accents. Can he  walk the line between silly and serious in his character study? He’s certainly stacked the deck in his favor, casting impressive performers like Johansson, Glenne Headly, Tony Danza and Julianne Moore.
Prospects: Flickering • R • 90 mins.

Enough Said
    Masseuse Eva (Julia Louis-Dreyfus: Veep) is content with her single status but isn’t looking forward to sending her daughter off to college. Fighting empty nest loneliness with an improved social life, she meets Albert (James Gandolfini: Zero Dark Thirty) another soon-to-be empty nester.
    There’s one fly in the ointment. Albert complains incessantly about her ex-husband. Is the relationship worth the flow of negativity?
    Gandolfini's last screen performance, Enough Said looks at the price of relationships. Louis-Dreyfus is a skilled comedian whose natural  timing and inherent charm will carry her well. Gandolfini gets the rare opportunity to play against type as a funny man not involved in the waste management business. Eva isn’t desperate, and it’s refreshing to see a romantic comedy star over the age of 30.
    A charming comedy could be a great way to say goodbye to a fantastic actor.
Prospects: Bright • PG-13 • 93 mins.

    Formula 1 racers James Hunt (Chris Hemsworth: Thor) and Niki Lauda (Daniel Bruhl: Seven Days in Havana) are polar opposites. James believes in sex, alcohol and reckless driving. Niki worships practice, science and precision. The two rivals electrify the racing circuit until a horrific accident sidelines Niki.
    Faced with his own mortality, James considers whether to change his reckless ways or continue pursuing racing greatness. Niki faces his own challenges, trying to get back to racing while dealing with debilitating injuries.
    The story of a real life competition that excited the racing circuit in the 1970s, Rush is about the power of rivalry. It’s also a story that speaks more to men than women, as you’ll see ladies are merely sexual conquests in this macho flick.
Prospects: Flickering • R • 123 mins.

New the Week of September 20, 2013

Battle of the Year
    For 15 years, the Americans have lost the competition for Best Dance Battlers. Tired of disgrace on native turf, a hip-hop mogul strives to reclaim the title, hiring former championship basketball coach Blake (Josh Holloway: Lost). Blake has three months to assemble a Dream Team.
    Movies about dance crews shimmying their way to supremacy are popular. Who needs a plot or well-rounded characters when you’ve got rhythm?
Prospects: Rhythmic • PG-13 • 109 mins.

    The Dover and the Birch families share the Thanksgiving celebration. While the adults prepare dinner, both six-year-old daughters go outside on an adventure. When the girls haven’t returned by turkey time, a desperate search begins.
    Detective Loki (Jake Gyllenhaal: End of Watch) soon finds a likely suspect: Alex Jones (Paul Dano: Looper) a creepy young man driving a beat-up RV in the neighborhood on Thanksgiving. But there’s no proof, so he’s released.
    The horrified families conclude that interrogating Alex themselves might be their last chance.
    A tense drama with a plot that is the stuff of nightmares with questions of morality, justice and family duties to add depth, Prisoners looks promising. It also features a knockout cast including Hugh Jackman, Viola Davis and Maria Bello. On the downside, the subject matter is grim and the running time nearly three hours.
Prospects: Bright • R • 153 mins.

    J. D. Salinger wrote one of literature’s most beloved books before disappearing from the public eye. A notorious hermit, he kept writing but never sought to publish another book.
    This documentary looks into the psyche of one of America’s most enigmatic authors, exploring Salinger’s time in World War II and experiences that could have inspired Catcher in the Rye.
    If you spent high school cursing Holden Caufield, this might make you re-open the book and give it another try.
Prospects: Bright • PG-13 • 120 mins.

Thanks for Sharing
    When Phoebe (Gwyneth Paltro) meets Adam (Mark Ruffalo), she thinks she’s hit the jackpot. Adam is funny, successful and available; he’s also a recovering sex addict. Phoebe pursuing the relationship, soon meets Adam’s support group: reformed family man Mike (Tim Robbins), new-to-recovery Neil (Josh Gad) and compulsive Dede (Alicia Moore).
    Soon, Phoebe is battling her own compulsions, trying to deal with her fear of Adam’s relapsing without following him 24/7. Can a relationship survive when one partner is a sexual compulsive?
    Though the film seems to take a light tone, it deals with a serious subject. Can it strike the right balance between funny and dramatic? With an excellent cast and a script from Stuart Blumberg (The Kids Are Alright), Thanks for Sharing could win over audiences and critics alike.
Prospects: Bright • R • 112 mins.

Opening September 13, 2013

The Family
    After mob boss Giovanni Manzoni (Robert De Niro) snitches on his fellow gangsters, he and his family join the Witness Protection Program. In Normandy, the Manzoni family has some trouble fitting in with the French neighbors.
    The Manzonis’ reversion to old behaviors attracts attention. Now the mob has flooded the sleepy French village with trained killers.
    Director Luc Besson does know his way around an action sequence, but his recent films are action heavy and plot poor.
    The Family looks like a paycheck movie, albeit one that sinks De Niro’s acting legacy into cement shoes.
Prospects: Grim • R • 112 mins.

Insidious 2
    The Lambert family thought they had escaped the supernatural forces set on destroying them and stealing their son. Yet in a new house with a new baby, familiar and disturbing phenomena are still with them.
    Considering how Insidious ended, I’m curious to see how the Lamberts got to a bright new beginning. Two seems like an unnecessary sequel to a good single-shot horror film. Still, director James Wan has proven to be a deft hand at suspense, and perhaps he can make this sequel chilling.
    If want to spend your weekend checking closets and peering under the bed, you could do worse than Insidious 2. Rather than pay the box office prices, however, I recommend you rent Wan’s other work, The Conjuring.
Prospects: Flickering • PG-13 • 105 mins.

The Ultimate Life
    Jason Stevens is having a tough time with his money. As the head of his late grandfather’s charitable foundation, Jason is being sued by his extended family, who want dear old grandpa’s money for themselves.
    Jason turns to his grandfather for help. It seems grandpa left a diary of his life just after the Great Depression. Jason is so engrossed in the story that he’s actually transported back in time to 1941. Now, as he bears witness to his grandfather’s amazing rags-to-riches story, he finds the inspiration to do the right thing.
    A sequel to 2007’s The Ultimate Gift, The Ultimate Life is another well-intentioned drama meant to offer us moral choices and inspiration. While seeing Peter Fonda on screen is a treat, The Ultimate Gift plays regularly on the Hallmark Channel. Perhaps its sequel is also best left to basic cable television, since box office tickets are so expensive these days.
Prospects: Flickering • PG • 105 mins.

Opening September 6, 2013

Instructions Not Included
    Playboy Valentin (Eugenio Derbez: La familia P. Luche) is enjoying the single life in Acapulco. His conquests are put on hold, however, when someone leaves baby Maggie at his door with a note explaining it is his.
    Now Valentin must journey to Los Angeles, looking for the mother and a way to get back to his former carefree life. Six years later, Valentin still hasn’t found the mom but has enjoyed raising Maggie. So it comes as a surprise to him when Maggie’s mother shows up demanding the child back.
    This Mexican comedy looks like a typical genre piece, but it can be fun to watch a new parent fumble while learning the ropes. The jokes will probably be rote, but this type of movie usually relies on the performances of its leads to elevate the material.
    Whether Derbez can deliver a stellar performance is yet to be seen, but this could be a welcome relief from summer’s abundance of dumb action movies.
Prospects: Flickering • PG-13 • 100 mins.

    Escaped murderer Riddick (Vin Diesel: Fast and Furious) is still being tracked by bounty hunters eager to earn the price on his head. Abandoned to die on a desert planet, Riddick discovers that this place isn’t lifeless when the sun goes down. He’s battling alien predators for survival, and his only way off the planet is to activate his emergency beacon — which will bring every bounty hunter in the galaxy straight to him.
    After the disastrous Chronicles of Riddick, producers waited nine years to attempt another sequel. Dark, moody and brutal, the Riddick franchise would make for great genre filmmaking, if only they cast a compelling lead. Diesel’s monotonous delivery is equivalent to Ambien for moviegoers.
    If you absolutely must see this movie, I suggest buying a cup of coffee at the concession stand to help you stay awake through Diesel’s lurching, mumbling performance.
Prospects: Dim • R • 119 mins.

Opening August 30, 2013

Closed Circuit
    Lawyers and ex-lovers Martin (Eric Bana: Deadfall) and Claudia (Rebecca Hall: Iron Man 3) are brought back together for the case of their lives. They must defend the only suspect from a bombing in London.
    Pressured to botch the case in the name of justice, Martin and Claudia suspect there is something more to the bombing. Once they begin to dig, they uncover a conspiracy that will endanger their lives.
    A paranoia thriller that examines the perils of always being on camera in big cities, Closed Circuit features a well-worn plot and an excellent cast. Global government conspiracies tend to seem implausible when examined closely. But with Bana, Hall, Jim Broadbent and Ciaran Hinds playing pivotal roles, this hackneyed genre could get new life.
Prospects: Flickering • R • 96 mins.

    Ex-race car driver Brent Magna (Ethan Hawke: Before Midnight) is having a bad day. His wife is kidnapped by a madman who demands Brent complete a series of tasks to gain her return.
    Stealing a Shelby Mustang to complete his tasks, Brent must evade the law and race through increasing dangers. His only help in his mission is The Kid (Selena Gomez: Aftershock), a mysterious hacker who tags along for the ride.
    Can Brent get his wife back? Will he find out the story behind his pint-sized passenger? Does anyone care about this movie?
    An action movie whose stars look bored, Getaway stalls before opening. Hawke, who has made a living staring in B-horror movies, seems particularly embarrassed with his racecar driver role. For Gomez, this is obviously an opportunity to branch out from her squeaky-clean Disney image. But she doesn’t look believable as a hacker street kid.
    If you’re looking for a race car film to get your adrenaline pumping, go see the latest Fast and Furious. At least those actors are having fun with their plotless flick.
Prospects: Dim • PG-13 • 90 mins.

One Direction: This Is Us
    If you loved Katy Perry’s documentary or felt that Justin Bieber was robbed when his biographical film Never Say Never was overlooked at Oscar season, here’s the movie for you.
    Learn about the popular teen band One Direction, which rose to fame in Britain while competing on The X-Factor. Explore the boys’ backgrounds, see rare behind-the-scenes footage, and watch them perform at sold-out concerts.
    If you — or more likely your tween — are a big fan of Niall, Zayn, Liam, Harry and Louis, One Direction: This Is Us will be a great investment. Otherwise steer clear of the theater, lest your eardrums be perforated by the screams of tween girls.
Prospects: Flickering • PG • 93 mins.

Opening August 23, 2013

In a World …
    Vocal coach Carol (Lake Bell: Children’s Hospital) is living in the shadow of her father, Sam (Fred Melamed: The Dictator), a famous voice-over artist. Told repeatedly that the movies don’t want a “female sound” for their trailers, Carol is determined to make it in the industry.
    Written and directed by Bell, In a World is a passion project that tackles the sexism and nepotism of Hollywood through an original lens. Bell has a great supporting cast, featuring Eva Longoria, Geena Davis, Nick Offerman and Rob Corddry.
    With witty writing and some great performances, Bell’s passion project should be a treat for cinephiles.
Prospects: Bright • R • 93 mins.

The Mortal Instruments: City of Bones
    Clary Fray (Lily Collins: Mirror, Mirror) is a New York teen with a seemingly ordinary life. When her mother disappears, Clary learns that she is descended from a long line of Shadowhunters — half-angel warriors who battle demons for control of the human world. With the help of the mysterious but totally hot angel Jace (Jamie Campbell Bower: The Twilight Saga), Clary seeks her mother, fights a great evil and maybe falls in love.
    Gosh, I hope she finished her homework.
    Now that the studios have exhausted their supply of sparkly vampire movies, they’re looking for the next big thing. The lusty story of a seemingly ordinary teen who catches the eye of an impossibly sexy yet completely respectful angel isn’t a new one. The film is based on a bestselling young-adult novel series, which must be more imaginative than this bland-looking movie.
Prospects: Flickering • PG-13 • 130 mins.

The Spectacular Now
    Sutter Keely (Miles Teller: Project X) is a high schooler who believes in the now. He’s happy as a popular student, content to work at a men’s clothing store, date his hot girlfriend and binge drink. He’s content to let others worry about the future.
    When he’s dumped, Sutter goes on a bender and wakes up on the lawn of Aimee Finecky (Shailene Woodley: The Descendants). He forms a bond with this idealistic, kind girl, who’s making big plans for her future.
    A darling of the independent film circuit, The Spectacular Now is being heralded as one of the most touching and realistic portrayals of a teen relationship ever captured on film. Both Woodley and Teller have earned raves for their unflinchingly
adolescent performances.
Prospects: Bright • R • 95 mins.

The World’s End
    As young men, Gary King (Simon Pegg: Star Trek) and his friends failed to complete an elaborate pub-crawl. Twenty years later, Gary reunites the gang to try again. The plan is to start at the top of the bar row and drink their way to The World’s End.
    The guys have respectable jobs and lives, but they feel sorry for their perpetually adolescent friend.
    In a haze of suds and brews, the guys are slow to notice something different about townsfolk. An invasion is under way, and the only hope humanity has is a bunch of booze-soaked, middle-aged men. Uh-oh.
    Will they make it to The World’s End? Or see the end of the world?
    The final movie in Pegg and director Edgar Wright’s Cornetto trilogy, The World’s End promises violence, gore and hilarity. Like Shaun of the Dead and Hot Fuzz before it, it’s a clever send up filled with wonderful character actors embellishing a whip-smart script.
Prospects: Bright • R • 109 mins.

You’re Next
    The Davidson Family reunion is interrupted by an unpleasant scene. No, granny didn’t get into the schnapps; the problem is a gang of masked killers.
    Luckily, the Davidsons have a secret weapon: One of the girlfriends comes between them and the sharp end of an axe.
    It’s a rarity for women in such films to kick butt, so I’m hoping this one can rack up some carnage in the name of feminism and equality.
Prospects: Flickering • R • 96 mins.

Opening August 16, 2013

    Steve Jobs (Ashton Kutcher: Two and a Half Men) was a college dropout with a business dream. With fellow tech-obsessed nerds, he took Apple computers from a garage-based business to a billion-dollar global empire.
    Jobs tell the story of one of the greatest tech-minds of our time, but it doesn’t seem interested in the controversial aspects of Jobs’ life.
    I’m also not sure that the man who became famous for dating Demi Moore is up to the challenge of portraying Steve Jobs. When your greatest acting credit thus far is Dude, Where’s My Car? it may be a stretch to carry a dramatic lead.
    Still, if you have an iPhone, you have to see this film. Seriously, check your contract; I’m pretty sure you’re required to buy a ticket.
Prospects: Flickering • PG-13 • 122 mins.

Kick-Ass 2
    Teen vigilante Kick-Ass (Aaron Taylor-Johnson: Anna Karenina) has inspired a slew of like-minded crime fighters to take to the streets in masks. These do-gooders aim to violently stop criminal enterprises.
    Not content to be beaten into submission by a bunch of Spandex-clad civilians, the criminals decide to make the streets safe for crime once again. Led by a villain so evil his name isn’t fit for print (it starts with Mother), the baddies wage war on masked vigilantes.
    Can Kick-Ass save the city? Are armed vigilantes the solution to crime? Why must superheroes wear so much Spandex?
    The first Kick-Ass was a fun, foul-mouthed romp that explored themes of violence, revenge and personal identity. Kick-Ass 2 could be more of the same, but its writing seems to have weakened.
    If you’re in the market for a blood and guts action movie so violent that Jim Carrey (who stars in the film) renounced it, Kick-Ass 2 is a great choice.
Prospects: Flickering • R • 103 mins.

Lee Daniels’ The Butler
    Southern servant Cecil Gaines (Forest Whitaker: The Last Stand) gets a job as a White House butler. There, he attends to the most powerful people in the free world: the president and his family. He’s a silent observer to policy decisions that affect the world at large as well as his nation.
    Though Cecil’s wife (Oprah) is proud of him, his civil rights activist son is ashamed of his father’s subservient career. Can Cecil teach his son the lessons he’s learned observing the working of politics, or are they destined to never reconcile?
    The writing seems hokey — can Cecil truly change everyone’s heart that he meets? — but it is a true story and a chance to look behind the scenes of history.
    Whitaker is an Oscar-caliber actor; I’m hoping The Butler gives him opportunity to show off his amazing range. With supporting performances from Vanessa Redgrave, Lenny Kravitz and Jane Fonda, The Butler should be beautifully acted, if overwrought.
Prospects: Flickering • PG-13 • 132 mins.

    A young tech genius Adam (Liam Hemsworth) needs a break. He’s talented, but he lacks the smooth appeal and Ivy League credentials of his peers.
    His big break comes with a price: Tech wizard Nicholas Wyatt (Gary Oldman) hires him to be a corporate spy, gleaning secrets from Wyatt’s biggest rival Jock Goddard (Harrison Ford).
    Can Adam commit industrial espionage without getting caught? Can he survive between two warring giants?
    Imagine you’re seeing a Steve Jobs/Bill Gates battle royale.
    Paranoia is a pretty standard-looking thriller with a stellar cast. Watching Ford and Oldman chew scenery and snarl at each other is well worth the price of admission, whether or not you pay attention to Hemsworth and the tech-stealing storyline.
Prospects: Flickering • PG-13 • 106 mins.

Opening August 9, 2013

    By 2154, the one percent have risen even higher above the 99 percent. The rich luxuriate on Elysium, a space station equipped with the greatest luxuries and technologies, while the rest of humanity slaves away on environmentally bankrupt Earth.
    Earth dwellers are desperate to ascend to Elysium so Secretary Rhodes (Jodie Foster), has devised anti-immigration laws to keep the grubby masses out. Earth dweller Max (Matt Damon) challenges the laws and Elysium itself.
    Directed by Neill Blomkamp, Elysium could be one of the more intelligent blockbusters of the summer. His District 9 offered social commentary and great practical effects. With a bigger budget and big-name stars, his biggest challenge will be to stay true to his indie roots.
Prospects: Bright • R • 109 mins.

Percy Jackson: Sea of Monsters
    Percy Jackson is the son of Poseidon and a demi-god — not a full-blooded god but with great powers and strength unknown to humans. When last we saw Percy, he had saved the Olympians from an usurper.
    This time around, gods and demi-gods are threatened by the resurrection of the Titans. To stop this massive evil, Percy and his friends must venture into the Sea of Monsters to retrieve the Golden Fleece.
    The sequel to a film no one saw, Percy Jackson: Sea of Monsters is what happens when a studio is desperate for a franchise that will bring in money. Nonetheless, it’s a good introduction to Greek mythology and might pique kids’ interests in the classics.
Prospects: Flickering • PG • 106 mins.

    Crop-duster Dusty aspires to compete in an aerial race. He’s got the speed. He’s got the heart. But he’s afraid of heights.
    Can Dusty get over his phobia to break into the world of jet racing?
    Think of this film as Cars with more altitude. Like most Pixar films not based on people, Planes will probably be a big disappointment to fans of human stories. There will be a few ethnic stereotypes, lots of laughs and plenty of entertaining aeronautic acrobatics.
Prospects: Flickering • PG • 92 mins.

We’re the Millers
    To travel to Mexico to smuggle marijuana across the border, pot dealer David needs the perfect cover: an all-American family on an RV vacation. He recruits a stripper to play his devoted wife, a punk kid to play his wholesome daughter and a weird neighbor boy to play his son.
    As a stripper, Jennifer Aniston plays against her good girl image. Let’s hope she has found a vehicle to jumpstart her stalling film career.
    A crude comedy that looks equal parts hilarious and disgusting, We’re the Millers is selling cheap laughs. If you find spider bites to the groin, drug humor and physical comedy funny, this is the flick for you.
Prospects: Bright • R • 110 mins.

Opening August 2, 2013

2 Guns
    DEA agent Bobby Trench (Denzel Washington: Flight) is tasked with infiltrating a drug cartel. The price of admission is robbing a bank with drug cartel member Stig (Mark Wahlberg: Pain and Gain). When the job goes bad, Bobby gets another shock: Stig is a Naval intelligence officer infiltrating the cartel.
    Set up, the two men unwittingly robbed the CIA. Now, they must avoid the angry spy agency and figure out who framed them.
    A straight-forward looking shoot-em-up, 2 Guns could be a refreshing spin on buddy-heist movies or another hackneyed paycheck project for Washington and Wahlberg. Big arms and scowling line delivery is pretty much the sum total of Wahlberg’s acting style, so he should be right at home in this shallow-looking caper. Washington’s charisma and seemingly ageless face suit him to action-movie roles. He must view them as stylish vacations from his in-depth performances in films like Flight.
Prospects: Flickering • R • 109 mins.

Opening July 31, 2013

Smurfs 2
    When Gargamel (Hank Azaria: The Simpsons) kidnaps Smurfette (Katy Perry) and whisks her away to Paris, the Smurf population falls into a panic. With good reason too, as Smurfette is the only female in the village and therefore, I assume, their only hope of species propagation.
    Papa, Clumsy, Grouchy and Vanity Smurf travel to the City of Lights to reclaim their only female. With help from their human pals, the Smurfs seek Smurfette — whose name, you’ll notice, gives her no personality trait besides gender. The team must defeat Gargamel and overcome the Naughties, a breed of evil Smurfs conjured by the evil wizard.
    I could tell you more, but it’s all pretty smurfin’ stupid.
    The only acceptable reason to see this tripe is an especially insistent child. I recommend enduring tantrums rather than giving in. The only thing worse than the plot is the obvious embarrassment of the live-action actors, who clearly need a paycheck.
Prospects: Bleak • PG • 105 mins.

Opening July 26, 2013

Fruitvale Station
    On New Year’s Eve in San Francisco, Oscar Grant (Michael B. Jordan: Chronicle) connects with friends and family before going out to watch fireworks. A day of reflection is turned into a night of horror when police officers accost Grant and his friends with deadly consequences.
    This is a true story.
    Grant’s life, loves and death are specially poignant in the aftermath of the trial of George Zimmerman for killing Trayvon Martin, another young black man slain under suspect circumstances.
    Jordan is already generating Oscar-buzz for his captivating portrayal of Grant.
    In the midst of summer movies, Fruitvale Station invites you to exercise your mind. Timely, moving and disturbing, it has bigger ambitions than box office returns.
Prospects: Bright • R • 90 mins.

The To Do List
    Nerdy Brandy Clark (Aubrey Plaza: Parks and Recreation) is nervous about going to college. Luckily her big sis is there to assuage her worries, telling Brandy that smarts don’t matter; only sexual prowess counts on campus.
    The inexperienced Brandy, a quick study, makes a list of sexual acts and conquests to check off before she heads to campus. Can this one-woman sexual revolution make herself a woman of the world without suffering the consequences?
    This modern take on the 1980s sex comedies, The To Do List looks like a great flick for admirers of crude sex humor. Plaza is a fun presence on screen, so her dour deliveries might add a bit of wit.
Prospects: Flickering • R • 103 mins.

The Wolverine
    Wolverine (Hugh Jackman: Les Miserables), the super-healing X-Men with ripped muscles and funky hair, journeys to Japan when an old acquaintance offers him the gift of mortality. Anxious to shuffle off the immortal coil, Wolverine accepts and finds that for the first time in ages, he doesn’t immediately heal when injured.
    Weak for the first time, he must now battle a league of samurai bent on finally killing him. Can Wolverine defeat the threat? Will he eventually embrace his mutant healing powers and accept immortality? Could this movie possibly be worse than X-Men Origins: Wolverine?
    The story of Wolverine takes a darker turn in this origin movie styled after the Frank Miller comics. The more dramatic, action-heavy take worked for Batman, but I’m not convinced that Wolverine is interesting without his X-Men friends.
Prospects: Flickering • PG-13 • 126 mins.


Opening July 19, 2013

The Conjuring
    Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) are used to things that go bump in the night. As successful paranormal investigators, the Warrens traverse the country looking into and lecturing about hauntings. When a desperate mother begs them to help her and her family with an aggressive spirit, the Warrens take on their most dangerous haunting.
    Based on a true story — as such movies always are — The Conjuring opens the door of one of the most violent haunted houses in America. Directed by James Wan (Insidious), the film should be filled with odd set pieces and eerie scares.
Prospects: Bright • R • 112 mins.

Girl Most Likely
    Playwright Imogene (Kristen Wiig) is having a tough third act. Her career and love life have had their curtain calls. No longer the toast of the town, Imogene moves back in with her mother (Annette Bening) to rebuild her life.
    Wiig loves making movies about women on the verge of a nervous breakdown. While Bridesmaids was a hit with the crude-humor connoisseurs, Girl Most Likely takes a subtler approach. Wiig and Bening play well off each other, and it’s nice to see a movie that’s concerned with women finding their place in the world.
Prospects: Bright • PG-13 • 103 mins.

Red 2
    Frank Moses (Bruce Willis: GI Joe) has been retired from the CIA for years, but he still takes freelance jobs to keep up his deadly skill set.
    His golden years are threatened when MI:6 gets erroneous information that Moses is responsible for stealing a nuclear device.
    A sequel to the silly but wildly entertaining Red, this film is part of a new genre of action films I’ve begun calling The Golden Oldies. Like The Expendables, Red 2 is a collection of older actors, some of whom have been written off as has-beens, gleefully reclaiming the spotlight in dumb action movies.
    Dialog and plotting are less than stellar, but Willis, Helen Mirren, John Malkovich, Anthony Hopkins and Brian Cox are having such a good time that it hardly matters.
Prospects: Flickering • PG-13 • 116 mins.

    When Nick (Ryan Reynolds) is slain in the line of duty, he’s given a second chance to protect and serve as an undead officer in the R.I.P.D. – that’s the Rest in Peace Department. Paired with a wild and wooly sheriff (Jeff Bridges), Nick hunts down undead evildoers.
    Nothing about this movie seems like a good idea. The plot is in essence a twist on Men in Black but without a charismatic lead. Special effects did not get the budget they needed to be believable.
    I can’t think of a single positive thing in this film. But if Grown Ups 2 can make $42.5 million at the box office, I’m sure there’s an audience for this derivative nonsense as well.
Prospects: Dim • PG-13 • 96 mins.

    A snail with dreams of life in the fast lane, Turbo (Ryan Reynolds again) is granted super speed and becomes the fastest snail — and just maybe the fastest object — in the world.
    With the help of some human allies, Turbo competes in the Indie 500. How a little snail will keep from becoming a smear on the pavement is anybody’s guess.
    A well-meaning cartoon about following your dreams, Turbo looks like a movie that will be more popular with kids than with parents. There are a few ethnic stereotypes that seem problematic, but if Johnny Depp can run around with a bird on his head in the Lone Ranger, I doubt these characters will raise many eyebrows. Lacking the layered humor of movies from Pixar, this is a kids’ flick, plain and simple.
Prospects: Flickering • PG • 96 mins.

Opening July 12, 2013

Grown Ups 2
    Lenny (Adam Sandler: Hotel Transylvania) decides that the big city is no place to raise a family, so he moves back to his small hometown. As a bonus, he is now close to all his childhood friends. Soon, however, Lenny learns that small town life is just as crazy as the big city hustle. But what does that matter when you’ve got your best buds to pal around with?
    Will Lenny and his pals ever grow up? Will his family adjust to life in a small town? Will Adam Sandler ever make a movie that isn’t derivative, crude and boring?
    Likely not.
    We moviegoers deserve better than the likes of Sandler. Sure, it’s nice that he keeps his buddies David Spade, Kevin James and Nick Swardson employed, but at what cost to us? If we keep paying to see fart jokes, lazy humor and barely-there plots, he’ll keep delivering just that.
Prospects: Dim • PG-13 • 101 mins.

Pacific Rim
    In the future, a rift opens deep in the Pacific Ocean, unleashing a host of giant sea monsters bent on the destruction of humanity. The creatures tear down skyscrapers, crush people under their feet and cause mayhem wherever they go.
    How do you get rid of a monster infestation? With robots, duh!
    Pilots and soldiers are recruited to drive a fleet of building-sized robots to battle the sea monsters for control of Earth.
    Director Guillermo del Toro (Hellboy II) has a wonderful, dark visual style that is influenced by comedy from Lovecraft to Burton. Del Toro’s artistry might take Pacific Rim from stupid action movie to classic summer blockbuster. Or the film could be a beautiful disaster. He’s certainly stacked the deck in his favor, casting Idris Elba (The Wire), Ron Perlman (Sons of Anarchy) and Rinko Kikuchi (The Warped Forest).
    But with a plot that sounds as if it were dreamed up by a seven-year-old on a Pixie Stix high, Pacific Rim isn’t exactly high art.
Prospects: Flickering • PG-13 • 131 mins.

Opening July 5, 2013

Despicable Me 2
    Former super villain Gru (Steve Carell: The Office) has given up most of his evil ways to better raise his three adopted daughters. Though semi-retired, he is recruited by the Anti-Villain League to help take down a new evil threatening to take over the world.
    A sequel to Dreamworks’ adorable villain-with-a-heart-of-gold film, Despicable Me 2 should be a great option for parents hoping to distract their young ones for a few hours. I’m concerned that Gru as a good guy won’t be as compelling as Gru the super villain falling in love with his three children and choosing good over evil. Time will tell if Gru was meant to play nicely with others.
Prospects: Bright • PG • 98 mins.

Kevin Hart: Let Me Explain
    One of the most successful standup comedians today, Kevin Hart invites you to his sold-out Madison Square Garden show. Hart’s brand of comedy covers everything from growing up with a crack-head father to learning how to manage money once he became a success.
    If you’re a fan of Hart’s no-holds-barred humor, here’s your way to cool off this summer.
Prospects: Bright • R • 75 mins.

The Lone Ranger
    When lawman John Reid (Armie Hammer: Mirror Mirror) is killed in the desert, the bad guys assume they’ve won. They don’t count on Reid’s body being revived by Tonto (Johnny Depp: Dark Shadows), a Native American warrior dedicated to justice.
    Based on a classic radio show, The Lone Ranger is a great Western story with some troubling Native American stereotypes. Even more troubling, Disney chose to cast their cash cow Depp in one of the only roles in years that calls for a Native actor. Depp runs around in white war paint and a ridiculous headpiece.
    Depp hasn’t had a decent live-action role since 2004. While it looks like he’s trading dreadlocks for a bird headpiece, his quirky comedy shtick remains the same. With director Gore Verbinski (Rango) behind the camera, there’s a good chance you’ll be in for big action sequences and decent humor. Whether that is enough to overcome the troubling portrayal of Tonto remains to be seen.
Prospects: Flickering • PG-13 • 149 mins.

Unfinished Song
    Grumpy Arthur (Terence Stamp: The Adjustment Bureau) snipes his way through life’s later years. Angry with his son and surly to the world around him, Arthur connects only with his wife Marion (Vanessa Redgrave: Political Animals).
    When Marion falls ill, she convinces Arthur to reach out to the community by joining a senior choir. As Marion weakens, Arthur must decide whether he has the strength to engage with the world around him.
    This British dramedy promises plenty of tears, humor and an exceptionally predictable plot. Still, it’s fun to see Stamp and Redgrave in their golden years with roles that let them play fast and loose. If you’ve got a fondness for British comedies on PBS, Unfinished Song may be your cup of tea.
Prospects: Bright • PG-13 • 93 mins.

Opeinging June 28, 2013

The Heat
    Fastidious federal Agent Sarah Ashburn (Sandra Bullock: Extremely Loud & Incredibly Close) hopes to earn the respect of her male coworkers by taking down a drug kingpin. Standing in her way is Shannon Mullins (Melissa McCarthy: The Hangover III), a tough-talking, crude Boston cop who wants the collar.
    Forced to team up, Sarah and Shannon try to overcome their differences and help each other succeed in a man’s world. Basically, it’s The Odd Couple with women, violence and fart jokes.
    Directed by Paul Feig (Bridesmaids), The Heat has the potential to be the next big female blockbuster. It’s refreshing to see a movie where women are focused on something other than getting a boyfriend. Still, there’s a limit to how far crude humor can take you even in service of breaking down gender roles.
Prospects: Flickering • R • 117 mins.

White House Down
    Cop John Cale (Channing Tatum: G.I. Joe) dreams of joining the Secret Service. On the day of his interview, his skills are put to the test as a heavily armed band of terrorists bent on killing the president (Jamie Foxx: Django Unchained) takes over the White House.
    Cale must not only protect the leader of the free world but also keep his daughter out of harm’s way. That’s a pretty tough first day on the job.
    White House Down is the second Die Hard in the White House movie to be released this year. The White House hasn’t been this imperiled since the War of 1812.
    Still, dumb action is fun, and you could do worse if you’re in the mood to mindlessly eat popcorn and laugh. If you’re into big explosions, nonsensical plots or Channing Tatum, this won’t disappoint.
Prospects: Flickering • PG-13 • 131 mins.

Opening June 21, 2013

The Bling Ring
    A clique of spoiled high schoolers with fame fixations achieves the glamorous life by theft. The crew breaks into the homes of the rich and famous, stealing the latest fashions, jewelry and more. Now the best-dressed and coolest kids in school, the crew is like totally confused when the cops tell them that stealing is like a crime or whatever.
    Unrepentant, bored and like a victim of the system, the kids become a media sensation overnight, the best reward they could imagine.
    Based on a true story of the world’s most vapid burglars, The Bling Ring is an honest look at America’s obsession with the rich and famous. Does watching Keeping Up with the Kardashians really turn teens into horrid self-obsessed monsters? Director Sofia Coppola (Somewhere) thinks so. Her take on the criminal enterprise casts the teens as victims of their culture.
Prospects: Bright • R • 90 mins.

Monsters University
    Before Mike (Billy Crystal: Parental Guidance) and Sully (John Goodman: The Internship) became the greatest scaring team in Monstropolis, they were just a pair of crazy college kids trying to earn their degree in scaring. At first competitors, Sully and Mike learn to work together to win the university’s Scare Games and graduate on time.
    A sequel to Pixar’s beloved Monsters Inc., Monsters University is the kid-friendly version of Animal House. Frat antics, college stereotypes and funny monsters abound in this much-anticipated origin story.
    Pixar is a mark of quality, with the notable exception of the Cars movies. Combine the dynamic comic team of Goodman and Crystal with the sharp writing of Robert L. Baird, and Monsters University should be a great movie for kids and their parents.
Prospects: Bright • G • 110 mins.

Much Ado About Nothing
    Director Joss Whedon (The Avengers) is on top of the world. Boasting a loyal cult following, the director/writer has broken into the mainstream, directing the biggest superhero movie ever. Now he follows his success with a bold experiment, retelling Much Ado About Nothing, Shakespeare’s most popular romantic comedy.
    The story follows warring pair Benedick (Alexis Denisof: The Avengers) and Beatrice (Amy Acker: Grimm), who both swear to remain single and at each other’s throats for all eternity. Of course their friends — more regulars from his movies and television shows — enter into a conspiracy to trick the acrimonious duo into falling in love.
    The passion project was shot at Whedon’s home to keep the budget down.
    Will the experiment succeed? Denisof seems stiff and uncomfortable with his dialog, suggesting that at least one half of the central pairing isn’t up to par.
Prospects: Flickering • PG-13 • 107 mins.

World War Z
    The zombie apocalypse is upon us, sending U.N. worker Gerry Lane (Brad Pitt: Killing Them Softly) around the world seeking the cause of the outbreak and ways to save humanity from the hordes of the undead.
    Based on Max Brooks’ bestselling novel, World War Z bears little resemblance to its source material. The film suffered numerous script rewrites and production problems. Instead of a steady throng of unstoppable menace, zombie attacks are a tumbling mess of CGI monsters. With a PG-13 rating, you won’t even get any decent gore with your zombies.
    Unless you’re desperate for the undead or your only requirement for a movie is Pitt’s flowing locks, I recommend the book for a brilliant take on the zombie apocalypse.
Prospects: Shot to the Head • PG-13 • 116 mins.

Opening June 14, 2013

Before Midnight
    Loquacious lovers Celine (Julie Delpy) and Jesse (Ethan Hawke) return for the final film in Richard Linklater’s relationship trilogy. Now married with young children, the pair still argues, flirts and talks endlessly about every aspect of their lives.
    Hawke and Delpy both worked with Linklater to develop and write their characters. This technique enables great, honest performances. The characters have been building for nearly two decades.
    For fans of the two previous films (Before Sunrise and Before Sunset), Before Midnight is an excellent way to end the story of Celine and Jesse. The hallmarks of the film are deep character work and long, twisting conversations about life, love and relationships. If that sounds like a fascinating window into modern relationships, this film is for you. If you rolled your eyes reading my description, see another movie.
Prospects: Bright • R • 108 mins.

The East
    When a group of eco-terrorists calling themselves The East wages war, Corporate America fights back. Elite operative Sarah (Brit Marling) is hired to infiltrate and take The East down from the inside.
    Committment to the job wanes as Sarah sympathizes with the cause and falls for the leader (Alexander Skarsgard). Can she go through with her planned sabotage? Or will she join The East?
    An interesting thriller with an accomplished cast, The East is the second offering from writer/star Marling, who penned and starred in last year’s fascinating cult thriller The Sound of My Voice. With a twisting plot and a hard-line eco-message, The East looks well worth the ticket price.
Prospects: Bright • PG-13 • 116 mins.

Man of Steel
    It’s a bird! It’s a plane! It’s the next superhero franchise!
    Helmed by Zack Snyder (Sucker Punch), the film hopes to reboot the Superman franchise. It’s an origin tale of how Clark Kent (Henry Cavill: The Cold Light of Day) went from boy with a secret to the hero America needs.
    Clark spends his life concealing his amazing powers and attempting to live a normal life. When General Zod (Michael Shannon: The Ice Man) comes to Earth demanding Clark’s head on a platter, the prodigy must decide whether to fight or kneel.
    Snyder is a deft hand with visuals, but he’s proved himself a messy filmmaker when left to his own devices. Man of Steel needs a great editor to retain Snyder’s distinctive style while tightening the plot.
    As Superman, Cavill certainly has the look, but the draw is the baddy. Shannon has made a name for himself as a wild-eyed character actor. This is his chance to chew the scenery as the epically evil General Zod. It will be a joy to watch him menace the Man of Steel.
Prospects: Bright • PG-13 • 143 mins.

This Is the End
    James Franco hosts a party in his Hollywood home. Featuring celebrities, drugs and sex, the party is in full swing when disaster strikes. No, they don’t run out of drugs; the apocalypse comes.
    With half of young Hollywood dead, Franco and his buddies Seth Rogen, Jonah Hill, Jay Baruchel, Craig Robinson and Danny McBride must attempt to survive the end of times with only drugs and a Milky Way bar.
    This Is the End skewers the public personas of its stars while making fun of The End of Times. Who doesn’t want to watch a bunch of inept Hollywood types fumble through the last few days on Earth? Written by Rogen and Evan Goldberg, this crude comedy is only for moviegoers who can stomach foul language, violence and James Franco.
Prospects: Bright • R • 107 mins.

Opening June 7, 2013

The Internship
    When the economy collapses in the watch sales industry, lifelong buddies Billy (Vince Vaughn: The Watch) and Nick (Owen Wilson: The Big Year) must reinvent themselves. Salesmen by trade, neither man has fully accepted the digital age and as a result both are under-qualified for jobs they want.
    They may not be good with computers, but they’re great with people. The duo uses their quick-talking skills to get themselves highly sought after internships at Google. But to compete with brilliant college grads half their age for spots on Google’s staff, Billy and Nick must join the information age before they’re as obsolete as MySpace.
    Wilson and Vaughn are both good supporting comedians, but they tend to flail in the spotlight. In the broad comedy of this fish-out-of-water story, there’ll likely be little for the duo to do but act befuddled by smart phones and crack wise about the whippersnappers around them.
Prospects: Flickering • PG-13 • 119 mins.

The Purge
    In a dystopian future, America has found a creative solution to crime and overpopulation: All crime is legal for 12 hours one day a year. During The Purge, people are invited to let their darkest impulses out. Emergency services are suspended, and the government wishes their citizens the best of luck.
    For those with money, the night is simply a nuisance. Their security systems and gated communities are relatively safe from the mayhem on the streets. The violence is broadcast on television for the enjoyment of the masses.
    During this year’s Purge, James Sandin’s family discovers real fear — and how to fight for their lives — when their ample home security is breached.
    A horror story with a social message, The Purge could easily tip to overwrought. With a limited setting, the Sandin home, the effectiveness of this movie depends on the actors in the main roles. Luckily, they are Ethan Hawke and Lena Headey.
Prospects: Bright • R • 85 mins.

Opening May 31, 2013

After Earth
    When their spaceship crashes on a wild and dangerous planet, father and son Cypher and Kitai Raige (Will Smith: Men in Black III;  and Jaden Smith: The Karate Kid) must learn to survive.
    Injured Cypher sends his son to signal for help on an Earth long-abandoned by humans and full of lethal wildlife and plants.
    After Earth could be a fun bit of sci-fi action. Visuals look strong, and the evolution of Earth into a bloodthirsty wildlife preserve should be interesting. Still, this father-and-son story looks a bit flat. Smith and son have a sort of robotic delivery in their scenes together that make me wonder whether people in this future have evolved to be emotionless. Maybe the plot twist will reveal they’re Vulcans.
Prospects: Flickering • PG-13 • 100 mins.

Now You See Me
    The Four Horsemen are a popular magic act, and not because of their ability to pull a rabbit out of a hat. The team of illusionists ends its shows by pulling heists against corrupt businesses and redistributing the wealth amongst their audience.
    Sounds worth the price of a ticket, right?
    Surprisingly, this Robin Hood trick isn’t exactly legal. The FBI and Interpol would very much like to stop them from robbing billionaire business leaders. But catching master illusionists is challenging even for such big crime busters.
    Now You See Me promises an interesting premise backed by a great cast, including Morgan Freeman, Michael Caine, Mark Ruffalo and Woody Harrelson. Still, the fact that Freeman fell asleep while answering questions about the movie doesn’t instill confidence. Characters look glib but underdeveloped.
    If the movie can manage to find substance under style, that might be a trick worth the ticket price.
Prospects: Flickering • PG-13 • 116 mins.

Opening May 24, 2013

    Teenage MK (Amanda Seyfried: The Big Wedding) magically shrinks while in the woods. Though her diminutive size won’t help her find her way home, it does open up a whole new world. She’s introduced to the protectors of the forest, leaf-sized warriors on the side of nature’s balance. These guardians are in the midst of a battle to save their beloved woods from the forces of destruction.
    Can MK help? Will she ever find a way home?
    An eco-conscious cartoon that can reach both adults and kids is a wonderful approach to a family movie. Writing seems humorous and contains a great message, but what will hold viewers are the impressive animated visuals.
    With an all-star voice cast featuring Seyfried, Colin Farrell, Beyonce, Aziz Ansari and Josh Hutcherson, Epic has a chance to earn its name.
Prospects: Bright • PG • 102 mins.

Fast & Furious 6
    Hardworking federal agent Luke Hobbs (Dwayne Johnson: GI Joe Retaliation) is desperate to bring down an evil car theft ring that terrorized Europe before setting sights on America. The thieves are brutal, efficient and nearly impossible to catch. Hobbs is going to need an expert.
    He recruits his favorite illegal street racers/fugitives Dom (Vin Diesel: Fast Five) and Brian (Paul Walker: Fast Five). If they succeed, they and their crew will earn full pardons and a chance to help a friend they believed dead.
    Fast & Furious movies will continue to be made until moviegoers tire of flashy cars, explosions and women in skimpy outfits. Fast & Furious 7 is already in development. I have no doubt I’ll be writing a preview for Fast & Furious 13: Cars Go Vroom! in just a few years.
    There is something to be said for knowing what works and giving it to your audience. So if you buy a ticket for this flick, you know you’re in for two hours of oiled-bicep flexing, tough-guy one-liners and beautiful cars.
Prospects: Flickering • PG-13 • 130 mins.

The Hangover Part III
    Fool me once, shame on you. Fool me twice, shame on me. Fool me three times, and I’m as stupid as the characters in this sequel to The Hangover.
    Phil (Bradley Cooper: Silver Linings Playbook), Alan (Zach Galifianakis: The Campaign) and Stu (Ed Helms: The Office) find themselves back in Vegas, where they fall into yet another night of debauchery. Sex will be had, drugs will be done, animals either abducted or abused and all of their lives will be threatened.
    Why do these men continue to hang out together? How is it possible that none is in prison?
    The Hangover was a great and gross comedy. Hangover Part II was simply a pale imitation: the same jokes, the same plot points and, infuriatingly, the same characters. What makes these films so egregious is that no one ever learns anything. The Wolfpack should have learned at the least to avoid life-threatening situations.
Prospects: Dim • R • 100 mins.

Opening May 17, 2013

    How far would you go to prove you were right? In 1947, explorer Thor Heyerdahl (Pål Sverre Hagen: I Travel Alone) believed that pre-Columbian South Americans crossed the Pacific in rafts.
    To prove his thesis, he assembled a team of five men and set out for the Polynesian islands on a balsa wood raft. During 101 days of searing sun, privation and danger, Heyerdahl documented the journey. Heyerdahl’s footage was turned into an Oscar-winning documentary about the harrowing trip.
    Kon-Tiki is a reenactment of Heyerdahl’s voyage across the pacific. Directors Joachim Rønning and Espen Sandberg insisted they film on the open ocean to make it feel as authentic as Heyerdahl’s trip. Graphics and acting both appear to be top-notch.
    Kon-Tiki is a fascinating story about one of the 20th centuries most determined adventurers. So buy a ticket, or Netflix the documentary to experience a true seafaring tale.
Prospects: Flickering • PG-13 • 118 mins.

Star Trek Into Darkness
    When a man with a dark Star Fleet history (Benedict Cumberbatch: Sherlock) turns to destruction, stopping him is up to Captain Kirk (Chris Pine: Rise of the Guardians) and the intrepid crew of the Enterprise.
    Can Kirk find his inner leader? Will he save Earth from the wrath of a former ally? How many complaints about minutia will Trekkies post online after they screen the film?
    The second film in the J.J. Abrams (Super 8) Star Trek series will undoubtedly rule the box office this weekend. Abrams is a good director with a sense of humor and action pacing that benefits the Star Trek universe. However, Pine’s Kirk is still all smug smile and no substance, little more than a frat boy captain of a space ship. I need more depth to my fearless leaders, like Captain Picard.
    Fortunately, the supporting cast includes Zoe Saldana, Karl Urban, Simon Pegg, John Cho and Peter Weller, which means that there should be plenty to enjoy. If you’re in the mood to watch space battles, hear witty one-liners or just watch a bunch of pretty people in futuristic clothes, Star Trek Into Darkness is a safe bet for Preakness weekend. Live long and prosper.
Prospects: Flickering • PG-13 • 132 mins.

Opening May 10, 2013

    When’s the last time you went anywhere without a cell phone? You could be reading this from your mobile. Disconnect warns of the perils of this always-connected life. The film tells four interwoven stories about how technology affects our lives and hampers our ability to make human connections.
    This timely tale about the effects of our technology-obsessed society should be a must-see for anyone who owns a smart phone. Just make sure that you don’t use the phone during the movie.
Prospects: Bright • R • 115 mins.

The Great Gatsby
    Based on the classic novel we all read in high school, The Great Gatsby is the story of Jazz Age excess and the people who revel in it. Midwestern writer Nick (Tobey McGuire: The Details) is drawn into this world of lavish parties and small social intrigue and is dazzled by a newcomer to the scene: Gatsby (Leonardo DiCaprio: Django Unchained), a war-hero millionaire.
    Nick becomes devoted to Gatsby, who longs for love and acceptance in the upper echelons. When Gatsby begins an affair with married socialite Daisy Buchanan (Carey Mulligan: Shame) secrets and violence threaten the glossy veneer of New York society.
    Director Baz Luhrmann (Australia) is known for his glitter- and music-filled productions. The man has never met a sequin he didn’t love, which explains his better film efforts Moulin Rouge and Strictly Ballroom. This obsession makes him exceptionally qualified to capture the excess of Fitzgerald’s Long Island. Still, Luhrmann has a tendency to revel in visuals while forgetting plot and pacing.
    The Great Gatsby will no doubt be filled with glorious Jazz-interpretations and shiny visuals. Whether Luhrmann can create a film that lives up to the novel is yet to be seen.
Prospects: Sparkly • PG-13 • 143 mins.

    Wade Walker (Craig Robinson: The Office) has fallen for the beautiful Grace Peeples (Kerry Washington: Scandal) and hopes to propose. To kill two birds with one stone, he decides to pop the question when he meets her family at their annual Hamptons reunion.
    Both Robinson and Washington are big-screen talent who found their fame on television. While I have faith in both stars’ abilities, I’m not thrilled that the plot resembles Ben Stiller’s opus Meet the Parents. Still, with a cast that also features S. Epatha Merkerson, Diahann Carroll and Melvin Van Peebles, there’s a chance that the actors can elevate their hackneyed material.
Prospects: Flickering • PG-13 • 95 mins.

Opening May 3, 2013

Iron Man 3
    When last we saw Tony Stark (Robert Downey Jr.: The Avengers), he was enjoying some shawarma with his fellow Avengers. Since he saved New York City from an alien takeover, Tony wants to return to his California home for a little R&R with his best girl Pepper Potts (Gwyneth Paltrow: The Avengers).
    Unfortunately, there is no rest for the man in the iron super suit. A man called The Mandarin (Ben Kingsley: The Dictator) has decided to destroy everything Stark loves. That means Pepper, Stark Industries and Tony’s very life are all in peril. Now he must not only rely on his inventions but his inner strength to triumph.
    Can Tony save himself and his love from a madman with a seemingly unlimited reach? Probably, since the Iron Man franchise is the most successful of all Marvel’s superhero movies.
    Still, Downey is an amazing force, exuding charm whenever he’s on screen. There’s no doubt he can carry a movie by himself —there’s a reason no other movie is premiering this weekend. So the only question is whether Kingsley is up to the super villain task. Either way, it should be pretty amusing to watch Iron Man battle Gandhi for two hours.
Prospects: Bright • PG-13 • 130 mins.

Opening April 26, 2013

Arthur Newman
    Have you ever wanted to make a change? Wallace Avery (Colin Firth: Tinker Tailor Soldier Spy) is stuck in a dead-end job, divorced and depressed. Deciding he doesn’t have to live like that, Wallace walks away from his life to start again as Arthur Newman, a golf pro.
    On the road to a new life, Arthur is waylaid by Mike (Emily Blunt: Looper), a troubled woman who could use a life change, too. Now a dynamic duo with new identities, Mike and Arthur traverse the country to create new and better lives.
    Firth and Blunt are great performers and likely can carry this quirky comedy. But I’m concerned that the story might be a little too cute to bear. Many writers mistake quirkiness for character development, leaving the viewer to watch an endless parade of odd behavior without creating who these people are.
    If Arthur Newman can keep the quirk to a minimum, Firth and Blunt could shine as lost souls.
Prospects: Flickering • R • 101 mins.

The Big Wedding
    Don (Robert De Niro: The Silver Linings Playbook) and Ellie (Diane Keaton: Darling Companion) have been divorced for years. After Don married Ellie’s best friend (Susan Sarandon), the rift grew deeper and more acrimonious. They’re willing to put aside their feud and play nice, however, to give their adopted son Alejandro the wedding of his dreams.
    How far would you go to ensure your child’s happiness? Don and Ellie are about to find out. Turns out Alejandro invited his super-conservative biological mother, who will create a scene if she discovers the people who raised her baby boy are divorced.
    Don and Ellie must pretend to be a happy couple again, throwing their family and the wedding into turmoil.
    Why hasn’t Alejandro’s mom kept better tabs on the people raising her son if she’s so darned concerned about his morality? Why must women in these movies act like shrews to get laughs? How is it possible that so many great actors could be in a movie that looks this dismal?
    Whether The Big Wedding rips off La Cage aux Folles or an old episode of The Golden Girls, it looks like a paycheck movie. De Niro has spent the better part of a decade destroying his legacy and selling Ben Stiller what’s left of his soul; I expected more from Keaton and Sarandon, who usually have better quality control.
    It’s possible that these powerhouse actresses can elevate this lazily written farce, but I doubt it.
Prospects: Dim • R • 89 mins.

Pain and Gain
    Three meathead gym rats are tired of always getting the fuzzy end of the lollipop. They decide to make it through hard work and determination.
    Just kidding. They kidnap and torture a millionaire until he signs over all his assets to them. But it’s okay you guys, because the gym rats are Mark Wahlberg and Dwayne Johnson, and the bad guy is like totally sleazy or something. Think of it as Occupy Wall Street with steroids instead of sleep-ins.
    Pain and Gain is based on a true story about a loathsome group of men who tortured a businessman for weeks, set him on fire and left him for dead. This brain trust also managed to murder and dismember two people. It’s not cute, it’s not funny and it’s certainly not a story that should be lionized by director Michael Bay.
    By making this crime spree look like a rap video, Bay is essentially making the Sun Gym Gang into modern-day Robin Hoods whose crimes just happen to be horrific.
Prospects: Pitch Black • R • 129 mins.

Opening April 19, 2013

    Abused foster child Eli gets a reprieve from his horrible life each year at a camp sponsored by the state. There, Eli is paired with Ken, a camp counselor who cares more about his phone than about Eli.
    Slowly, the unlikely duo bond and teach each other important lessons about life, love and faith.
    Camp seems like a pretty straight-forward inspirational film. The cast of unknown actors is a potential weakness. Still, a movie about the power of human connectivity could be a nice break from sex, lies and violence.
Prospects: Flickering • PG-13 • 111 mins.

The Company You Keep
    Jim Grant (Robert Redford) has been looking over his shoulder for years. A member of the radical Weather Underground, Jim has been on the lam for decades while living a quiet life in suburbia. That all changes when a reporter (Shia LaBeouf) digs through his past. On the run again, Jim must find a way to save himself and his new life.
    The Company You Keep is based on Neil Gordon’s novel and directed by Redford. While Redford is always reliable in a good political thriller, I’m not sold on the idea that LaBeouf can carry a film. Perhaps a cast that features Susan Sarandon, Julie Christie, Chris Cooper and Nick Nolte can overcome LaBeouf’s overly affected acting style.
Prospects: Flickering • R • 125 mins.

    After a devastating alien attack wiped out Earth, survivors fled to a lunar colony. Jack (Tom Cruise: Jack Reacher) is one of the few drone repairmen allowed to visit the planet.    While exploring overgrown buildings, Jack makes a troubling discovery. The history of the war, what happened to Earth and the fate of humanity could all be a lie.
    Tom Cruise needs to reestablish himself as a box office star. Oblivion may be the action hit he needs to regain his status in Hollywood. Still, the plot seems inspired by a SyFy Channel film. The movie hinges on whether Cruise can manage a winning performance.
Prospects: Flickering • PG-13 • 126 mins.

The Lords of Salem
    Salem radio DJ Heidi (Sheri Moon Zombie: The Haunted World of El Superbeasto) receives a mysterious package in the mail. Labeled only From the Lords, the box contains a recording that triggers bizarre and violent visions in Heidi. Convinced the recording is a message from an evil force, Heidi tries to stop the Lords of Salem from bringing the town’s violent history back from the grave.
    Directed by Rob Zombie (Sheri’s husband), The Lords of Salem promises to be a gory, brutal, underwritten horror flick. While both Zombies have a flare for blood and guts, they frequently drop the ball when it comes to dialog, plot and cinematography.
Prospects: Dim • R • 101 mins.

Opening April 12, 2013

    Jackie Robinson (Chadwick Boseman: The Kill Hole) was not the first black man to break into Major League Baseball. That honor belongs to Moses Fleetwood Walker, who played for the Toledo Blue Stockings in 1884.
    Robinson may not have been the first to break the color barrier, but he was the man who made integration stick.
    42 tells the story of Robinson’s career, chronicling the physical threats, verbal abuse and outright violence from both fans and teammates he had to overcome.
    While I’m thrilled that Robinson is getting a second movie celebrating his life — the first starred the actual Robinson — I’m fearful that 42 will succumb to the common problem of movies about racial issues written and directed by white people. I don’t want another film that follows in the footsteps of The Help, which focused on how benevolent white people uplifted oppressed African Americans.
    I’m interested in Robinson and his struggle. If the film can keep its focus on this brave and talented player, 42 might hit it out of the park.
Prospects: Bright • PG-13 • 88 mins.

Scary Movie 5
    Has there been a dearth of fart jokes in your life? Not enough crude sex humor to get you through the day? Then rejoice, for there is a new lazy parody film from the producers that have brought you such classics as Scary Movie IV and Superhero Movie.
    This film follows a couple who notice their house has taken on a life of its own since they brought their newborn home from the hospital. They set up surveillance cameras, call in exorcists and hope that they can stop the haunting.
    The brilliance of these movies is that they make millions of dollars by poorly parodying interesting films such as Paranormal Activity, Mama, Sinister and Black Swan. They don’t do it well, but they don’t need to: All they have to do is make a lead character fall down, lose bowel control, botch a sex act or a combination thereof.
    We need to demand better from our filmmakers. If you absolutely must see horror movie comedy this weekend, Netflix offers a host of options that don’t reward bad filmmaking.
Prospects: Dim • PG-13 • 85 mins.

Opening April 5, 2013

Evil Dead
    Five attractive 20-somethings spend the weekend in a remote cabin in the woods. They find a creepy old book with disturbing sketches and unsettling incantations. So of course they read the incantations aloud.
    What could go wrong?
    In the grand tradition of attractive people vacationing in remote areas, the group unwittingly unleashes a great evil that slaughters them with extreme prejudice.
    A remake of Sam Raimi’s classic horror film, Evil Dead features better effects and a higher budget. I’m not sure that more money makes for a better movie, however. The brilliance of Raimi’s original was its wry wit mixed with horrific gore.
    Also, I’m not sure any actor could fill the void left by Bruce Campbell, who became a cult idol in the original and whose deft physical comedy helped make Evil Dead an instant classic.
Prospects: Flickering • R • 91 mins.

Jurassic Park 3D
    A billionaire sins against nature by cloning dinosaurs. He funds an island theme park populated by long-extinct thunder lizards, then invites a group of paleontologists, scientists and children to preview the park.
    All seems well until a catastrophic event frees the dinos from their pens and traps the humans on the island. Now bottom of the food chain, they must try to survive — and contain — these multi-ton predators.
    With this film, Steven Spielberg inspired interest in paleontology in a generation of children. Paleontology novices also tuned into the wonders of raptors.
    The classic film featured state-of-the-art graphics, amazing practical effects and some wonderful performances. It’s still an excellent fantasy film, but I’m not sure we need a 3D update. When 3D effects are added to films shot in 2D, images often darken and deteriorate. But the studio can recycle old material and charge new higher prices.
Prospects: Bright • PG-13 • 127 mins.

The Sapphires
    Four Aboriginal sisters have a talent for singing, but their skin tone limits opportunities. In 1968, indigenous Australians had just won the right to vote but were not accepted as equals.
    A talent scout takes the group, named The Sapphires, to Vietnam to perform for the troops. As the sisters experience the thrill of fame, they also see the horrors of war. The movie develops a new theme. Will the girls make it out of Vietnam? If they do, will their dreams of fame thrive in their native land?
    Based on a true story, The Sapphires has a lot on its plate: unrest in Australia, protests of Vietnam, oppression of a race of people and the difficulties of making in into the music industry. Walking the balance between oppression and comedy is a difficult task. But genuine warmth and humor are on its side.
Prospects: Bright • PG-13 • 103 mins.

Opening March 29, 2013

G.I. Joe: Retaliation
    The military’s elite G.I. Joe unit is almost annihilated in a strike ordered by the president. That’s the first clue that something is rotten in the White House. It turns out the Cobra Organization has kidnapped the president and replaced him with a doppelganger.
    What’s left of the Joes must come together to defeat the Cobra threat and save the free world from destruction. Success depends on digging up retired Joe leader General Colton (Bruce Willis). With a cast that also boasts Dwayne ‘The Rock’ Johnson and Channing ‘No Pants’ Tatum, the film has plenty of star power. As for plot and character development, who expects to find any in a G.I. Joe film?
Prospects: Flickering • PG-13 • 110 mins.

The Host
    Need a sparkly vampire in your life? Twilight scribe Stephanie Meyer has you covered with a new story of nubile young love and long-suffering sexual longing.
    Instead of supernatural threats, we have the Hosts, an alien parasite that infects human consciousness and controls most of the world’s population.
    Rebel Melanie (Saoirse Ronan: Hanna) is captured and infected. She fights off her parasite and returns to her people, but must convince them that she’s not a traitor in their midst.
    It’s nice that Meyer is expanding her horizons to ruin other genres, but I’m not convinced that this teen-romance take on Invasion of the Body Snatchers will achieve the popularity of Twilight.
Prospects: Flickering • PG-13 • 125 mins.

Tyler Perry’s Temptation
    Ambitious executive Judith (Jurnee Smollett-Bell: True Blood) is happy in her career but bored with her marriage. When a sexy billionaire client romances her, she makes decisions that will shake the foundation of her marriage and possibly ruin her life.
    Tyler Perry has a bad habit of preaching to women about how they should act. Women should support and appreciate their man. Women should trust in God and do what the Bible tells them.
    There is never any grey area for his characters. They’re either sinners or redeemers; maternal teachers or smart-mouthed witches who need a lesson. Occasionally part of this lesson is physical violence.
    The formula has worked for Perry, who is one of the most successful directors and writers working today. I’m uncomfortable with his preaching and condescension. Then again, I’m a woman and need to be taught a lesson.
Prospects: Flickering • PG-13 • 112 mins.

Opening March 22, 2013

    Tough and fair, Princeton admission officer Portia (Tina Fey: 30 Rock) has never caved to bribes, begging or threats. Now up for a big promotion, she’s thrown a curveball. The dean of an alternative high school (Paul Rudd) asks Portia to look at a student. The boy is not standout Princeton material, but he might just be the child she gave up for adoption 18 years ago.
    Admission is a fairly standard romantic comedy that compensates for predictability with a decent cast. Together, Rudd and Fey might transcend the clichés of the genre, but odds are this is a film worth saving for cable.
Prospects: Flickering • PG-13 • 117 mins.

The Croods
    Grug Crood (voiced by Nicholas Cage: Stolen) knows the dangers of the outside world. He protects his cavemen clan by keeping them at home while he ventures out to find sustenance. But Grug’s rebellious daughter Eep wants freedom.
    When a freak accident destroys the family’s cave, Eep gets her wish: Looking for a new home, they discover that while life can be dangerous, the world outside the cave is beautiful.
    Cage hasn’t been a mark of quality for a while. But rising talents like Emma Stone and Ryan Reynolds could infuse The Croods with energy and excitement. Animators have also gone out of their way to create a colorful if not entirely accurate portrait of prehistoric life. The Croods looks like a great option for younger moviegoers, but the humor and slapstick will likely fall flat on older audiences.
Prospects: Flickering • PG • 98 mins.

Olympus Has Fallen
    If one season of 24 could be reduced to a two-hour film, this is what you’d get.
    Bad choices by Secret Service agent Mike Banning (Gerard Butler: Movie 43) led to the death of the first lady.
    Luckily for him, terrorists take over the White House and hold the president hostage. Mike is the president’s only chance — which must make them both a bit anxious.
    Olympus Down plays like it was dreamt up over a three-martini lunch. Producers imagined that Die Hard in the White House would draw in big box office numbers with its mix of dumb action and sensationalism. What makes this film unique, therefore, is not the script or the direction but the cast of legitimate actors.
    If you’d like to know how Oscar winners Morgan Freeman and Melissa Leo — as well as nominees Angela Basset and Aaron Eckhart — make their mortgage payments, this film is the answer.
Prospects: Dim • R • 100 mins.

Spring Breakers
    Four girlfriends are tired of their boring, goody-two-shoes lives. They cast caution — and most of their clothes — to the wind and embark on a wild drug- and booze-filled spring break. Along the way, they flee the cops, tangle with a sleazy rapper and discover the joys of partying until they’re blackout drunk.
    Spring Breakers is comedy for boys. Please don’t take impressionable girls to this Disney Girls Gone Wild production. They might love Selena Gomez, but I doubt you’ll want them repeating her behavior.
Prospects: Dim • R • 94 mins.

Opening March 15, 2013

The Call
    Traumatized by a call from a murder victim she was unable to help, emergency operator Jordan (Halle Berry: Movie 43) vows to do better the next time.
    She gets her chance with Casey (Abigail Breslin: Perfect Partners). Jordan realizes the monster behind the 911 call is the same killer from that earlier victim.
    Now, as they say, it’s personal. As this is a thriller and not a horror movie, odds are Jordan will kick butt and take names in her quest to stop the psycho and save the girl.
    The premise looks a bit silly, but I’m always in favor of thrillers featuring female leads who can solve their own problems. Can Berry’s Jordan join Ripley and Sarah Connor in the pantheon? If Berry stays out of the Catwoman costume, she has a fighting chance.
Prospects: Flickering • R • 95 mins.

The Incredible Burt Wonderstone
    Old-school illusionists Burt Wonderstone (Steve Carell: Hope Springs) and Anton Marvelton (Steve Buscemi: 30 Rock) once packed Las Vegas theaters. Lately, they’re playing to empty rooms, upstaged by daring stunt magician Steve Gray (Jim Carrey: 30 Rock).
    To save their stage show and show up Gray, Wonderstone and Marvelton must update their acts and win a magic competition. Along the way, Wonderstone is supposed to rediscover his passion for the art of illusion.
    A slapstick comedy of magic and marvels, the only surprising aspect of this movie is that Will Ferrell didn’t grab a starring role. But the combination of Carell, a proven comic, and Carrey, who needs a hit, could be a winning formula.
    Still, silly gags and goofy costumes don’t make a magical movie. The trick will be pulling fantastic performances out of this hat.
Prospects: Flickering • PG-13 • 100 mins.

    Quiet India (Mia Wasikowska: Lawless) further withdraws when her father dies. Left with her cruel mother (Nicole Kidman: The Paperboy), India is surprised by the appearance of her long-lost uncle Charlie (Matthew Goode: The Poison Tree).
    But dear uncle Charlie proves more sinister than sincere. Can India find out her uncle’s secret without ending up dead, like her father?
    Seemingly a riff on this reviewer’s favorite Hitchcock film, the brilliant Shadow of a Doubt, Stoker could be an excellent tribute. Or not. Chan-wook Park (Thirst) is an expert at setting a mood and teasing out the quirks of character, so his English debut may follow in Hitchcock’s footsteps.
Prospects: Flickering • R • 98 mins.

Opening March 8, 2013

Dead Man Down
    Victor (Colin Farrell: Seven Psychopaths) is a man bent on death and destruction. The target of his ire is gangster Alphonse (Terrence Howard: Movie 43), who massacred Victor’s family. When a mysterious woman joins Victor’s scheme for vengeance, the duo tears apart Alphonse’s crime syndicate, body by body.
    A fairly standard-looking crime thriller, Dead Man Down depends entirely on Farrell’s ability to do a convincing Charles Bronson impression. Noomi Rapace, the original Girl with the Dragon Tattoo, should be a welcome addition to the cast, as she’s proven time and again that she can kick butt and take names.
    Still, this film seems more late-night cable fare than Hollywood blockbuster. It might be better to wait a few months for it’s inevitable arrival on Cinemax.
Prospects: Flickering • R • 110 mins.

    Directly after the surrender of the Japanese forces to end World War II, General Douglas MacArthur (Tommy Lee Jones: Lincoln) is put in charge of the enemy nation. He must decide whether emperor Hirohito should be tried and hanged as a war criminal or given a reprieve.
    MacArthur turns to Japanese expert General Bonner Fellers (Matthew Fox: Alex Cross) to navigate this delicate situation.
    An interesting look at a tough time in U.S. and Japanese history, Emperor could be a stirring drama about the heavy responsibilities of powerful men. The romantic story woven into the plot seems unnecessary, but it might offer relief for those who don’t enjoy political and historic drama.
    Fox has yet to prove he can carry a film, but perhaps putting him back on an island will remind this Lost alum that he can emote. Jones should be an excellent — and likely scene-stealing — MacArthur. History lovers should line up to see this film, though WWII laymen might find it a little too scholarly.
Prospects: Flickering • PG-13 • 98 mins.

Oz the Great and Powerful
    Circus magician Oscar Diggs (James Franco: General Hospital) is sick of hustling Kansas rubes and longs for a life of wonder and luxury. He gets his wish when a twister takes him over the rainbow to the land of Oz.
    Diggs realizes he’s landed in the middle of a power struggle among three witches: Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams). He must use illusion and a bit of magic of his own to help the people of Oz. Can he become the wizard they’ve been waiting for?
    If you ever watched the epic story of Dorothy and wondered about the man behind the curtain, Oz the Great and Powerful is the film for you. Directed by comic-horror master Sam Rami (Drag Me to Hell), the effects and action should be exciting. Still, I’m not sure this candy-colored tale can live up to its 1930s’ techno-color inspiration.
Prospects: Flickering • PG • 130 mins.


Opening March 1, 2013

Jack the Giant Slayer
    After years of bitter fighting, giants and humans reached a peace accord. The treaty is shattered, however, when farmhand Jack (Nicholas Hoult: Warm Bodies) unwittingly opens a gateway between their dimensions with a magical beanstalk.
    Now, giants are stomping through the countryside, and Jack must find a way to fix his mistake.
    An interesting take on a classic fairytale, Jack the Giant Slayer looks like a fun film for smaller moviegoers and a bit mind-numbing for older ones. Big special effects and hokey writing don’t offer much hope for a nuanced story. Do giants really need to yell Bring the Thunder when they attack? Isn’t their size intimidating enough without catchphrases?
Prospects: Flickering • PG-13 • 114 mins.

The Last Exorcism Part II
    Nell (Ashley Bell: Chasing Shakespeare) finally rid her body of an evil spirit and fled her rural surroundings to start a new life. Now it seems that her devilish imaginary friend has found her in the big city, forcing her to once more fight to keep her body and mind free from evil.
    It doesn’t say much about the power of the first exorcism if a part two is needed. It also doesn’t say much about the competence of the studio to have approved a project with such a weak premise and lazy title.
Prospects: Dim • PG-13 • 88 mins.

    Soviet sub captain Demi (Ed Harris: Sweetwater) is called back to duty to escort a group of shady men on a secret mission. It isn’t long before Demi realizes that these men and his government are bent on igniting World War III.
    I’m not convinced this story is anything more than an over-long Twilight Zone episode, but perhaps it’s a really good Twilight Zone episode. Phantom’s cast certainly has pedigree, boasting Harris, William Fitchner and Lance Henriksen.
    If you long for the days of Red Dawn, Rocky IV or The Hunt for Red October, this Soviet-steeped drama may be just the ticket this weekend.
Prospects: Flickering • R • 97 mins.

21 and Over
    Jeff Chang is an overachiever who walks the straight and narrow. On the eve of his 21st birthday, his two best friends invite him out for the traditional drinking binge. Jeff demurs, citing an important medical school interview the next day.
    But peer pressure and idiocy win the day, and Jeff agrees to go out for one beer.
    As with all these movies, one beer turns into two and before you know it, Jeff and company are running from cops, crashing cars and causing general mayhem wherever their drunken staggering takes them. Think of it as The Hangover, college years.
    If you enjoy boobs, drunken humor and whacky destruction, 21 and Over might be a great way to spend an hour and a half. But the only way most moviegoers will make it through this film is with a flask. Chug! Chug! Chug!
Prospects: Dim • R • 93 mins.

Opening February 22, 2013

Dark Skies
    The Barret family is enjoying a typical suburban life when things turn odd. They lose hours in their day, objects are moved around the house and strange markings appear on their bodies.
    They’ve been marked for abduction by aliens.
    Dark Skies looks like it might be creepy, but the problem with these tales is that audiences are usually familiar with the genre. So instead of experiencing suspense, you anticipate the events. Let’s hope the movie finds a creative way to expel those pesky aliens from the Barrets’ lives.
Prospects: Flickering • PG-13 • 95 mins.

One Life
    You’ll experience the journeys of several species struggling to thrive in their natural habitat in One Life, which focuses on the cyclical nature of life for all animals on Earth.
    The documentary, narrated by James Bond himself Daniel Craig, takes you touring exotic locales and teaches you about the lives of different animals.
    The film should be low on gore and sadness, so you shouldn’t worry about bringing the little ones to the screening to learn about nature.
Prospects: Bright • PG • 85 mins.